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andrgl

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andrgl last won the day on March 13 2015

andrgl had the most liked content!

About andrgl

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  1. Seinfeld was shot on film and looks awesome remastered. FUN FACT: If you're watching a 16:9 HD version, you're actually seeing parts of the frame that were originally matted out! NSFW example.
  2. It's shocking how shit my old FHD footage looks upscaled on a 43" UHD panel. Even on YouTube the difference is obvious.
  3. andrgl

    Davinci Resolve 16

    Yes it does. Windows is missing the codec, you can get it free from Microsoft here: https://www.microsoft.com/en-us/p/hevc-video-extensions-from-device-manufacturer/9n4wgh0z6vhq?SilentAuth=1&wa=wsignin1.0&activetab=pivot:overviewtab
  4. Wow the node process difference between Sony and Canon is nuts. Doesn't Canon have patents for BSI? Have they build any sensors with it?
  5. You should join the unofficial group on Facebook. You’ll see production shots of their cameras. These aren’t being used by hobbiest. The Kinefinity has pro features: modules, SDI, swappable mounts, proper SSD support, wireless lens and video streaming, more RAW and ProRes codec options. The Zcam lacks these features and is priced accordingly. Kinefinity has never priced their cameras for the low-end market. You also have to piece together all the things to build your camera whereas Kinefinity has packages ready to go.
  6. $54,500 for the MONSTRO 8K VV and $5,995 for the Z CAM E2-F8. This thing is going to wind up as a B, C and crash cam for so many productions...
  7. $600 vs $830 (who knows how much for the II) makes sense... but the AC power supply for this thing is INSANE!
  8. andrgl

    Race to the bottom

    Competing on price is a terrible business. Anyone and everyone can be the cheapest. Customers that prioritize a lower price over quality aren’t worth working for. Think about any service. The cheaper the rate, the lower the talent. Why would a professional accept less for creating a better product?
  9. They’re planning to release 5 cameras in 2019: E2 C E2 GS E2 S35 6K E2 FF 6K E2 FF 8K Canon and Sony are slow, old, behemoths. Literally dumpster fires of money. They need to sell 10,000x units to make a penny. Being a tiny company in China you could stay afloat selling 500 cameras a year. Their government basically subsidizes industry with cheap loans and no cost shipping.
  10. Only interested in 4K. Trying to get a hold of a rental unit at the moment.
  11. Wowee, these lenses seem perfect for cine use. 35mm f/1.2 50mm f/1.2 85mm f/1.2 Manual focus, crazy fast, full frame, identical 86mm fronts, even looks like focus gear placement could be uniform. Anyone using these lenses to shoot video?
  12. Anyone try using a Blackmagic URSA Broadcast with S16 lenses? Super 16 aperture: 12.52 mm x 7.42 mm Broadcast sensor: 13.056 mm x 7.344 mm 4K, 60 FPS, 12-ish stops of DR, internal NDs, SSD recording, SDI out, real PL mount... very tempting.
  13. Oh for fuck's sake Andrew. Your post somehow made it to my newsfeed titled "EOS R Getting External RAW Recording". Canon will never give the EOS R that ability. It's not part of the Cine lineup. Be happy with Canon LOG.
  14. The Nanguang Pavolite tubes are a great cheapest option too. No built-in battery or DMX though.
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