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Matt Kieley

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Matt Kieley last won the day on March 8 2018

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About Matt Kieley

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    http://vimeo.com/mattkieley

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  1. This is an interesting interview about fair use with the creators of Nirvanna the Band the Show (which is hilarious and everyone should watch it).
  2. So a couple years ago I posted a couple of videos I shot with the Canon TV-16 25mm 1.4 c-mount lens and the BMPCC. I loved the lens, but had to sell it (and some other gear) for financial reasons. I didn't want to sell it, but since I had a full set of Fujinon-TV lenses and only one Canon, and there seemed to be few Canon TV-16 lenses on ebay, I ended up selling it. I'm working full time again and more financially stable so I decided to try and track down the Canon TV-16 lenses. I set up an alert with eBay, not expecting anything, but just hoping. As luck would have it, some lenses popped up. The 25mm 1.4, like the one I had before. I looked at the listing and thought "wait a minute, this one has a follow focus gear attached to it like what I had done to mine. Wait, the seller's username is familiar. Holy shit, this IS my old lens." So I made an offer and won He was also selling the 13mm 1.5 for a fair price. And there were a couple 50mm 1.8 lenses available from other sellers. So, I not only put together a set very quickly, I got my old lens back. I shot some BTS (with the BMMCC) for a friend's short film recently, using the lenses. The first two shots are the 50mm, last two are 25mm, everything in between is the 13mm. Mostly shot at f/2.8-4. The 13mm and 50mm flare like crazy, but I like it. These definitely have a ton of character and are probably my favorite vintage c-mount primes now.
  3. Thanks. I had to open up the project file because it's been so long I forgot what I did. Looks like all it was was the free Ground Control BMDFilm-709 lut in the Basic tab of Lumetri, plus the Fuji Reala 500D/Kodak 2393 in the Creative tab...and that was it. Plus Gorilla Grain 35mm Medium Grain overlay. I can't find the Super 8 project file, but I think it was the same grading but with a little blue added to the shadows and highlights, plus I believe Gaussian Blur to soften, and the "Hand Processed Super 8" grain overlay by Dissolve (free). And there are also Super 8 film burns by Austin Newman (also free).
  4. I shot and edited this back in November 2018, but didn't feel like sharing it. Looking back months later, I actually like the grade I did, so here you go: And here's some of this footage with a Super 8 look:
  5. You might be able to get a good deal on the 'bay if you're a little patient. I just won an auction on the Micro WITH an Olympus 17mm 1.8 bundled for $555, and I immediately resold the lens for $250 and used that to put together a solid rig (Smallrig cage/monitor mount, wooden rosette handle, NP-F bridge with NP-F batteries) that makes it very functional and usable. It's like a little baby Red camera now.
  6. My Feelworld 5.7" "4K" monitor can do both horizontal and vertical flip. Edit: this is the one I have: https://www.bhphotovideo.com/c/product/1367937-REG/feelworld_fwf570_f570_5_7_4k_hdmi.html
  7. Well then I guess you better set up those tracks and do it for real. If it's really important, then it's worth doing right.
  8. I guess a slider for short moves, for longer tracking, maybe a gimbal + someone pulling the camera operator in a wheel chair? A wheel chair was my poor man's dolly back in the day.
  9. I re-bought the Fujinon-TV 12.5mm to go with my 25 and 50 and did this quick and dirty test. Wide shots are unusable at f/1.4 but good by f/2.8, even better at f/4. Close-ups look pretty good at f/2 since the slight softness is more flattering to skin and the edge softness isn't as noticeable to due to the face being closer to center and the most in-focus in the frame.
  10. Thanks! I like not having bad aliasing in people's hair/eyebrows when shooting close-ups on the GH4, and I like the creative options like VFR mode (I really love that I can set it to custom frame rates instead of just having set frame rates to choose from). I like the slight extra bit of width I get out of my c-mount lenses. I also love being able to tweak the image in camera and not needing much grading (all I did was adjust contrast and added a Fuji film look in Lumetri). I love the bmpcc until the aliasing/moire starts to get to me. I also kinda hate grading log footage. After doing both for some time, I prefer getting the desired look as close as possible in-camera. I shot in CineV with the contrast/sharpness/NR at -5, Saturation at -1, Hue and Master Ped at 0, iDynamic and iResolution off. I did a controlled lighting test of all the different profiles and that is what I preferred most. Adding a Polarizer makes it look especially nice.
  11. Speaking of Fuji C-Mount lenses, here's some footage of the 25mm and 50mm (and Cosmicar 12.5mm/Canon V10X15) I shot on the GH4: All lenses are shot wide open in this video:
  12. Shot with the GH4, which I just got this past week. I sold the Micro last year to a friend (I still have access to it) and sold the Pocket to buy the GH4. I didn't know about that 110 adapter, but it's a little pricey for me. I mainly got the lens so I could get wide shots in 1080p as my Cosmicar 12.5mm vignettes except in 4K.
  13. Just got a Pentax Auto 110 18mm f/2.8. This is one of the smallest lenses I've ever used, and incredibly sharp and pretty, especially considering it's stuck at f/2.8. I wish it had an aperture for more control over the depth of field, but it's still good. I might have to get the 24mm and 50mm 110 lenses.
  14. Finally got my hands on a Canon V10X15 15-150 c-mount zoom lens for just $20. I shot this very quick test on the bmpcc (shot wide open) and I love it so far. The lens is pretty big so I'm using rails and the SmallRig lens support. I like the zoom range--10x is the same range as my beloved DVX100 (though the FOV is different). It has nice round bokeh at 2.8 that doesn't have those odd "dips" as the smaller range c-mount zooms I've had (V6X17 and similar Fuji lenses I've had).
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