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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
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    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

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  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

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  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

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  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide

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  • Posts

    • They actually lowered the lens brightness from f2.2 on the Mavic Pro to f2.8 on the Mavic air. So it gets 3/4th of a stop less light that the Mavic Pro (I hope those are the correct figures). The slightly under-exposed videos were mildly apparent. Apart from that, it seems way better than the Mavic Pro and the Spark, for the buck.   I know people have relaced the broken Mavic Pro lens, which has requires a little effort because 2 screws and one electrical connection point are involved. I wonder if the Mavic Pro lens could be fitted on the Mavic Air. 
    • What exactly is the point of advertising that the Ninja Inferno is also able to serve as a portable editing solution if the required converter costs triple or quadruple what you paid for the recorder/monitor itself? But that’s exactly what Atomos is claiming. I was on the phone with Atomos technical support in Melbourne this afternoon and was told that the only compatible converters are the AJA I/o 4K and Blackmagic Design Ultrastudio 4K Extreme – devices which run around $3,000 USD – more than I paid for my 2017 27″ 5K iMac for crying out loud! And in Vietnam, the BMD Ultrastudio Extreme 3 with Thunderbolt 3 interface will set you back an astronomical $3,600.00. As if that weren’t bad enough, I want to begin shooting 4K 60p V-Log Lite right away, but Atomos distributors here in Vietnam don’t even carry full HDMI 2.0 cables. At this point, you might legitimately wonder why I’m so eager to jump on the HDR bandwagon when hardly anyone even owns an HDR television – and lately, I’ve been questioning my own sanity as well. The reason is that, even setting spectacular dynamic range aside, when viewed on YouTube, HDR video is incomparably cleaner and crisper looking than SDR. Shadow areas that are smudged and overwhelmed with macroblocking and artifacts when viewed in 4K are, if not immaculate, greatly improved when uploaded in HDR. Textures that were faint become palpable as a result of the insanely higher local contrast of a true HDR display. So much so, in fact, that I’d argue that the difference in apparent resolution is more appreciable than between 1080p and 4K.
    • The new Mavic has a pro video which shows part of it at night:
        Of course it won't be as good as a better drone, but if it works with the budget and works with what you need then no harm trying. 

    • LOL

      But hey... if he is offering to do it for free, take it! If shot at early dusk and graded with care, you might be able to pull it off. 
    • Your right. They are just the largest and most successful manufacturer of both mirrorless and DSLRs with huge profits. But this announcement must appeal to a OliKMIA or they are done. Because they are one single customer short of bankruptcy.
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