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    • Ah well, if you had a proper understanding of time & space theory, you would understand that by meddling with time, you would create an alternative reality and someone like failed businessman Donald Trump could one day become president of the USA…and then we’d all be fucked. Phew, luckily for us, that documentary turned out to be a fake and they made up the entire story!  
    • The only Lumix camera that has an OLPF as far as I am aware, is the S1H I don’t have anymore. It’s just not something I have any concerns about as I just don’t ever see it. There has been the odd time I think I have and a quick zoom in or out shows it  is only at a specific size in editing software vs I suppose, my specific screen size, but otherwise does not exist and certainly not in the end result. 🤷‍♂️
    • Does anyone need some custom music created? Give me a shout! I've worked with around 100 content creators...mostly video game developers...helping them bring their visions to life. Here's a link to my Custom Work page for more info: https://soundimage.org/custom-work/ That said, this week's new free Mp3 tracks are on my City/Urban 2 page: "ON THE PROWL WITH CAPED CRUSADER CAT" (LoFi) "FUNKY STREETS"  (LoFi) "JULIO’S CREW"  (LoFi) https://soundimage.org/city-urban-2/ Enjoy, keep creating and please stay safe.
    • The Z6 III likely has a similar optical low-pass filter as the other models of the Z6 series which is reported as one axis only, so if there are high spatial frequencies on the other axis, these can cause moire or other forms of aliasing. Stopping down the lens to smaller apertures (such as f/11, f/16 etc. or using other means to soften the lens, such as a front filter) should eliminate the aliasing (including moire) if it does occur. The cause of this phenomenon is that the adjacent color filter array pixels can get different light (including different color of light), causing an interference pattern to form. Attenuating the high spatial frequencies optically should resolve the issue (and is the normal way to solve the issue). A thicker (two layers) optical low-pass filter on the sensor has the issue that the blurring is always there even though for some subjects (that are random enough not to cause problems) you might prefer the higher sharpness of the weaker, one-axis OLPF that the camera probably has at the moment.    In video, moire can (in some cameras) be caused by line-skipping, e.g., when going for a high frame rate mode, this is common with some cameras to achieve 4K120, but on the Z6III 4K120 is achieved by cropping to DX so there is no line-skipping and there should not be any additional aliasing or moire happening due to the use of that mode. 
    • How can it be luck? That's approx 100,000 frames of photography and approx 15,000 5-15 second clips of video (plus another 60 hours of static capture). For the photo side, that has been with; Sony A7RV, Nikon Zf, Lumix S1H and Lumix S1RII. Video, Lumix S5II, S1H, S9 shooting Vlog with LUT baked in. (Except S1H which has OLPF but no facility to bake in LUT). It's just my experience, - what can I say? You have experienced something else, but that doesn't make my experience invalid. What are these cameras of yours that are moire prone?
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