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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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By Clark Nikolai · Posted
Wow! This is surprising to me. Maybe the market is saturated for that type of camera. -
By Andrew Reid · Posted
ARRI are closing two factories in Germany. https://www.eoshd.com/news/arri-closes-factories-contemplates-company-sale/ The ALEXA factory remains for now. 150 jobs are to go. Reasons for this and words from ARRI's spokesperson are in the article above. But in a nutshell they really need saving - and like Nikon buying RED, it should be Sony to do it for ARRI. They will lead the cinema camera world if they do. The question is will there still be a cinema camera industry if the current pace of collapse continues?! -
By Andrew Reid · Posted
I find the higher LCD dot spec a bit dotty as 3 inch is too small to see the difference. What does matter is the live-view quality - scaling, focus aid quality, and that kinda stuff. It would be nice to see a ZR size screen on a stills camera one day. Hell even in the 90s they had 4 inch LCDs on consumer Handycams. -
It’s really good fun to shoot with too, especially with small manual primes (Thypoch Simera-c). -
I am one of the weirdos that bought an fx2. Sold my FX3 for it which may sound very strange! I wanted the viewfinder and a more detailed image plus the ability to crop. The bonus is that it is a great stills camera too. I paid £2050 through Panamoz which I think is a pretty good price for what you’re getting I.e a hardy, proven, no fuss image gatherer which is what I need for my very unsexy corp jobs.
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