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ntblowz

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  1. Yeah, 8K50/60P internally in RAW format only. If you have PD-powerbank connect to R5C it will power the lens and AF as well.
  2. This is the only test I can see that they did 8K25p and 8K50P rolling shutter, seems like same rolling shutter performance on 25p and 50p
  3. This is R7 thread not R5C, you probably need to ask on the R5C thread
  4. On R5/R5C 8K/4K Fine it is 15.5ms, on 4K standard mode and 4K50p it change to 9.6ms, on 5.9K RAW APS-C it is 11.5ms On R7 the 4K Fine mode it is around 31ms according to the graph, so if 4K50P is 14.5ms then I think 4k non standard will be the same as 4K50p. I knew Gordon done the test of 4K fine, 4K standard and 1080p quality comparison on the R5, 4k standard is still way sharper than 1080p.
  5. The transmitter can record 40hr of audio (not the battery life) so if not using the wireless function the wireless go II is nice little audio recorders to put anywhere.
  6. For wireless HDMI Accsoon CineEye 2 Pro is much better than Hollyland Mars series, the connection is much more solid when the crowd get massive.
  7. Amazon Au have 24-26% off on R10 and R7 so I got myself R7.
  8. I started with Oly, Pana and Sony (epl1, gh1 and nex 5n all the way to Gh5s/a73/FS5) unlike most ppl who started with Rebel, and now I m sole Canon shooter, go figure! I really take internet with grain of salts especially all the Sony Hype trains on YouTube where they really magnified the plus and barely talk about negatives at all! The basic RF lens is still pretty cheap, and I still uses ef lens (if I cant get work's RF trinity that is). It also funny to me because in the beginning mirrorless users (include me) say you can adapt any lens so that a good advantage, and now it's all ohh it better to use native, adapting lens is bad. Funny how they changing the narrative 🤣 While I still open to use any lens as necessary ha! (Like those fancy anamorphic)
  9. FX30 is not pure raw as it does some processing to output 4.7k Raw from 6k sensor.
  10. 8K is definitely nice for greenscreen, especially like shooting veils or woman's hair in genral
  11. If I m shopping for new cam or upgrading from R the R6II and R7 will be a really nice comob... for nearly same price as a single R5. The pre-buffer 3-5s for videos is really handy for wild life video and event work, there are some instances that I wish I press record sooner.
  12. This one offer license option for mainstream music https://lickd.co/
  13. If you dont need to shoot longer than 30min than R5 will be good as EF lens will work fine with adapter, on APSC mode the R5 supersamples from 17MP so image will be sharper than non HQ FF 4K60P, if you want sharpest 4K then the 4K HQ is definitely nice. For me I mostly use 4K HQ now and occasionally uses 50P or 120P for broll or specific slowmo. Also IBIS is even better after 1.6 which I can totally use handheld in replacement of gimbal on some moving shot, saves time in post or setup.. But if it were for me now I would probably choose either FX30 (if need 4K120P and dont need much photo) or R7 (hybrid) lol.
  14. Good thing we shoot 25p here so 1/50 is perfect lol
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