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Trankilstef

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About Trankilstef

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  1. Exactly my thought. I waited so long for these two companies to give us some professionnal features like Panasonic or even Fuji gave us (4k60p and 10bit 422 for example), so long that I ended up buying an S1H and 24-70 f2.8 for an incredible bargain price and I don't have any regret. Sure, i'll keep an eye on those products when they will be released, but I am so happy with what Panasonic has made. I already had GH1, GH2, GH3 and GX80, it's like coming home again after a Canon/Sony adventure ! I left Panasonic cause I wanted the full frame look, now they gave us exactly that, plus all their usual features for video. Let's wait and see, consumer will always be the clear winner in the end !
  2. Huge update for the Sigma FP, allowing a total of three RAW flavors, and a lot of other thinhs. Here the list of enhancements : https://www.sigma-global.com/en/download/cameras/firmware/
  3. https://www.slashgear.com/blackmagic-pocket-cinema-camera-6k-price-change-atem-mini-streaming-24618169/ You should be happy then...
  4. Seems like the stills only crowd is upset eand crying : https://www.digitalcameraworld.com/news/canon-eos-r5-public-reaction-can-we-have-a-stills-camera-please When I read things like "All this video crap. If you want to shoot video- go buy a video camera" , well obviously they're not the target for this camera at all...
  5. Yep it is already there in the Canon EOS R
  6. Agree with you. Just looking at the c300 MkIII, which is even more interesting in my opinion than its big brother c500 mkII, with the no cropped high framerates, the incredible dual gain output, new sensor technolgy... Aside from the difference in sensor size and resolution, c300 is not crippled in any way, so much that on c500 users FB groups it makes people kind of upset. Canon made up their mind in 2020.
  7. I was curious too as I've tested ProRes raw on Premiere Pro beta, and didn't find any ISO or WB setting, like i was used to on other raw format. So i asked in a group in FB and somebody replied me this : "The reason you had to change those settings in older raw formats is because they were metadata contained in a sidecar file, referencing a folder of still frames for each clip. ProRes RAW is a single file with all the metadata contained inside it. So you adjust it using the same color controls as a regular video clip; like how you would for a raw still in Lightroom." To me it makes sense, anybody can confirm this?
  8. R6 will have my attention... I'll stick with my beloved S1H for now... The ProRes Raw firmware will help me wait on more infos to make any decision... Beautiful times to be a filmmaker (but strange times overall with this health crisis and lock down)...
  9. I honestly don't have a lot of faith in Canon for having a great dynamic range. They were always behind in sensor tech in their stills camera, even though their Cinema EOS line are quite good at it.
  10. I think a lot of promos are bad, I'd say 7 times out of 10. Every new camera that is released comes with a cheesy video with uninteresting story. Those two are not bad, but not awesome. i'd wait to see the full short from Sherif Mokbel though.
  11. Oh my god they made everything right this time. i'm just waiting for the dynamic range improvement over my Canon EOS R (not difficult) and if it comes close to my S1h, I might pull the trigger
  12. Actually I think there are only a few shots in ProRes RAW. But you have this video that was shot entirely in ProRes RAW : This one too (just a trailer shot bu Sherif Mokbel) :
  13. Where did people see the IBIS thing is real internal sensor based stabilization? Because to me it seems it is more of an electronic satbilization + lens stabilization than real ibis. Look this frame from the video posted above, doesn't seem to be real sensor shift IBIS, but lens based + ES...
  14. You just can't leave us with this! Also no panasonic conference planned AFAIK...
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