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Tito Ferradans

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Tito Ferradans last won the day on February 14 2016

Tito Ferradans had the most liked content!

About Tito Ferradans

  • Rank
    Anamorphic Enthusiast
  • Birthday 04/19/1989

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  • Location
    Vancouver - Canada
  • Interests
    Anamorphic, of course!

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  1. Tito Ferradans

    Isco and Century for Sale! (+Cinemascope t-shirt)

    Nope! Everything is gone. hahahaha
  2. Tito Ferradans

    GH5 - Yellowstone with Baby Hypergonar + Bolex 16/32 and 8/19

    Hey Ian! That's awesome, man! (no surprise, I must say hahahaha) Could you estimate how much raw footage (in terms of time) you have, for cutting these 17 minutes?
  3. Tito Ferradans

    Please advice on anamorphic starter setup

    That is A LOT more manageable, not shooting full frame makes the experience way easier and enjoyable. 😛 As for the square fronts, I love the artifacts.
  4. Tito Ferradans

    Please advice on anamorphic starter setup

    I heard my name and *poof!* It's not that I don't like the look of the Hypergonar (that's of my most eye-pleasing tests), but all the hassle that comes from bigger setups. Not just from Hypergonars, but the whole big projection scope lot. I'm a weakling - aka I don't do too well carrying a lot of weight - and I don't like how long the setups get. Attached is a photo I took of the setup for that video. This is the Contax 135/2.8 behind the Hypergonar, and the FVD is at the front of the system for single focus. I don't realistically see myself shooting something with that. I fear it'd snap at the mount, or be impossible to balance on a tripod/shoulder rig. Then I don't like how narrow the FOV gets, forcing you to telephoto taking lenses. If not properly rigged and supported, you end up getting some angle on the lens itself, shifting your focus plane and rendering weird out-of-focus areas that shouldn't exist.\ I also get what @Julien416 is saying about me being bothered by projection scopes. I tested a lot of them. For three years every week almost. So we built this weird relationship in which their flaws started to really get on my nerves. There are a few exceptions and surprises out there, but the hassle just makes it unbearable for me. On top of that, I'm on the cusp of getting a set of LOMO squarefronts, which changes the game completely for me. I shoot a lot of low-budget indie stuff in which the shooting itself is ALWAYS in a rush, so adding an element that's time consuming and not everyone can understand gets immediately pushed aside (which is why most of what I shoot is NOT anamorphic and I want to change that).
  5. Tito Ferradans

    Let's see your best Anamorphic Footage!

    Sci fi short, shot on Iscorama and Contax Zeiss taking lenses + Original 2.5K BMCC
  6. Tito Ferradans

    The Diopter Thread.

    You can get an adapter for the FVD that gives it 72mm threads, and then just use a step ring to connect it to the front of your 40-Compact.
  7. Tito Ferradans

    Iscorama 36 and Iscorama Cinegon films

    I just posted this on my channel, it's my graduation project at film school here in Canada. Shot on a pair of Iscos pre-36 and wider shots on the Sigma 18-35 + cinemorph.
  8. Tito Ferradans

    Taking lens for Kowa B&H with Rectilux DNA

    They're PL mounted, so no clamps needed, thank god. And my Iscorama has the Maxiscope mod on it, so it's also super easy to handle.
  9. Tito Ferradans

    Taking lens for Kowa B&H with Rectilux DNA

    I'm getting a set of LOMO squarefronts. I grew tired of adapters... The only thing I kept was an Iscorama. 😛
  10. Tito Ferradans

    Taking lens for Kowa B&H with Rectilux DNA

    I sold my Kowas and my Rectiluxes a while ago, and just recently got a GH5, so my timing is all wrong. hahaha. There are older versions of the Helios that have 13 blades, that's gotta be smoother. You can see the hexagonal bokeh from the Contax in my early tests using the 3FF-W. Not the loveliest shape, I'll admit.
  11. Tito Ferradans

    Sony to Alexa LUT - Phantom LUTs

    The super magenta tone had to do a lot with the lighting and the color the director wanted for that specific project (with the dancing). I was also using an SLog adjusted for more red tones, which kind of messed up the LUT. hehehe. For the anamorphic things I had neutral lighting and proper tones. 😛 Yeah, the GH5 has the best color these days, but I'm still fighting with the Sony (it's hard to give up full frame).
  12. Tito Ferradans

    Seeking Info About the B&H Projection Lens

    I don't know how I missed these before! Amazing shots, man! Could I borrow the last one for a side project?
  13. Tito Ferradans

    A scope to go as wide as possible on full frame?

    You can go as wide as 21mm on FF with the Letus 1.33x PRO.
  14. Tito Ferradans

    Letus Anamorph-X 1.33x PRO review

    It's rare for an adapter to surprise me, and the Anamorph-X 1.33x Pro from Letus achieved that. It allows you to go super wide and it holds up image quality like very few other adapters out there. Flares could be improved, but as these are still being made, we can just email Letus a bunch and get things changed - which is another great advantage of this lens over vintage adapters. What do you think of the footage and the results? https://www.youtube.com/watch?v=GplZGXPXmS0
  15. Tito Ferradans

    So I have just purchased a mint Iscorama pre 36, what next?

    Accepting people in that group is a real pain. Sorry for that, guys. The backlog is months long and I can't do anything about it. @webrunner5 I've been chatting with @mirekti for a little while already.