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The EOSHD YouTube Channel (23,379 visits to this link)
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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2
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Posts
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I think a lot of people feel the world was a brighter and more optimistic place in the 90s and 2000s so it’s a way of putting their current selves back into that time. Easy to write that off simply as nostalgia but I think at this present time it’s actually a deeper thing as a coping mechanism. -
By Clark Nikolai · Posted
I do think nostalgia, even for a time someone wasn't alive for, is a big factor. Another is authenticity, the title is telling on the comparison video. Which is "more authentic?". I think with so much fake stuff out there, or over polished, commercial media, that there's naturally a desire for something real. I know a young woman, in early 20s, who last year shot in miniDV for the nostalgia and poor quality. That surprised me because I remember when miniDV was considered high quality (compared to what low budget video makers had access to previously). Things move on. There's also trends, as the saying goes, when hemlines are down they can only go up. Now that people can do 8K pristine video easily and cheaply, then low quality and dirty is a refreshing change. About 12 years ago I was searching for, and found, a pocket camera that saved in raw. It was great and I loved how I was able to edit in post nicely, etc. This year it died and so I pulled out the old jpeg-only camera from the drawer and I've been shooting with it. Now, instead of cringing when I see the jpeg artifacts, I accept it as a normal look for a cheap snapshot and kind of a style that's now "approved" by others (at least on YouTube.) The ergonomics are great too. I can have it in my side pocket and while cycling, reach down with one hand, put my hand in the wrist strap, turn it on and take pictures without stopping. You can't do that with a phone. I sometimes wish that the amazing image stabilization and other features that iPhones have was available in a little pocket camera. Anyway, I can dig all sorts of things. It's just another brush to choose. -
Indeed, algorithms do tend to isolate us from the huge diversity out there, that's for sure. One thing I like to keep in mind is that even if something is so rare that it's only one in a million people, that means there are 8 million of them! I have a Korean friend who is incredibly into film-making and film itself. He is currently studying film and TV in the US, and owns his own complete RED Dragon 6K setup (one of the older DSMC2 models). He has been shooting film for many years and still regularly shoots projects on it, mostly 16mm and is a massive film nerd who frequently dives into the detail and can name specific models of film scanners etc off the top of his head. He is a huge fan of K-pop and loves retro camcorders and early digital stuff. I'm in a private Discord server with him and bunch of other film-maker types and there are a lot of them that are into a wide range of looks, including ultra-high-quality digital, film, cinema, TV, music videos, advertising, sports and live action coverage, and aesthetics of all imagination. They don't just talk about cameras, or film, or lenses (but they do talk about all of those), they talk about bags and equipment trolleys and lights and all things grip, they talk about sound and editing and colour grading, they talk about directing and scheduling and pre-production, they talk about YouTube and sponsorships, they talk about clients and client management and business, as well as cars and other non-video stuff. The YouTube bubble seems to only talk about cameras, lenses, and colour grading, and that image quality has to be the highest possible unless you're emulating film. My experience is that there a ton of people who are interested in much more than these things, but they're made to feel unwelcome because there's no place for these things in the camera-industrial complex that camera bro YouTube is a part of. The world is much bigger and stranger than any of us know 😄 -
I had ruled out the GX9 for some reason, thinking it didn't have IBIS, and then I randomly heard that it did have IBIS and so I got confused about why I had written it off, so hearing about the crop made me wonder if that was potentially the reason. 200Mbps is a great bitrate, especially for HD! I don't recall hearing about this. Yes - there's even a thread about it that just started! I haven't looked at it myself yet, but if it's a one-stop solution for film emulation then it seems promising. I've heard it's pretty slow still, but it's still early days and perhaps optimisations will change that at some point. For me, and this GX85 Super-16mm film camera project, it was more about the GX85 and me finding a place for it. I have equipment I like, shooting situations / scenarios I prefer to shoot, and images I like, and the goal is to find combinations that work well. This project has resulted in me successfully discovering and developing the combination of: GX85 plus 14mm F2.5 pancake lens at 1x / 2x / 4x digital zoom Shooting street scenes in uncontrolled / available light, hand-held, from waist height Passable S16mm film camera emulation for gritty images with a strong vibe I'm actually really heartened by the GX85 and will be testing how far I can push it in other ways. Emulating a S16 camera is a lot easier than a S35mm camera, for example, so I'll see how I go with that. I'm effectively done with the S16 film camera emulation but not done at all with pushing to get the most from the GX85.
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have you guys seen Spektrafilm? It now has an OFX plugin, and possibly an ios app on the way too, and it's free! https://spektrafilm.114c.de/
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