funkyou86

There are several problems. You should light your green screen to 40 IRE, this is too bright. Also there is a big spill on your glasses which requires some time to play with to get the desired results. Anyways, I applied a conversion LUT from V-log to Rec709, added contrast, crushed the blacks, so there is no noise when your hair moves, also added some warmth by pushing the WB. To enhance the greenscreen I just pulled the greens up at the HUE vs SAT curve. The ultrakey did the work with the default settings

You can adjust the skin tone with adjustments after your chroma key is applied. Your key is not perfect, the key sometimes catches your glasses, than your hair. Share a few seconds with us and let's see if we can make a better key or not Cheers!

V-log is great. I shot around 30 greenscreen videos with my GH5, here are some. Just make sure that the chroma is evenly lit.

Hey Sage, might be a stupid question but how is your lut different from resolves color space transform plugin? I can see that you put enormous work and resource to this project and I pretty much love it, i'd just like to know if the final results are different or not Thanks a lot, cheers!

https://www.zapsplat.com/

Download the v-log footage from my blog and try it out for yourself: https://blog.presstige.sk/post/187207698230/bmpcc-4k-raw-vs-panasonic-s1-v-log-i-just-did-a (it was shot with the old FW)

In the camera raw settings

See for yourself, download the samples from my blog: https://blog.presstige.sk/post/187207698230/bmpcc-4k-raw-vs-panasonic-s1-v-log-i-just-did-a After three months of shooting with the BMPCC and the S1 I would pick the S1 over the pocket any day. I'm not saying that the pocket is a worse camera, but the S1 really got the edge with the slightly better dynamic range and usability. I don't own an S1H but I suppose it's almost the same when it comes to 4K 10bit. Bottom line: no bashing here, i love both cameras

Hi, this Portkeys wireless video transmitter is now up for a sale. If you have Portkeys HH7 or HH7T monitor, you can attach the reciever via dedicated port. Condition: Used on two-three shoots, no scratches, no visible signs of wear, like brand new. Also comes with a(n ABS) hard case. Also comes with 3 canon LP-E6 batteries. Reason: upgrading to Teradek. Features: *SDI and HDMI input/out *Support to refract signal from wall when use indoor *Built-in aerial,small size,light weight,low power consumption Specification: (TX) *Frequency Band:60G *Transmitting Angle:160° *Transmitting Range: Gimbal,Stabilizer.Better to downwards to the groud (Empty Area-30M) *Signal Type:3G-SDI/HDMI Cross Conversion,Through-out *Interface:3G-SDI,HDMI *System Power Supply:Canon E6 Battery/7-24V mini XLR Power Interface *Weight:155g *Dimension:90×80×23mm *Power Consumption:7.5W *Material:PC Plastic,Aluminium Alloy,Carbon Fiber (RX) *Frequency Band:60G *Transmitting Angle:160° *Signal Type:HDMI *Interface:HDMI *System Power Supply:USB 5V Power Interface *Weight:90g *Dimension:80×68×21mm *Power Consumption:3W *Material:Aluminium Alloy,Tempered Glass,Carbon Fiber Package Included: 1×Claymore TX 1×Claymore RX 2×1/4 Screws 1×50cm SDI Cable 1×30cm USB Cable 1×Mini XLR to D-tap Cable 1×300cm SDI Cable 1×Safety Box Here's a review (not mine) Price: 580 euros (+PP fees). Price on Amazon is 709 GBP. Shipping from Slovakia to the countires of the European Union for 14 euros with DHL Parcel.

Damn, that SDI almost doubles it's price. I've got mine (HDMI only) for 220euros from Aliexpress. I also shot with the SDI version and it's pretty solid. The image is bright even in sunlight, you can load luts and the IQ is very nice. But do not buy the claymore wireless, for 600 euros it's a bummer. Works very badly and you have to walk next to the camera to get the image from the transmitter.

Portkeys HH7 is great, trades around 250 USD on amazon or 250-300 on aliexpress. I got mine to europe with free DHL shipping.

is this comparison before or after fw update?

Thanks! I also shot a talent [who wore a blue dress] in direct sunlight, now I'm wondering why didn't that happened to my footage. I'm still new to S1 so probably have to do some additional tests...

How and when is this blue clipping occurring in V-Log? I just shot a scene where my main keylight had CTB gels and my footage is clean.

It wasn't run n gun, but we had a long shotlist and a tight schedule. The shoot was 14 hours long. The S1 was mostly rigged on the Ronin S, with dual handle, Tilta Follow Focus, SmallHD monitor and a claymore wireless transmitter. I do understand the advantages of shooting with a lighter camera, but my personal preference is different.