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andrgl last won the day on November 20 2019

andrgl had the most liked content!

About andrgl

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  1. No SDI-out is a shame. Also no positive lock MFT mount is sad. Would be awesome to use the few m43 lenses that have proper mechanical focus. I still think a Kinefinity Terra is a better entry level cinema camera: you get RAW and ProRes at 160fps in 4K. The Terra is just way more expensive now. Z-cams have a mishmash of framerates and codecs. Annoying in post.
  2. There's a few big budget movies that have used a 360° shutter, Public Enemies comes to mind:
  3. @Oliver Daniel go all out with the nanlite stuff. I own quasar crossfire tubes, aputure 120ds and lightstorms, and, nanlite pavo tubes. The nanlite products have more features, are often better built and cost less. Only thing nanlite doesn't make are the tiny credit card sized panels. I use aputure amran al-mc (RGB) al-m9 (bicolour) Edit: though they do make a mini RGB tube, pavotube ii 6c
  4. Does face registration work in movie mode? https://support.d-imaging.sony.co.jp/support/tutorial/ilc/ilce-6400/en/17.php
  5. Awesome price! Bit they're refurbs and there's only 2 at that price.
  6. @Video Hummus The Laowa Argus lenses will be primes. @Stab There are a few longer S35 zoom lenses: Sigma High-Speed 50-100mm T2 Angenieux EZ-2 15-40mm T2 Angenieux EZ-1 30-90mm T2 Fujinon Premier 14.5-45mm T2 Fujinon Premier 18-85mm T2 Better off using a focal reducer with a full frame f/2.8 zoom lens. You get almost equivalent depth of field, longer zoom ranges, many options and much lower costs.
  7. https://www.provideocoalition.com/hidden-flexibility-of-blackmagics-ursa-broadcast-a-s16mm-camera/
  8. 8K is great for content creation. I would rather have a 60” 8K monitor than any multi display setup. And when sitting just a foot or so away, the high DPI works well.
  9. You’d be putting the same amount of water in a larger bucket. No increase in detail, only an increase in file size.
  10. @Geoff CB has yours shipped? So much for an October launch.
  11. @Andrew Reid That’s too bad. Even Canon has a 22m f/2 for their crop mirrorless. Now I’m even starting to miss the EOSM for photography lmao @IronFilm At this point, anyone but Sony has more attractive native small-fast primes for their crop ILCs. Oh well, thanks everyone. I’ll just keep using an adapted Sigma 18-35.
  12. Thanks @BTM_Pix, shame they are manual focus, need to take pictures with the a6500. Can't believe I actually miss m43 for photography lol. Lots of good lens options.
  13. Are f/2.8 pancakes really the fastest available for emount? Panasonic 20mm f1.7 would be like a 25mm f/2 equivalent.
  14. This is about RED litigating against companies using ProRes RAW. RED went after any company adding ProRes RAW into their product, they didn't litigate against Apple directly. Petitioning the USPTO to invalidate a patent is basically the cheapest, least risky way to fight a company. Unless some sort of agreement comes about, the likely second round to this fight is: RED sues a company for using ProRes RAW, Apple would then file a brief claiming it has the right to intervene because the company licensed ProRes RAW from Apple. RED doesn't have the capital to go multiple rounds in court with Apple. Apple probably doesn't want to risk losing this kind of case. tldr; Some sort of licensing agreement will be reached between Apple and RED.
  15. If Apple isn't interested in paying royalties, next step is fighting a lawsuit filed by Red. Hopefully this happens though likely won't.
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