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crevice

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  1. looks great. i am contemplating the 24-70 2.8 or the 28-70 - how is the 28-70 with no IS or did you use it on a gimbal here?
  2. It’s statements like this that have made me step away form this forum. It seems every forum post is some over dramatic hyperbole reaction or continuous anti canon pitchforks (I wonder why?). How can we have a serious conversation when people like you are saying the pocket 6k destroys the c70? It is the same camera as the pocket 6k - with a tilt screen and 6 stops of ND. That’s all it takes to “kill the C70”, which was being hailed 24 hours ago? The pocket 6k has BRAW over the c70. The c70 for the 20th time has a better sensor with more DR. The c70 has a better battery. The c70 has significant
  3. Every time I tell myself to step away, I get sucked back in. Yes you will get more DR out of the C70. Let me tell you straight from the horses mouth. I have owned a C200, pocket 4k, pocket 6k, and ursa mini. I now own a C70 and it has more DR than all of them. The C70 is far superior to my C200, CLOG 2 and color grading 10 bit footage is way better than 8 bit footage or canons heavy raw lite - which is not lite at all. Your statement says C200/C300 users say they dont think the image is better, but that statement itself is confusing. The C300 is the same sensor so of course it isnt any better
  4. Not going to argue that. But in this case, the C70 sensor is fantastic. The DGO sensor is proven and if you know anybody has used it in the C300, they will back that claim up. I am not going debate further as both cameras are fantastic. Pick one that works in your budget. For me the C70 works best. For others the Pocket 6k will. I am just happy we have so many damn cameras to choose, its insane.
  5. It lacks a ton of cine features? It lacks BRAW. There is 1 feature. What else does it lack? It has dual xlr with phantom power, 10 stop ND, better internal battery, dual SD card recording, 4:2:2 10 bit, 4k 120, tracking auto focus, and dual gain 16 stop sensor.
  6. For sure. I understand BRAW is a killer and in some cases decision making feature. But DR is such an important feature for the "look" of the camera and I think that is something a lot of people don't discuss enough with the c70. Pocket 6k is great, but it is still using a Sony based sensor that has less DR. Regardless, you are right and for many people a pocket 6k makes more sense for the money. For me, I am a solo shooter on a gimbal who has invested in RF glass shared with my R5. So auto focus and RF are very important for me. But, I still think if you are ok paying more - the sensor, auto f
  7. Do we not care anymore about the actual inside of cameras anymore? Last I checked the C70 has a 16 stop DGO sensor found in a $10k cinema camera. It also has 10 stop of ND vs 6 stop. 3 hour battery life with no need for a battery grip. Far superior mount in the RF. It also has a button for every single thing you could want. I would pay more just for the DGO sensor alone. Pocket 6k pro is an amazing deal. But, minus BRAW, C70 is better in almost every single way.
  8. @Andrew Reid we are getting close with these tests, but I think the final way to test is what others have mentioned. We need to absolutely blast the R5 with cold air while the physical backing of the camera is removed and then placing the camera in a fridge/freezer/cooler the entire time. This would mean heat isn’t getting trapped inside and cold air is blasting the components. I would suggest no usage or recording at all before the test, so it’s a truly fresh start. Hit record, place it in an absolutely frigid condition with the back of the camera open, and we watch what happens. If it shuts
  9. My thoughts exactly. Fix the issue and I honestly won't give a shit. I prefer RF mount, I prefer RF lenses, I prefer Canon colors, I prefer their dual pixel autofocus for video and I just prefer how canon footage looks compared to Sony. So like you said, me putting my foot down and going to another brand to "teach them a lesson!" only screws me over, since I would be switching to a camera that I personally do not want and in my eyes is inferior compared to the R5 as a true hybrid 50/50 photos and stills camera. Though to be honest, if they just leave the external recording at near unlimited -
  10. That point is valid and I also want to clarify my other point. I am in no way bashing the A7S, I have owned every single Alpha series camera minus the A9. They are great, but they are great for what they are. I don't think you could ever replace a true cinema camera that has internal ND, a fan, great pre-amps, XLR, etc. That is what you need for high end shoots and no mirrorless camera can replace that. On top of that, the new C300 sensor is REALLY good and the images out of it are on another level compared to mirrorless cameras. But, like you said, it will be interesting what else it comes wi
  11. Some of these comments are just hard to fathom. These comparison on spec sheet vs spec sheet are getting a little out of control. The C300 absolutely destroys the A7s3. One is a cinema camera, the other is a small mirrorless. The R300 at $6,299 Is a steal. I’m assuming people here have never used a canon cinema camera, because visually and ergonomically, it’s night and day. Add XLR, ND filter, better color, better actual DR (not spec sheet DR), a cooling fan, etc. On top of that the new sensor in the c300 is absolutely fantastic. Not everything can be compared in a spec sheet. There are phones
  12. I might have an extra micro package for sale, as I have a couple laying around. The one I have for sale is a more premium kit though. It comes with the micro, smallrig cage, metabones speedbooster "T" version, rawlite OLPF (already installed) , NPF battery bridge, and sandisk SD cards that work with the micro (all tested). PM me if interested.
  13. The new C300 has 16 stops of dynamic range, to go with that raw internal, so I think it will hold its place with the folks that it is targeted at. I thought the R5 sounded too good to be true as a hybrid shooter, but it ended up living up to the hype for me. Yeah I know, overheat gate - but that does not affect me as I only shoot in bursts for video and when I need longer I can do regular 4K or 4K HQ unlimited to an Atomos Ninja. But if this new camera has killer DR it would be awesome to pair with an R5, especially with no need to buy new lenses or batteries. If its similar quality video and
  14. Was not autofocus. It was clearly a manual focus lens with a horrible focus puller. They would have been better off using an auto focus lens.
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