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By eatstoomuchjam · Posted
Sort of, yes, but it's only a 24 megapixel sensor. The resolution in super 16 mode or super 8 mode would be pretty low. You'd be at 4k in S35, and closer to 2k in M43. 1:1 crop mode on the GH7 would be one of best right now for using S16 or Super 8 lenses. You'd still have decent resolution and probably not be at 720p or less. -
I meant, beside being a FF camera, give it a variety of formats/gates. Wouldn't that be a jam.:) @eatstoomuchjam -
By eatstoomuchjam · Posted
Ah, maybe, but I'm saying they could release this exact camera at the same price, but with a different brand/form factor and influencers would go crazy for it. I'm not even trying to create my dream tiny 4k camera that uses my C and D mount lenses (that might be the altcinecam thingie). 😅 -
Also from CineD "So here I am, happily setting up the camera for ProRes HQ, C4K, 4:2:2, 2.40:1 (4096×1728) internal recording, and what I noticed while looking at some family test footage is that the material looks a bit “lifeless”. I mean, it is beautiful and crisp, but much too “digital”. A short call with my dear colleague Gunther, who conducted our lab test, and I was able to confirm that what I see visually is also evident in our lab test. After a short discussion, we agreed that this camera is truly suffering from extensive noise reduction implementation in ProRes internal recording mode. This is why I switched to ProRes RAW (HQ) in this test." I'm mostly interested in the H265 and H264 codecs to keep files sizes reasonable on documentary projects. I hope these are not overly detailed too. -
And 10bit Hlg or log, please. Call it the Lumix Bolex and a sister model the Lumix Bolex ND. Give it a S16, 16, 2/3, S8 and 8mm gate mode plus GH4 battery life. @eatstoomuchjam
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