Alt Shoo

In regards to BM’s new tech, and this not being a Bayer sensor, the numbers aren’t the same thing anymore. I believe we are in the presence of a major disruption to come. It’s obvious this is going to trickle down into BM’s new devices and will most likely force major players in the game to reassess the price of admission for quality cinematic images. Sorta reminds me of how one can create Grammy winning music on their laptop/tablet/phone.

Here is a good read on the myths of this technology. http://image-sensors-world.blogspot.com/2020/07/image-algorithmics-on-rgbw-color-filter.html

Definitely a great read! I honestly didn’t want it to end.

That’s some of the best footage I’ve seen out of any camera.

That’s in all the groups I’ve visited. Each group has a set of “patriotic” members who bash other cameras, make tree and backyard videos with their small tilta wooden rig , theorize on what if’s and no real footage. I agree that the body should be a bit more durable and maybe they should have made it more sensor in a box, but the camcorder body is a proven design conducive to out of the box filming. In addition Grant said that this release is for the high end and all we can do now is watch what happens with this camera.

I agree with the brand name problem, but you can say that about any of the brands not Arri or RED and regarding the image quality comparison, that’s highly subjective.

Y’all should read johnbrawley.wordpress.com it answers a lot of the assumptions in this thread.

Yes for the regular black, but the stormtrooper is 7 then cfast cards (certified approved) and then the tax. Also people are going to buy other parts to build a proper rig, which the average comes to over a G. While the BM comes with their “award winning” shoulder style design and camcorder body ideal for hand held work. With the order I’m doing for the Komodo it comes out to the same price as the BM12K with taxes.

I’m a prospective StormTrooper buyer and to say that this announcement doesn’t throw a kink or doesn’t spill over into RED’s Komodo market is probably a mistake. Yes I agree with the Komodo being a perfect B/C cam and a entryway into RED, but with $2k more you have a future proof (5-6 years) of high quality A cam capability! I’m quite sure there are plenty Komodo line standers thinking about investing into this ecosystem.

When can we expect a full frame or bigger Varicam?

Man oh man I am more confused than ever. I just received the final email back to confirm my purchase for the Komodo, but this news comes out. Smfh. I’m usually very confident with my camera purchasing decisions, but this has me going through a constant loop of what ifs. Please can someone help me make sense of this decision. Should I go with the Komodo or get this GFX100 now with Pro Res Raw capability. Smfh.

Not really exciting news for me, especially since there are very good cameras out now with similar specs. As of this moment Sony isn’t even on my radar for cameras, at least the mirrorless’s. If I was going to pick up a Sony camera it’ll be the FX9. Other than that, I’ll pass.

Great read and very inspiring! It makes me want to go out and film. I gotta subscribe to this magazine.

@IronFilm I definitely agree with you on a wait and see approach with the Komodo, but I believe global shutters are just going to get better with the proper development behind it. With companies like RED pushing this technology, it’ll certainly invite other big manufacturers to enter the foray.