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About mercer

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  1. She's pretty smart, by the 3rd or 4th month, she'd probably catch on... I wonder how long it would take for her to realize her car isn't parked out front. That could get me halfway there.
  2. Is sensor envy a thing? What struck me the most about the 100c video was the depth in the frame... for a two-dimensional image, it feels like you can walk into the frame in some of those shots. It's pretty wild. When you add the texture from the raw image, the 16bit color and the advertised "15 stops of DR" I don't know if there are many cameras that can top that look. I'm sure my 2014 MB Air would cut right through those files... haha.
  3. BH has one for $18k... I'm trying to figure out how long I can convince the GF that the supermarket was out of food.
  4. A Hasselblad H6D-100C? It's way above my pay grade, but man that image looks incredible...
  5. I think I like the idea of all those Fuji dials more than I'd like them in real life. An ISO and WB button is more exciting to me in practice. The GH2 was amazing... you could see that something special was happening on the screen when you hit record. I even enjoyed my brief stint with the GH3. That all-i codec was really nice and the ergonomics felt a little more refined. I've never owned a 4K camera that I really enjoyed using. The GX85/G85 were okay and kinda fun to shoot with, but I went from the G7 to a D5500 and was ecstatic... until I tried ML Raw on a 50D and got hooked. I still w
  6. Go back to basics. I've watched a few of your older videos recently, the ones you've had on your banner, and your old reel... ... is simply gorgeous and holds up very well! Even your hacked GH1 videos look amazing. I assume you don't want to go back to a GH1, but if you're not gelling with the newer cameras, pull out your 1DC. Or go back to your roots and shoot with a couple of the newer budget cameras... the X-S10 seems really good. The E-M5 Mark III has all-i 200mbps 1080p. Even the GX9/G95's 4K crop offer some interesting opportunities to shoot handheld with some funky,
  7. I was thinking about that. The footage from the 1DX3 looks fantastic. I'm kinda hoping the R3 will either be cheaper, or drive the price of the IDX3 down.
  8. Now that's a rig. I'd love to see some footage from that lens. Which SuperSpeeds do you have? I think that French short with the kid in car was shot with SuperSpeeds.
  9. Are there any, current or former, 5D3 ML Raw users shooting with the FP now? In some ways, the FP feels like a sidestep, but there are some features... shutter angle, waveform monitor, dual gain iso, the smaller size, etc... that makes it very appealing. However, I still feel like the FP would be an intermediary, or side camera, for me until there's a true 5D3/ML Raw equivalent camera upgrade released. The R3 sounds very promising... but also very expensive.
  10. I've been thinking about buying an FP or S5 for the dual gain option. Have you tested it with the FP? I'm mostly interested in the internal recording modes, so I'm curious how well it works with the 8bit CDNGs? I understand it's part of the architecture of the sensor, just not sure if the bit depth would have any effect on the color information even with a dual gain sensor camera?
  11. But I don't think you can go wrong with any real Zeiss lens. Even the old Rollei Zeiss lenses were pretty special. Especially the ones made in Germany.
  12. I think I was wrong, it's been a while since I've looked at the lens either. I think they only made AEJ and MMJ versions. So all of the 50mm 1.7 were manufactured in the Yashica plant in Japan. The later versions were the MMJ. Hopefully you see a green f/16 marked on the aperture ring. I think I had a serial number in the 7xxxxx range and it was really good. But that was waaay back when I had a G7 on a dummy adapter... Good Luck! I just bought a Zeiss ZF Classic 50mm 1.4. It's now the 3rd one I have owned. I got it for an UNBELIEVABLY good price, but it isn't perfect with a few parti
  13. Is it an MMJ or an AEG? You can tell by looking at the last number on the aperture ring. If it's green, then it's an MMJ. Also the later serial numbers are supposed to be sharper versions, but I believe they're the ones in the 8xx... range. The AEG versions will have the sawtooth bokeh. I've owned 2 or 3 over the years. The first one I owned was unbelievably good. I don't remember which version I had. I never paid more than $125 for one, but I haven't owned one in a few years. If you pair it with a 25mm 2.8 or 28mm 2.8, I think it's a great little Zeiss set. And then eventually, if n
  14. This isn't really accurate. Perhaps you are confusing the use of a full frame mirrorless camera in the film, The Possession of Hannah Grace, which was shot on a Sony a7sii. Here's a brief rundown of the history of full frame in Hollywood films up to and including the DSLR revolution and the increasingly popular Alexa LF... https://www.google.com/amp/s/www.creativeplanetnetwork.com/resource-center/full-frame-sensors-everything-you-ever-wanted-to-know-but-were-afraid-to-ask%3famp
  15. Thanks Parker, I appreciate that. I'm still a reader, I just need to film more stuff. Cool Panavision t-shirt, btw. If your channel takes off, you can make some Parkervision shirts to commemorate your maiden voyage.
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