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Sage

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Sage last won the day on May 13

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  1. Sage

    GH5 to Alexa Conversion

    That is a possibility; though it is likely a minor distortion if Premiere 10 bit is any indication, not unlike a slight WB shift (though shifting with grayscale). One interim approach might be to note the required WB shift on the green/magenta axis to compensate, and apply this in advance of the conversion. In any case, there will be a Pre soon methinks.
  2. Sage

    GH5 to Alexa Conversion

    Yes, to Rec709 Gamma 2.4 (or simply Davinci YRGB for Color science). The project-level color management settings come into play when you want to conform all footage from one color space to another (with EC, the conversion does the conform). The S will come shortly after the P4K (next up)
  3. Sage

    GH5 to Alexa Conversion

    Yes, that's the one above. Fortunately, the gamut situation won't be as tricky as I thought, as before I was playing with the Ursa footage, which rises above 1.0 floating. That case will require a special Lut command to avoid red clipping in 709
  4. Sage

    GH5 to Alexa Conversion

    Roman Alaivi did a side by side test yesterday with his Alexa C; he'll be shooting a film in FL next week with both, using the GH5 as the gimbal camera
  5. I haven't tested XQD; they are Sony, so there is a possibility there. There must be some kind of device ID check, the Sandisks should have been a lot faster than the SxS
  6. Sage

    GH5 to Alexa Conversion

    Thank you good sir! Yes, that is a problem; Resolve is the reference (Premiere also had a similar issue, requiring a Pre). I will look into this. Hey there, I saw your email. Cine-D is the one that fits the 8/10 bill. I'd recommend any other codec than the 150 4K Working on it as we speak (summer methinks)
  7. Just seeing this now; my work happened to have both a 16gb SxS and an SD SxS adapter for use in the EX1. So a year back, I did test them out, and found it did not work. I had assumed my Sandisk Extremes would be better than the SxS, but the Arri is very picky; everything is very locked down. For example, I wanted to look into Arriraw and thought maybe a Shogun might do. But with the Classic, only the Odyssey 7Q with raw license would do (because of the proprietary T-Link standard)
  8. Sage

    GH5 to Alexa Conversion

    Thank you! I plan to do that this year, should everything work out. That was really impressive; I was away this week and hadn't seen it. Excellent WB, exposure, and luminance placement
  9. Sage

    GH5 to Alexa Conversion

    Well done, great shots throughout.
  10. Sage

    GH5 to Alexa Conversion

    You'll be fine there; the in is the same as the out and timeline (no transform). Here are the defaults (or can set to 'DaVinci YRGB', and Rec709 2.4 Timeline): Here's something I put together in Premiere with 'Soft' and the luma sliders (under color wheels:
  11. Sage

    GH5 to Alexa Conversion

    Indeed, 4K 150mb is problematic (notably more banding in moving spotlight test) You can keep the timeline settings at default in Resolve
  12. Sage

    GH5 to Alexa Conversion

    Ah very nice As long as the footage is not for use in Premiere at the moment (needs a new ProRes/Dnx pre for fully accurate color). Also, use the 33x variations to preview VLog on the Ninja Send me Tiffs (from Resolve), or DPXs with an empty Lumetri applied (in Premiere) For those without a GH5, hold off on picking up a GH5 version if you don't have it (if you do, feel free to experiment); I want that the experience be perfect for each camera it is used with.
  13. Sage

    GH5 to Alexa Conversion

    Yes, there is a cst BMD Film option, and VLog out
  14. Sage

    GH5 to Alexa Conversion

    Those are really impressive. The last time I looked into the idea of an interim solution for the P4K was for Eugenia Loli (she is the one who got me into cameras in 2008, on HV20.com; EC probably wouldn't exist without her). From what I saw, there was only a transform for the original Pocket; the P4K (cs4) wasn't yet supported. Though - you won't have to wait long for P4K support methinks. That's the exact same artifact as on the GH5. Low saturation and contrast gradient macroblocks that don't know whether they want to be more red or more green. It seems to arise from codec compression + log especially - is it mp4? Yes, no later than the summer
  15. Sage

    GH5 to Alexa Conversion

    I'm keen to have a native P4K conversion in the relatively near future btw
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