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92F

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  • My cameras and kit
    GH5

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  1. Do you think that everyone who uses 32bit Float works under the same conditions as you? You just gave the answer..it's no..they would be unemployed. Besides, would they come here to ask for advice on the use of 32 Bit float ? No also So all the others can use the 32 bist float ... the microphone is no more a brake in 24 bits than in 32 bits Float you explained it very well. But in 24 bits you can use a limit which is another more classic way to secure your sound ... and there is no need for 32 bit float but everyone chooses their method. For me it is now very clear .... a big thank you for your help
  2. This is for me the definition of a good sound engineer. Here is a discussion on the same subject (32 bits Float) in French with some old and good sound engineer...: "Not revolutionary but makes good service " I like this conclusion... https://www.repaire.net/forums/discussions/le-32-bits-a-virgule-flottante-en-question.292069/#post-1970448138 After each one chooses the right tool for him according to the moment and there are many tools which use the 32 bits floating point comme le Zoom F2, Zoom F3.... or SoundDevice MixPre 10 II (not really amateur) , MixPre 3 II , MixPre 6 II ou encore Tentacle Track E - Timecode Audio Recorder... Tascam is the least to day ? it is not a gadget and it is limited only by the one who places his microphone, not by the microphone itself (or we do not know how to choose it and place it... SPL 120 dB is already good for many situation ). .. If we take that into account, there is no reason not to use 32 bits float... Thanks for your kind reply and good day...👍
  3. Ok i am agree whith you, of course it's better to use a sound engineer who monitors perfectly So I'm going back to my idea,: with the same usual microphone in solo and well placed, the 32 bits will avoid a backup sound recording under modulated for example. (in report)... But I understand that for you it's more a problem than a help.. Thanks for your kind reply
  4. I don't understand ?! If you use a classic recorder, it will be the same because the modulation is done at the preamp level of the recorder... right? The 32-bit float records automatically by sub-modulating and is recovered afterwards in post production ... like a log with limits, the limits of the sensor. Thanks
  5. You mean the wheel..? You mean the wheel..? It's just an up and down in the menu to check between 2 LUTs
  6. I don't really understand the pb... I don't have the S5II However, it clearly shows that you can display your viewing LUT on the APN screen (not HDMI) and how to select it...no?
  7. Is the Canon XF 605 not the best quality / size / price compromise of the moment ...? https://www.youtube.com/watch?v=tsbCajW5cmk But the image quality will remain more digital than a C70 for example... which is not a problem in many reports...
  8. 92F

    Fx30

    You talked about emulation nothing to do with what was filmed ... it's your TV the problem turn it off So a film shot in 24p on Osmo Pocket on your weekend purchases is more cinematic than a film shot with a Full Frame camera in 50 or 60p in Log...?!? I think you should open a new topic on it... and have a good day
  9. 92F

    Fx30

    You talked about emulation nothing to do with what was filmed ... it's your TV the problem turn it off So a film shot in 24p on Osmo Pocket on your weekend purchases is more cinematic than a film shot with a Full Frame camera in 50 or 60p in Log...?!? I think you should open a new topic on it... and have a good day
  10. 92F

    Fx30

    There are many factors that make a movie aesthetic Lens / light / sensor / Log or raw / shutter speed / framing / story / good actors / good direction of actors / editing / ... so the 24 p, the aspect ratio is quite negligible for the viewer. Picasso and Monet are not paintings because they are not like Leonardo da Vinci? ....is stupid. You prefer vertical 24p vs 60p wide ...? 😒 The subject is the FX30 ... Peace and love 😄
  11. 92F

    Fx30

    What is your binaural system ?
  12. 92F

    Fx30

    Hello Mark To compare the rendered images... what equipment (body and lens) did you use in this great video.. (FHD ? 4K ? Log ?...) https://www.youtube.com/watch?v=_ZdMxFiUf9Q This music is so sweet to my ears
  13. Not impossible that the AF is a bit the cause ? Take a good look, there is a moment when the sharpness changes both on the S5 and S5 II side... look at the freckles
  14. https://www.youtube.com/watch?v=CTFBjaKApV4 Everything is compromised according to our use, our needs, our efficiency in production...and our aesthetic sensitivity. We win on one side, we lose on the other.... which is the best?
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