Vladimir

penis camera look like a serious product now

if not pleased with just 1080/15p ive heard they're workin on a series of internal-external recorders for more advanced shooters

nikkor 55/1.2 with/without speedbooster

true, aliasing is bad, so im shooting with fast [soft] lenses wide open, 360° and as you said adding a lot of grain (i like it anyway)) over original noise. not suited for clean work but to catch a moment its enough for me. here is another example of 100fps but with xh1; theres a lot of red so watch in 2160 quality (yeah its funny chosing 2160 option to watch 720-like footage but its YT compression bbe )):

konica 40/1.8 and cheap noname speedbooster (and a little of machining work). most probably highest iso is 1600 (since i dont do post nr), maybe 3200 in one or two shots.

decide yourself ) (shot this handheld with xt2)

what a bs to ask a regular people to judge artistic instrument which bokeh is. people care about content and what an idiotic ( and impotent ) thing to let them decide which tool is better for creator.

i spend the whole summer with xh1 and updated xt2 just now to check if i can live without ibis again ( xt3 specs is so juicy) i ended up thinkin about gettin rid of xh1 and just stay with what i already have) heres my test: xt2/konica40f1.8/noname speedbooster 100fps handheld all the way: still lack of eterna/d400 makin me really sad and i wonder if anyone can tell how much difference between editing 8bit 4K IPB and 10bit 4K ALL-I files im also wonder how much time should pass to fuji discover that 25/50/100 option on the shutter ring is extremely desirable in 50 Hz country

i wonder if anyone had the experience with both fs5 and fs5 markII to prove that. had tested a7iii and didnt find it anywhere close to fuji/nikon colourwise

do you think i've shot all these video and still dont know there's ois on my 18-55? (i have issues with my english not my eyes) im not using ois to keep batteries longer. thats the point when u have a deal with 126s and just to lazy to constantly changing it. still dont suffering from shaking thanks, there is some (one or two) like Kodak or Astia film luts, custom contrast and some little lumetri cc action but thats not so important, just adding little flavour over ETERNA. which is the thing that made cc fun again) i've also tried first time 1080/60 flog internally on xt2 but that was a bad idea. ETERNA is a time saver fun comebacker. id love to get that simulation on xt2 ( why not - its fuji )

of course if its some big scenario case then its always good to have alexa-on-ronin setup. but when u had skill u can scale it on any production and needs. and here some more xt2/crane/18mm combination ( now with ibis stabilized x-h1/55mm): and with 4k60 and better rs there's even easier to get stabilized results. crane/xt3 is stuning combo in terms of possibilities/$ btw does anyone knows if xt3 output 1080/120 in 10bit over hdmi or not?

one-handed gimbals are great and ibis isnt necessary (all from 0:55 is shot with original crane/xt2/18-55kit lens):

and while new x-t3 have all those cool features it still lacks of IBIS, so im happy to carry x-h1 on some cool events) *please watch in 4K quality only, theres a lot of dark red environment and yt compression is wild