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sanveer reacted to a post in a topic: R1 is not last word... Canon EOS R1X anyone?
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sanveer reacted to a post in a topic: Canon New Product Launch - 17th July 2024
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sanveer reacted to a post in a topic: Canon New Product Launch - 17th July 2024
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sanveer reacted to a post in a topic: Canon New Product Launch - 17th July 2024
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sanveer reacted to a post in a topic: L Mount 50mm lens announced priced at only US$170
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sanveer reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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sanveer reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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IronFilm reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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sanveer reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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sanveer reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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Davide DB reacted to a post in a topic: Sony ZV-E10 Mk2 Announced
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You cannot Unsee his Insanely White Teeth, once you notice them. So Basically this camera is an Unreliable FX30 with massive overheating issued in Real Shooting Conditions (not under controlled environments). With No IBIS and a few other strange issues.
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John Matthews reacted to a post in a topic: AI = lower lens prices? Or complete collapse of lens market?
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AI = lower lens prices? Or complete collapse of lens market?
sanveer replied to Andrew Reid's topic in Cameras
There was this debate that smartphones will get better than ILCs, by 2020-22 or so. Suddenly smartphone sensor and Computational Photography/ AI development slowed down almost plateauing completely. In some ways the trade embargo on Huawei and Samsung and Sony mysteriously abandoning Triple Gain Sensors that they had presented papers on. Also, there were some talks on improving optics on smartphones much beyond the plastic lens optics currently used by the majority of the market. Somehow all of it was abandoned, and smartphones never became equal to or much closer to ILCs. White for dynamic range, colour accuracy, low light and a few other parameters they can be great, in real pixel to pixel detail, and exposure latitude, they aren't comparable. Until they improve Computational Photography/AI with the intention of replicating details on pixel levels comparable with ILCs, this seems to be something a bit in the future. While Topaz Labs and many others do it, including increasing resolution and even increasing bit depth, I wonder if it's actually as good as something shot on higher resolution (above the 12MP on smartphones) ILCs (24MP and above) with good quality glass. Smartphone photos, for now, only look good on small smartphone screens. On larger displays/ monitors they look strange (semi water colour pixalated). -
IronFilm reacted to a post in a topic: Panasonic GH7
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IronFilm reacted to a post in a topic: Panasonic GH7
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I didn't mention anything or anyone here. I was merely reminiscing about a very eminent grandfather-grandson filmmaker duo, who are also famous polymaths and who haven't apparently gotten their due. Has it become a crime to remember great filmmakers?
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PannySVHS reacted to a post in a topic: Panasonic GH7
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Why does it appear that the great Ebrahim Saadawi is among us ... 🤣🤣🤣
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majoraxis reacted to a post in a topic: Panasonic GH7
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IronFilm reacted to a post in a topic: Nikon Z6III is coming.. as mini Z8
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John Matthews reacted to a post in a topic: Nikon Z6III is coming.. as mini Z8
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Seems pretty stellar. Dynamic Range should be tested and also whether it has heating issues in warmer environments. Also all other 24MP sensor makers need to improve their sensor tech. This had some superb rolling shutter.
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I know what you mean. At one point of time, a lotta TV series (especially low budget food, and travel and living kinda), were shot on the 5D. And the majority of the time they were not in focus. It just looked unnecessarily soft and terribly blurry. P.S.: Hope someone creates a speedbooster for the RF mount. Those could make it look wild on M43 cameras
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Davide DB reacted to a post in a topic: Panasonic GH7
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If Panasonic paid him $1 Million, he would. Also, I may be wrong, but its difficult to really judge the image unless one sees it on a much bigger screen, that had great HDR. On a smartphone screen it's pretty useless. On smaller monitors too, it's pretty difficult to judge.
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Panasonic basically leap flogged all the Netflix Certified Cameras 😎 They NEED to sell these in the Truckloads to Influencers, Film School Students and Low Budget Filmmakers. Hope their Marketing gets it right this time. Hopefully they don't shoot a video on the Alexa35 and pass it off as the GH7 😉 Great time for M43
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There's a certain charm and thrill to a super low budget short film, that absolutely no large budget feature can match.
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They can just make an external recorder for the GH7, which simultaneously records multiple flavours of RAW, with a built-in battery. Having such a contraption below the camera is great since other things can be out above. Though a rig within the new YAGH avatar would be great. They don't need a sound recorder because the Panasonic DMV-XLR1 does a great job, expect that's it's been replaced by better mics and preamps for 32-bit recording or stays the same, while the 32-but magic happens internally within the GH7?
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The Single Most important thing, "has Gerald been invited or Not?" On a more serious note, I feel Panasonic can squeeze out another 1/2 of dynamic range (from the G9ii) by tweaking the VLog, improving heat management and improving the Sensor coating further. That's 11.8 (G9ii) + 0.5 stops. That Full Frame territory. A few flavours of ProRes, BRAW and RAW wouldn't be too bad. They could shrink that horrible YAGH attachment that they made for the GH4, to about 1/3rd it's size, and have external multiple flavour RAW in the recorder.
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That's probably very common in all camera and smartphone promos. It may have to do with the AD Agencies and Panasonic's advertising division just be stupid, disorganized and lazy, instead of anything else. Contrary to us assuming that the Great Gerald has dented Panasonic's image and given them a bad name, cause they didn't send a Rolls-Royce and a private jet to receive him, people seem to calling him out and others like him, who've suddenly become self appointed demi-Gods. On youtube, influencers are shameless deleting comments, but on regular forums and sites where it's discussed, the discussions actually highlight the problem quite succinctly. https://petapixel.com/2024/05/28/panasonic-reacts-to-controversy-concerning-its-lumix-s9-event/ These two guys have highlighted all issues with Panasonic. Which is a pretty long list, according to them. But there is a certain dignity and maturity to their review and criticism. Something obviously lacking in some others. https://petapixel.com/2024/05/22/panasonic-s9-initial-review-small-pretty-and-confusing/
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"Dialing in the color science and optimizing the dynamic range on the sensor is still very much a process we are dialing in. There are two modes for the sensor, one is 12-bit and the other is a 16-bit ClearHDR as Sony calls it, which is Dual Gain Output ( like Arri sensors / fairchild sensors used in Blackmagic ) it's this mode that has quite a bit of configurability and some further tuning. Most of the footage shown in this video is from the standard 12-bit mode." Wow. Sounds quite promising. Would love to see some footage from the 16-bit video. I am guessing it may have impressive exposure latitude. The video in this clip has crushed blacks and blown out highlights. So adding a stop or 2 more may be a welcome change.