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  2. This absolutely kills me. No one is willing to calm down and setup shots properly, etc. "oh, it'll be good enough." I really hate this line of misthinking. I tell people who say that, "okay for you, NEVER for me, you will NEVER be no more than good enough, or even less than." All my family says this when I bring out my gear and want to perform a proper shoot.
  3. It sure does. Hands down the best image I've seen out of a mirrorless. But I'm about to sell the camera despite this fact
  4. Appears they did the same thing with the 90D as well. Clowns.
  5. I didn’t want to start a new topic, but I never owned the BMPCC as when they had the mega discount, a colleague gave me bad advise about it. I’ve regretted not buying one since and I was a quick adopter of the BMPCC4k. I of course love it, but am still very curious about its original form factor. So much so, nelly picked up a mega cheap eosm for magic lantern and that’s great, but requires a fair amount of time to get the files edit ready. Especially after being on vacation for a while and back with tones of footage. Not to mention the dodgy live view and cropping situation when you shoot anything over 1080p anyway, my curiosity for the original pocket is still whispering in my ear and I recently found one with 10 batteries, VF and Saramonic audio interface and a few other goodies for €250 in my hometown. I’m pretty sure I’ll grab it, but wanted to get some extra advise - is that a good price? Will is satisfy my curiosity? Or will it open a can of worms that I don’t want to open?
  6. Sadly this camera could’ve been an even better M50. But NO. They make in my opinion a perfect camera with full sensor 4K AND DPAF, but ruin its appeal.
  7. I don't know, but I have yet to see any moiré or aliasing on my S1, even on difficult fabric and when shooting in 4k 60p. I think that's the reason why most people don't talk about this to be honest, since it's no more prevalent than on my X-T3 or Z6. I am however shooting with a tiffen black pro mist but I doubt that would negate or cover up a severe issue with aforementioned problems.
  8. It looks fake, like when you fake dof with masks in after effects. Or when you film in a green screen and replace the background with a blurred one. It looks awful, by I hope apple or Samsung or someone can get this looking nice. If a feature like this gets integrated into the iPhone, and is available to filmic pro, and if it looks good and there isn’t aggressive sharpening and processing, I will literally switch to an iPhone. The dynamic range is already at 12 stops on the XS with filmic pro log v2.
  9. Did you decode as Linear first? I find this benefits all camera and technical LUT's, so maybe send me 1-2 second raw file lets put it to the test. Can't debunk based on no evidence
  10. Today
  11. Finally I have received the FW upgrade code from Panasonic. I will shoot some test footages during this weekend and make it downloadable for you so you can compare how does V-log hold up against the BMPCC4K.
  12. That's exactly why I jumped off from the Canon ship few years ago. I'm sick of all those little things to protect their upper models. I mean you can do it in a sense, but when every other brand do offers 24p, you really have to have no shame...
  13. kye


    and now for something completely different... Just in case the Helios was too modern and soul-less for you! 😂😂😂
  14. BTM_Pix

    iTunes Replacements

    The MediaTrans app that I linked to in the previous post has a Windows version (not sure why they have an entirely different site for it) https://www.winxdvd.com/mediatrans/
  15. At EOSHD we like to ask the important hard-hitting questions on glamorous Italian TV shows. Read the full article
  16. Probably not legit mate. Please let's keep the off-topic stuff out of the forum though. It's a camera forum.
  17. That would even be more expensive then the 80D as it was $1199 / €1299.
  18. Dropping 24p to make UX cleaner? People here should go work for Canon "Excuses Department". Why do you even bother justifying Canon for screwing things?
  19. Time to sell all you photo gear, haha
  20. The only other reason I can see for omitting 24p would be to keep the user interface cleaner. It's a quite poor reason, but I can see how UX designers who are not into filmmaking prefer sticking with PAL/NTFS/high framerate recording. Personally I'm more interested in whether it has full sensor readout.
  21. Hey guys, If anyone is interested, I was recently asked to do an interview for a really cool website called Exilian. The site helps facilitate all kinds of creative projects. Here’s a link if anyone wants to check it out: https://exilian.co.uk/articles.php I hope my answers are entertaining and (somewhat) intelligent…lol. Please feel free to share! That said, this week’s new free tracks are: On my History page: ANCIENT TIMES – (Looping) – Perhaps for a history-themed game? https://soundimage.org/ancient/ On my Sci-Fi 8 page: ESCAPE FROM CYBERPUNK CITY – This piece might sound cool in a dystopic urban-based project. https://soundimage.org/sci-fi-8/ And on my AMB - Urban Ambience page, some really nice large city street ambience: STREET CORNER_5-30 – Trucks, taxis, horns, people talking, distant brakes squeaking, cyclist passes, etc. STREET CORNER_5-29 – Scooter idles at corner, traffic passes, brakes squeak, baby heard, air brakes from truck, people talking, trucks pass, distant brakes squeak, etc. https://soundimage.org/amb-urban-ambience/ Enjoy and keep being creative!
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