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Vintage Jimothy

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  1. Not necessarily, I can see a particularly huge advantage for going 6K over 4K if you're a narrative filmmaker. After all, there's more to using 6K/8K than just the higher resolution. It gives a larger picture to play around with for re-framing and adjusting shots in post for a smoother look. That's a big part of why David Fincher's been relying on RED for so long now. Heck, plenty of indie RED filmmakers swear by vintage SLR glass like Contax Zeiss, Leica R or Minolta Rokkor to help soften up their footage and give a more filmic look while shooting in 6K/8K RAW to have the largest amount of room to play with in post that they can get. EDIT: That isn't to say that the modern FF/S35 glass made for the EF mount won't be super popular. Personally I'll probably mainly rely on a Sigma 18-35 (once I get one for myself), regardless of whether or not I get the Pocket 4K or 6K myself. Could even see the Canon EF L 24-105mm f4 being a popular match-up with the Pocket 6K too. My main point is that there's absolutely an argument to be made for going with the 6K model even if you primarily shoot with vintage SLR lenses.
  2. Yeah, I really don't care for the grading on the 2nd video personally.
  3. Been waiting for this review, but the guys over at The Film Look just posted their review for the Pocket 4K on YouTube. Way more efficient a review for filmmakers than most reviews I've seen to date. Love these guys and their videos.
  4. My G85 is a great camera. While I'm personally looking at upgrading to the Blackmagic Pocket 4K sometime next year, I'm definitely keeping my G85 around for a long time. It's a reliable workhorse. Yep. The results I get out of my Helios 44-2 and Minolta Rokkor PG 50mm f1.4 are really great with the G85. Gotta be sure you're able to deal with the significant crop factor, but the IBIS on the G85 really does help it pair well with those vintage lenses.
  5. I was reading about this at another forum. Considering how the Viltrox typically is just as sharp as the Metabones on other M43 cameras, the running theory there is that it’s something to do with the coating on the speed boosters and Blackmagic’s sensor in the Pocket 4K. Still, I think either would work well enough overall.
  6. That is some truly gorgeous footage! And apparently he shot that all with a Lumix 12-35mm f2.8?
  7. Thankfully that’s a predicament that’s somewhat manageable to handle for narrative filmmakers at least- just schedule all of the shots you plan to use the gimbal for in a particular scene/sequence/set together in one time block. That way you only have to set up the gimbal once and knock out the shots one by one. Granted, that isn’t as reliable a solution for other non-narrative types of filmmaking.
  8. Personally I'm looking at the Tilta cage for when I'm able to pick up a Pocket 4K sometime next year (decided to go with this instead of a used A7s or saving up for a Nikon Z6), but the CAME-TV cage looks pretty sweet too. This camera is such a game changer for the low budget indie filmmaker community.
  9. I think the new Blackmagic Pocket Cinema Camera 4K goes a long way in keeping the MFT system as a relevant system for filmmakers for the foreseeable future. Maybe not for vloggers, but as far as narrative filmmakers and documentary filmmakers go, it's hard to argue against the BMPCC4K overall IMO.
  10. Hell, I'd even take a f2-f2.8 Zoom like the old Samsung 16-55mm for starters, just on a full frame level. But it's definitely high time we see more evolution in zoom lenses.
  11. I wouldn't call it sacrilege to say that. I think autofocus is likely bound to take over more and more of the videomaking/filmmaking world as that technology advances. But in the here and now, it's important to meet the manual focus standards for filmmaking with these lenses. Granted, based on the recent interview I saw @DaveAltizer do with Nikon from PhotoKina, it does seem like they're planning to incorporate linear focusing on these lenses soon via firmware update. Also that zoom looks great! Was that picture from Photokina or one of the other recent camera events?
  12. Where's the mockup of the F2.8 Nikkor zoom? Can't find a picture of that anywhere. As for the new Nikkor lenses being made with video in mind, I'd say most of that rings true. However there's a rather obvious elephant in the room with the lens design that needs to be adjusted before the new Z-mount lenses are top notch for video: linear focusing. The focus-by-wire design is still a hinderance for video shooters that prefer to use manual focus over autofocus.
  13. I have a feeling the Z6 will really shine once companies start making a bunch of adapters for vintage lens mounts to the Z-mount. Pretty sure @Andrew Reid said something similar about his Z7 awhile back when he adapted an older Leica to the camera, right?
  14. I might get another speedbooster down the line, but I already bought the Pixco for now. And again, I don't have much money- the thirty dollar difference between Pixco's usual $80 price tag and the $50 I spent for mine is what made me bother with getting a speedbooster at all right now.
  15. Oh trust me, I won't be getting rid of my G85 anytime soon. If I get the a7S, I'll be keeping my G85 too for when I need a backup camera or if a gig requires me to shoot in 4K for some reason. I got the Pixco Focal Reducer. Cheap and I have no expectations of it being the best, but someone was selling theirs for around $50, which was actually in my immediate price range as opposed to other speedboosters typically priced $80 or more. Between the focal reducer and the Minolta, I spent around $130 total. A bit pricey for me, but reasonable enough for the moment.
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