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PPNS

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    bmpcc4k, meike lens set

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  1. renting tends to be the most affordable option
  2. I’m gonna add this opinion: i dont like any of the of the stock r709 profiles or luts from any cameras, including arris. so what’s the best sooc looking camera? None of them imo. I almost always shoot with a custom LUT because of that.
  3. you realise that this is contradictory, right? in those situations people shoot with amiras,fs7s/fx6/9s, or even the big bulky ENG cams with a r709 profile and just kinda let it go that it looks kinda shitty. that's part of the trade off if you shoot in these conditions/that kind of turnaround. while it would probably look a bit different, it would also not look very desirable if you were to shoot that exact shot with an amira. sensors aren't magic, and even the best don't handle random street lights at night very well.
  4. im going to be very honest, i think its crazy you can see the difference between cameras with their stock 709 lut. To me they all look samey, boring and bland.
  5. PPNS

    Nikon buys Red?

    what else would you call it?
  6. PPNS

    Nikon buys Red?

    you don't have to, your value judgement is irrelevant. the fact is that nikon now gets to control red's patent, and now gets to decide who gets to use "compressed raw" on their terms: either we get more more cameras with internal raw from other companies, where nikon will be profiting from the income of licenses (imo unlikely) or nothing changes. instead of red going after other companies in court, it's going to be nikon, and thus having another source of income by claiming damages (imo more likely) this was red's business model after all. nikon probably doesn't care all that much about making products or entering the cinema market. my prediction is that red as a brand, as well as their cameras will cease to exist in a few years. nikon will probably keep making hybrids with a focus on photography, and i doubt that any of the red tech will trickle down. why would it after all? Who's going to buy a nikon branded camcorder in a world where sony dominates the market? reds are kinda dead in the european high end rental market, why would nikon even start? here's a value judgement from me: lol
  7. PPNS

    Nikon buys Red?

    Now nikon gets to be the patent troll. Red will probably get to pretend to remain a company for 2 years and then nikon will probably fire the entire workforce, and we get to hear about “the constantly changing landscape of media” in some press release justifying the gutting of the company.
  8. does the gh5s have worse DR than the P2k? it uses the same sensor as the p4k/micro studio
  9. does the gh5s have worse DR than the P2k? it uses the same sensor as the p4k/micro studio
  10. theyre marketing themselves in a way that makes the tech seem special to try and gain infinite investor money just like any other tech company does
  11. thank you. i dont disgree, i think reels are hard to do, and im not sure what to do with them other than combining a bunch of pretty stuff in a timespan that doesn’t bore people.
  12. I’m working on a new reel and website. I had a weird year. Jan 23: got fired from my full time job feb - sept 23: got fairly depressed due to being rejected after around 350 job applications. at the same time i tried out freelancing while searching for a new job, done a little decently paid corporate work, a lot of barely paid and unpaid work as a dp, gaffer or colorist on short films and music videos. oct - dec 23: got lucky due to a cinematography bootcamp i followed and ended up working as a DIT on a feature. income wise it ended up being almost the same as 2022, so hopefully the freelancing thing will pick up more steam. I’m going to try making some spec ads with some directors i know this year, so we could get work that way.
  13. you’re performing the correct task in this case. if you were to set your WB to 3200, you would neutralise your tungsten lights to white, which is almost never really the point of tungsten. By setting it somewhere between 4000-4800, you’re opening up the possibility of color contrast within a shot where modern sensors tend to perform the best. Everything with a lower color temp than 4000 will be some degrees warmer than your neutral point, and everything with a higher color temp will be cooler.
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