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newfoundmass last won the day on July 18

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About newfoundmass

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  1. Thank you! I always try to support and encourage these kinds of channels when I find them because I want them to know it's appreciated, no matter how many views or subscribers they have.
  2. What are some of the lesser known YouTube channels that you find to be informative / helpful /whatever for Filmmaking? Most of these channels have under 10,000 subs when I think they deserve more. Felicia Smith https://www.youtube.com/channel/UC0VID5nSIk6QDC65bHym7TQ I stumbled upon her channel and there are videos that I wished I'd seen when I first started, especially the "What's in a camera assistants bag?" video that goes over tons of things I had to learn "the hard way." I also think it's cool that she adds another female voice to filmmaking. Not enough of those. DIYCameraGuy https://www.youtube.com/user/DIYCameraGuy I think he has some cool little tricks up his sleeve. I wish he was more active, but when he does make a video I almost always get something out of it. Gaffer & Gear https://www.youtube.com/channel/UCOgN351K45vTrozaadFPXlA What I like about this channel is how in depth he gets. Again this is stuff I'd wished I'd seen when starting out, and is helping me shore up some of my weaknesses when it comes to production and filmmaking. Lucas Pfaff https://www.youtube.com/user/erish2k5 I like Lucas's channel because he reviews a lot of budget gear, and has also started getting into stuff like anamorphic shooting, something I'm starting to dip my toe into. TL;DR Filmmaker https://www.youtube.com/user/TheAsianFilmmaker7 I've been dipping my toe into narrative work, and I've found his videos to be pretty helpful. He also does quite a few reviews on budget gear. I do worry though that he's becoming another YouTuber that gets free gear in return for reviews. Video Gizmology https://www.youtube.com/channel/UCv23Zj2x11HHN-NG3fU_64g He owns a lot of equipment! I'm not quite sure why, ha ha, but he does. And he usually does a pretty in depth overview for quite a bit of it, and will do comparisons. ----- I feel like the filmmaking/production community on YouTube has changed a lot over the last couple years, and not for the better. While you still can get a lot out of them, education and teaching has taken a backseat to everyone wanting to become an "influencer." Get those free trips, free stuff to review, get that ad revenue, etc. So I just thought maybe I'd turn some people into some channels that really are helpful and have yet to fall into that cycle. Hopefully they help someone! Please share some of your own!
  3. I don't disagree that it's preventing innovation, but what's the most likely outcome here? Apple cementing itself even further. We're exchanging one greedy overlord for another.
  4. It was their first foray into mirrorless, I'd cut them some slack. They did quite a bit right out the gate, more than I expected. They also probably don't want to introduce internal RAW in their entry level full frame mirrorless camera.
  5. While true, a lot of revenue would be lost by the influx of third parties that would be able to release accessories that Red was once able to sell for thousands of dollars. Those Mini Mags that started this I can almost guarantee have a significantly higher profit margin than their actual cameras. Those cameras need those "proprietary" accessories to function, and are a huge part of RED's business. RED cameras were designed that way for a reason. Creating your own ecosystem, while using patents and legal threats to keep others from selling third party products, wasn't an accident.
  6. I was referring more to the major players. Yeah, in a battle between Apple and Red I'm not sure any of us win. It may open up compressed RAW for most of us, but giving Apple even more control and dominance makes me uneasy. Which may be Apple's intention. I know some don't think they have any interest in a camera company, but they're making moves in the streaming market, which ultimately leads everyone into producing their own original content. Apple looking to gain a foothold into the cinema industry isn't unrealistic.
  7. I'm hoping they'll find a way to make Fusion more intuitive for the rest of us, because I really have tried to learn it. I honestly feel dumb for not being able to figure it out.
  8. There are plenty of reasons for manufacturers to be resistant to adopting ProRes, between licensing fees and concerns about giving Apple that kind of control over their business. Companies like Blackmagic and Arri don't really have a reason not to use it. The rest? Not so much. And RAW video? I think you'll see a lot of them doing what they already do, which is protect their high end lines that will have it. The only one that I could see giving RAW video to lower end cameras any time soon is Panasonic.
  9. How so? There are quite a few companies that allow recording to ProRes or Raw externally. Wanting them to die seems rather irrational. Atomos does need to diversify, but I think people are in for a rude awakening if they think that ProRes and/or RAW video will become a feature for all cameras any time soon. There is a reason Nikon was the ideal partner for Atomos to unlock RAW via HDMI since they have no cinema lines to protect. There's a lot more preventing that stuff from happening than RED.
  10. I've been using the free version of Resolve and have pretty much overcome any learning curve I had, outside of Fusion which I still can't wrap my head around. I plan to upgrade but have been waiting on whether or not I pull the trigger on the Pocket 4K or not (decisions!) It feels good to be out of the Adobe system overall. I'm quite pleased with Affinity Photo and their apps. I just need that After Effects replacement!
  11. It is easier to speak your mind about an American/Western company when you live in Russia and are unlikely to ever face legal repercussions for the things you say, whether they're truthful or not. The Russian court system doesn't give a shit about some Western company wanting to launch a civil suit against a Russian national.
  12. That would certainly explain why they would defend this with all their might and in ways that might come off to others as aggressive. It's the difference between losing that advantage now vs. When the patent ends and everything is fair game.
  13. Someone correct me if I'm wrong, but this goes way beyond just compressed RAW; compressed RAW is merely what Apple is concerned with. As I understand it each patent builds upon RED's previous patents, so in theory if those initial patents were found to have been obtained through deception then every patent that built upon those initial patents would probably be illegitimate. That's why it could affect everything from REDCODE to their Mini Mags and other "proprietary" accessories. If you compare it to a house of cards, if you take one card away you risk bringing the entire thing crashing down. It's a very fascinating case and the implications are quite huge given it has given RED a significant advantage over their competitors.
  14. What may ultimately work in RED's favor is technological ignorance, regardless if they are in the right or the wrong. Even as some one that knows quite a bit about cameras, reading their patents and descriptions makes my head spin/ache. Their opponents, if they have a case, will need to be able to make their case easy to digest for a judge to make sense of.
  15. I haven't read the entire thread but what's with 50 fps being the max in 6K? That's kinda weird, no?
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