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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Yes, but again it's all about intent. If the ppl making the movie elected a particular piece of gear bc that was their intention it's a good sign they know what they are doing. Most artists are really picky about their instruments and cinema is no different. Why? Bc the creative intent changes with the instrument selected to convey the idea. Great photographers know this and have to think clearly what will be sacrificed by changing their usual gear for any given task. The Arri trope is all about the industry. Ppl making bad movies just mark a bunch of high-end gear bc it will make it look like every other movie out there from the last 15 years. -
I couldn't agree more, Most of my stills now are on the S1R2 and the files are fantastic. Only step up for me would be a GFX100II. I don't think any of the typical reviews can address this, I think you have to shoot and work on files for a few months to get a good feel for what you can do (and can't do) with them. -
This video from @Tito Ferradans has some info on it, but he doesn't show everything needed so you might need to watch a bunch of YT videos and search to see if other people have shared how they do it. -
Yes, my OCD would not be able to cope with that. I don't like even having 2 different cameras within the same brand, never mind other brands... I can just about get my head around having and mixing in drone footage, but that is because the alternative is not realistic and as a fan of minimalism (well, as minimalist as I can be without compromising any major element), I'm all in on one system now. -
That is the sum of it. Enthusiast weighing up A vs B vs C vs what they already have, yes, even 500 is a BIG difference. Business user however, turning over 50k+ PA, it's still 500, but 1% of gross turnover and 50k is a very small business. And that is based on 1 year so if you can use something for 3+ years on say a 100k turnover, it's a difference of near zero consequence. 3k camera on 3 years at 100k = 1%. The difference being if it's a tool that makes you money and if that tool can also save you time, or improve your output in some way such as maybe it's more flexible such as open gate, or any other factor that works for you, then it becomes an asset. A depreciating asset (as all this stuff is), but the cost is not that big a consideration. Maybe but maybe not because it would need to have 'more' really (as you suggested), so it would have been wrong to badge it IMO as an S2H, even though, based on current evidence at least, it may very well be the replacement for the S1H that we have got. I always thought they would go a 2 model route and said so on this forum, but I thought they were going to make the S1RII (should have been badged S2R) and an S2H, the S2R with the Leica SL3/Sony A7RV sensor and then the more video-centric S2H. Instead we got what we got and for me, the pick of them is the S2R S1RII, and though it's a good body, would rather have seen something more innovative such as the ZR style body with 4" screen but articulating like that of the S2R S1RII. If...and it's a massive if, they do come out with a replacement for the S1H, I think if they go for this body style with that kind of rear screen, it would be a monster hit for Lumix.
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