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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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Balls. Sent the S1IIE back without even opening the box and picked up another S9 instead. My first 8 jobs of the year were 7 hybrid and 1 pure video. Of the next 7, I knew 1 was photo only but ‘assumed’ the other 6 were all hybrid. Nope, only 3/7 are hybrid and not worth spending that money for just 3 jobs when 2027 is a bit of an unknown… Unknown as in almost fully booked and every booked job is hybrid, but I am still hopeful for either a genuine S1H successor or an S9II. Or even some kind of Nikon/Sony mashup but that is as unlikely as my Hasselblad dreams… But then also still ‘waiting’ for Sigma to build a sibling to the 28-45mm f1.8 such as a 45-90mm f1.8 with internal non-extending zoom, but probably dreaming there also… And then there is my Leica fantasy, but let’s not go there either. -
I dip in from time to time what is happening in e Mount land because I am envious of the lens line up. L Mount is decent, but it’s got holes for me that I want filling and I am always doing a slight workaround, but with e Mount, it’s easy. Easy albeit, at a higher price point. The FX5 from what I can see is an ‘FX3.2’ isn’t it? At twice the price you can score a brand new, UK stock, FX3a, the one with the better rear LCD. What has the FX5 got that would tempt me over that? Nothing that I can see and I could pick up an FX3a AND a pair of FX30’s for the same price as a single shiny new FX5. Not that it’s all about the money, but also is. I need 3 video units and a single photo (assuming zoom for the latter) so chuck an A7RV (that I used to own) into the pot regarding the latter. Also used. But that has nothing to do with the FX5. Not really sure if it’s a 5k camera…
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By Trankilstef · Posted
I've been away from the camera world and stuff for quite some time, I have dabbled a bit with AI and making a good living out of it directing hybrid and 100% AI commercials but I want to own a small cinema camera again, for some projects I have in mind. This may be one of the strongest contenders and it comes right when I enter the market again to find which one I may be interested in. -
By Benjamin Hilton · Posted
This is a beast of a camera for sure, but man, almost $5K??? I mean, I get it, it's almost a cinema camera, but no internal ND, SDI etc.... I guess I'm just grateful you can pick up a used A7SIII for around 2K and get basically the same image at the end of the pipeline. Or even an old F5 at $1k for that matter... It's funny because I'm at the stage in my career where I can kind of choose to shoot with whatever cameras we want within reason. More often than not though, I end up going with older cameras because we get basically the same image at end of the pipeline, and they are like 10x cheaper. The budget saved can be invested into cooler on camera stuff. Spoiled for choice I guess -
It's the best compact cine camera in the market, for NOW. But I'm not sure it can hold that position for long. Maybe they know this and keeping some features unavailable today to be unlocked at 2027. Firmware update these days are more a marketing policy (our product still competes) than an engineering challenge. I mean 4k240 is not some issue in the code you want to resolve. Its a switch.
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