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Matt Kieley

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Matt Kieley last won the day on March 8 2018

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About Matt Kieley

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  • Birthday 09/17/1987

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  1. Thanks. I had to open up the project file because it's been so long I forgot what I did. Looks like all it was was the free Ground Control BMDFilm-709 lut in the Basic tab of Lumetri, plus the Fuji Reala 500D/Kodak 2393 in the Creative tab...and that was it. Plus Gorilla Grain 35mm Medium Grain overlay. I can't find the Super 8 project file, but I think it was the same grading but with a little blue added to the shadows and highlights, plus I believe Gaussian Blur to soften, and the "Hand Processed Super 8" grain overlay by Dissolve (free). And there are also Super 8 film burns by Austin Newman (also free).
  2. I shot and edited this back in November 2018, but didn't feel like sharing it. Looking back months later, I actually like the grade I did, so here you go: And here's some of this footage with a Super 8 look:
  3. You might be able to get a good deal on the 'bay if you're a little patient. I just won an auction on the Micro WITH an Olympus 17mm 1.8 bundled for $555, and I immediately resold the lens for $250 and used that to put together a solid rig (Smallrig cage/monitor mount, wooden rosette handle, NP-F bridge with NP-F batteries) that makes it very functional and usable. It's like a little baby Red camera now.
  4. My Feelworld 5.7" "4K" monitor can do both horizontal and vertical flip. Edit: this is the one I have: https://www.bhphotovideo.com/c/product/1367937-REG/feelworld_fwf570_f570_5_7_4k_hdmi.html
  5. Well then I guess you better set up those tracks and do it for real. If it's really important, then it's worth doing right.
  6. I guess a slider for short moves, for longer tracking, maybe a gimbal + someone pulling the camera operator in a wheel chair? A wheel chair was my poor man's dolly back in the day.
  7. Matt Kieley


    I re-bought the Fujinon-TV 12.5mm to go with my 25 and 50 and did this quick and dirty test. Wide shots are unusable at f/1.4 but good by f/2.8, even better at f/4. Close-ups look pretty good at f/2 since the slight softness is more flattering to skin and the edge softness isn't as noticeable to due to the face being closer to center and the most in-focus in the frame.
  8. Matt Kieley


    Thanks! I like not having bad aliasing in people's hair/eyebrows when shooting close-ups on the GH4, and I like the creative options like VFR mode (I really love that I can set it to custom frame rates instead of just having set frame rates to choose from). I like the slight extra bit of width I get out of my c-mount lenses. I also love being able to tweak the image in camera and not needing much grading (all I did was adjust contrast and added a Fuji film look in Lumetri). I love the bmpcc until the aliasing/moire starts to get to me. I also kinda hate grading log footage. After doing both for some time, I prefer getting the desired look as close as possible in-camera. I shot in CineV with the contrast/sharpness/NR at -5, Saturation at -1, Hue and Master Ped at 0, iDynamic and iResolution off. I did a controlled lighting test of all the different profiles and that is what I preferred most. Adding a Polarizer makes it look especially nice.
  9. Matt Kieley


    Speaking of Fuji C-Mount lenses, here's some footage of the 25mm and 50mm (and Cosmicar 12.5mm/Canon V10X15) I shot on the GH4: All lenses are shot wide open in this video:
  10. Matt Kieley


    Shot with the GH4, which I just got this past week. I sold the Micro last year to a friend (I still have access to it) and sold the Pocket to buy the GH4. I didn't know about that 110 adapter, but it's a little pricey for me. I mainly got the lens so I could get wide shots in 1080p as my Cosmicar 12.5mm vignettes except in 4K.
  11. Matt Kieley


    Just got a Pentax Auto 110 18mm f/2.8. This is one of the smallest lenses I've ever used, and incredibly sharp and pretty, especially considering it's stuck at f/2.8. I wish it had an aperture for more control over the depth of field, but it's still good. I might have to get the 24mm and 50mm 110 lenses.
  12. Matt Kieley


    Finally got my hands on a Canon V10X15 15-150 c-mount zoom lens for just $20. I shot this very quick test on the bmpcc (shot wide open) and I love it so far. The lens is pretty big so I'm using rails and the SmallRig lens support. I like the zoom range--10x is the same range as my beloved DVX100 (though the FOV is different). It has nice round bokeh at 2.8 that doesn't have those odd "dips" as the smaller range c-mount zooms I've had (V6X17 and similar Fuji lenses I've had).
  13. Matt Kieley


    I would say so haha. I worked as 2nd AC on a short film this past summer. Here's a photo I took of the DP with the Rep Dragon and Angeniuex Optimo 12x zoom lens. We had to carry that shit up and down hill every day and it fucking sucked.
  14. Matt Kieley


    I've been away for a while, just working on scripts and trying not to wast too much time on the internet. I just came back to share my newest lens find. I wanted an 8(ish)mm lens (24mm equivalent) for the bmpcc, to split the difference between my Fuji 12.5mm and Computar 6.5mm. I'd been thinking of the SLR Magic 8mm, but even though it's super cheap for what it is, I couldn't really afford it at the moment, plus reviews I'd read here noted the difficulty of the focus ring and set screw. Then I remembered a video on youtube showing off different lenses, including the Cosmicar 8.5mm f/1.5. I had bought what turned out to be the 2/3 format version a couple years ago when I first saw the video, which doesn't cover the sensor. The version that covers a 1" sensor has a larger front, like the Cosmicar 6.5mm lens I used to own, and it never shows up on ebay, and others had previously gone for $500 a couple years ago. But I managed to find one bundled with an "As-Is" CCTV camera. I was aware that this lens would need some modification, and luckily it took a very small amount of hand-filing the edges, as I've done with Cosmicar lenses in the past. This one only took about 30 minutes to complete, unlike other lenses. My copy also needs a little cleaning. I love this lens. It's pretty sharp from edge to edge, even wide open. It's distorted, but it's acceptable to me (I like a bit of distortion). Some grabs from the video: f/11. f/1.5 F/2 Since my Fuji 12.5mm is only good from edge to edge at around f/4 or lower, and my Computar 6.5mm is garbage above f/8, this may become by go-to wide angle lens. It should work well for glidecam shots too.
  15. Matt Kieley


    I DP'd a short recently. This was my first real test of my Fujinon-TV lenses on the BMMCC/BMPCC. The director/writer/editor added a sepia filter instead of the look we had talked about (I think maybe he just didn't know how to grade the log footage) so I put together this reel with my own grading.
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