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austinchimp

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About austinchimp

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  1. Yeah I think the skintone is much better with the S1a lut. It's from a hike near Benidorm in Spain.
  2. I purchased the S1 set, and I see what you mean about the colour deviation between the GHa and S1a Luts. I was quite happy with GHa on my S1 footage, but the S1 High Scale Lut looks more vibrant and cleaner to me compared to the GHa Linear conversion. Better colour separation and fidelity. Thanks for your hard work, this is a really valuable tool and a pleasure to use! Footage is 1080p 10 bit from the S1, basic corrections with the luts applied on top, ungraded. Top is S1a, bottom is GHa.
  3. @Sage Is there a discount for Emotive Color packages if you've previously bought the LUTs for another camera? I got the GH5 set and am considering the S1 set.
  4. Don't think this has been posted before - I saw this example from the Emotive Color site, and I genuinely can't believe how good this looks. It must be my favourite example of GH5 footage. Stunning filmlike color. I'd love to know more about how he graded it.
  5. Very excited about your S1 LUTs. I've been using the GH5 luts on my S1 so far and seems to work great. Are the GH5 and S1 luts very different? Do you have any samples of the Lut on the S1 or S1H? I looked on the Emotive Color site and couldn't find any. Thanks for your work and for being a presence on here.
  6. You'd be better off buying that lens, which is 90% of the look of that video. Global shutter probably helps too, but I bet you could get a similar look from the Zcam E2, A7SIII, S1H etc if you had the same glass.
  7. Beautiful work. Can I also ask what sharpening you did and how you exported it? Some of the shots are so sharp and crisp, particularly of the woman near the fire at the end. Looks fantastic. I always struggle to get crisp exports, even when the original footage has very high fidelity. I feel like h264 footage comes out much worse on Vimeo/YT compared to footage recorded in raw or prores for some reason.
  8. It's easy to get FOMO and be distracted by the latest cameras from Canon and Sony (which for me both look fantastic as a run & gun event shooter) but the S1 has a beautiful image which I have yet to fully exploit. Also a far better stills camera than the A7Siii, which is essential for me. I do hope we're getting to a post-camera landscape where all the cameras are so fantastic that we can just stick with what we've got and concentrate on the work. We've probably been there for a few years already, but with the new cameras around right now I certainly have much less envy of Red and Arr
  9. I know Andrew isn't always a fan of people just posting Youtube links, but after a while it's nice to see some (what I would consider) cinematic samples of the camera coming out these days. Good to remember with the new Canon announcements that the ceiling for this cam remains incredibly high.
  10. That's exactly what I did. I kept the X-T3 as it's a lovely camera to use and compact, but the S1 beats it in photo and video quality in every way (except autofocus...)
  11. My first impression of your travel video is that you uploaded it in an extremely low bitrate, which does it a big disservice. Could you upload it at 20,000 - 40-000 kbps? I downloaded the ungraded still of the man playing the violin and it also looks like 720p, which again doesn't help. To me, the color space transformed shot looks about right for the lighting, the violinist is obviously very much in the shade, which you've exposed to keep the highlights. I think there's just too much dynamic range in this shot for the camera to expose the skin tones nicely, as they're firmly in the shado
  12. Yes GHa works very well on my S1 and S1H files using Premiere. I haven't seen a real difference between the two cameras in terms of colour. If I were using Resolve I'd probably go with a color transform node and get it into Arri space or something, but I prefer Premiere so I just drop the Lut over my footage. Generally I need to reduce the exposure on the footage to get the Lut looking good. I tried loading the monitoring LUT into the camera, but it looked awful - probably because the S1 is a different camera to the GH5 obviously. I also tried the native Panasonic LUTs on the footage
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