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  3. Exposing c-log3 on the R6m2

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  5. Canon EOS R5C 1 2 3 4 38

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    • I think the only thing that a S2H could have that would make me even think about it would have to be internal ND. Honestly the S5II X does everything i need and then some. 
    • There’s a rumor that the S1Rii that might be announced next week and will have a different sensor that’s in the SL-3. Will be interesting to see where things fall with LUMIX moving forward in 2025. Maybe this is the shift away from the previous partnership? I would love to see Sony give up the 50mp sensor that’s in the original A1. Get a $3,500 version of the A1 from LUMIX here soon? Yes please.   
    • No there are zero compatibility issues with Sony Slog and Davinci. FWIW Sony were the first to introduce log on a mirrorless camera so its supported in every NLE. FX3 is super compact so ideal for confined spaces like a car.  Reason I recommend it is that the FF 12MP sensor is optimal for low-light situations with a second base ISO of 12,800. Other strong points is super low rolling shutter (great for fast run & gun), IBIS and cine features like shutter angle and in-camera LUT support. And it comes with an XLR handle. Oh and The Creator was shot entirely on it so yeah its pretty legit even on the high end.
    • Don’t you already have that though with pixel to pixel and S35 modes? Also, Leica has some stellar APSC L mount lenses. What would be the point of making a dedicated APS-C camera at this point in the game?
    • There is a list of models compatible with PageOS 5 (which introduces EL Zone) on SmallHD's website. If memory serves, the 510 cannot be upgraded to 5, but the FOCUS monitors can.
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