Andrew Reid

Only in ProRes RAW or via HDMI in N-LOG? Does it ever happen to internal recordings in Flat or EOSHD Z-LOG?

It has a good character to the image at ISO 6400 especially in 10bit, with a fine organic noise style, perfectly usable. At ISO 12,800 above it is quite a noisy camera compared to the super clean S1H, Z6, A7 III, and A7S cameras of this world. ISO 12,800 continues to be a rarity for me, I usually don't need to go higher than 6400. What did C5d show?

Anybody got any city scenes and low light material? Throw it our way. I am curious to see how current cameras compare especially X-T3 F-LOG, Panasonic S1H and Nikon Z6 raw.

Thank you, that proves it for 10bit (C-LOG) Now I think what is happening with the RAW mode is those claiming no AF had it in 60p. Still would like to see proof of it working in 24p, 25p, 30p though. Meanwhile, I am enjoying my 8K full frame sensor readout on the Leica SL2

Hey Wolfy, what camera were the sample shots above shot on?

Thanks dude. I am curious as to Arri's obsession with cows and bunnies? https://arriwebgate.com/directlink/b043cddb9c4658e0

I am going to build a directory of Alexa files for people to download and play with. Any helpful submissions very welcome. Or pointers to existing file downloads online.

Sometimes the official spec sheets have mistakes in them. Like the Leica SL2 manual. Full frame 8K pixel readout (full scan)? Yes please! And sometimes specs change between the draft of the manual and actual V1.0 firmware. Maybe the SL2 did indeed have a Full frame 5K mode from 8K during development, which was subsequently changed to 5.5K crop mode. But it's more likely here that the copy-writers got confused between 35mm and Super 35mm sensor areas.

I just ordered the Smallrig cage for my Fp. Looks well designed. https://www.smallrig.com/smallrig-cage-for-sigma-fp-camera-ccm2518.html

Probably quite high, I know Panasonic are considering it. ProRes and RAW internal on mirrorless cameras would be great next step.

It's going to get the camera some deserved fans, but the catch is that whose factoring in $$$ rental costs likely have an important project coming up and it would be a big gamble to save $3000-$6000 to bring an untested camera in at $99 per week they have no experience of. Those in the right position to do this though absolutely should. The image is one of the best full stop.

Why is anybody bothering with the Pocket cameras when there is an image this good from the Panasonic S1 out there? I just don't get it. There are a lot of apologists out there for Blackmagic cameras. I think the brand has a very strong cinematic association. If it were the Pentax Cinema Camera or the Nikon ProRes Camera the hype would be a lot less. Blackmagic have done a lot of great things, Resolve, the codec side, but the S1 and S1H have a flat out better image. It's that simple. And why anybody would not want the other things offered like IBIS and EVF, also baffles me. Shootout coming soon.

The S1H is growing on me. The image is just barmy. Cinema on a stick. I just wish it were smaller, lighter, and ergonomically less bricky.

Well, have you seen what e-infinity is selling the A7R IV for? £2200. It is £3500 in the UK shops. No wonder they have sold a bucket load. E-infinity isn't a good representative for the market, the pricing is a fluke and they are a niche grey market store.