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    • Would Nikon go to such a small niche market like this, that is PL mount lens. I personally think they envision a Sony like lineup from red in the future. Option one would be to start just above the z9 price bracket with a new Komodo directly in competition with the Sony FX6. A 6k global shutter camera with a video camera form factor with XLR input, timecode etc. but this time it would include Nikon super good autofocus, Stabilization, CFexpress memory, Z mount and if possible internal ND. I don't know if their is enough space for the later.  This type of camera, will be the type of high volume camera, that Nikon can use to make with little change some Cine like Z mount lens, because lets not forget, while the Z mount are the most adaptable lens mount, the Z lens are the least because of this.  
    • I can't see there be anything 'RED' in the Z6iii unless there was something going on behind the scenes, at least 6-12 months back. Certainly nothing 'innovative', but what do I know... I suspect the future of this is RED raw in certain future Nikon hybrid cameras and a Z Mount option for whatever future RED bodies there may be. I suspect that is about as 'exciting' as this gets...
    • Try PhotoJoseph’s complete 3 1/2 hour masterclass here: The Mini Pro versions of the ATEM have the MultiView option for the HDMI output and the Extreme has the hardware macro buttons. Audio delay is adjustable per channel. If you can stretch to the ISO version of the Mini Pro or Extreme then each individual channel and the master are recorded to SSD along with a project file of all the cuts that you can then load directly into Resolve to re-cut it. If you are using BM cameras then you can then automatically swap in the original camera media and there is now a workaround (see PhotoJospeh’s channel) to do this with any camera. I have designed two products for the ATEM that will be released at the end of April and one of those will be of interest in terms of creating custom functionality for DVE etc as well as offering more direct control of existing functions that do not have dedicated hardware input on the control surface.
    • That seems most likely. Canon cine lenses have PL options and thats Nikons historical competitor.. 
    • This. I have no interest in mirrorless cinema lenses locking me into a particular mount, particularly manual cinema lenses. Nikon lenses in PL mount, however, that would be extremely welcome.
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