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    • That's simply not true. The focus motor is an additional $270 purchase.  The 6K version of the Ronin 4D also doesn't come able to shoot ProRes RAW or 4444 XQ.  For that, you'll need to add the ProSSD mount ($200) and a 1TB ProSSD ($800).  For most MF lenses, you'd also need to buy a mount other than the one included with the camera - I haven't seen many DJI DL mount to anything else adapters.  A Leica M mount costs $300 new.  Used prices on most of the above are about 2/3 of new cost. The 8K version of the camera includes the mount and a ProSSD, but (if I remember right) not the motor. And while almost none of the cameras that I mentioned include ProRes RAW (except the S1R Mark II), a majority of them are capable of shooting raw (many of them in a format that works in Resolve without conversion (additional $80 fee for Raw Convertor license if PRR).  For those that don't, you can buy a used Ninja V or Video Assist 12G for $200-500. For stabilization, you can add a $400 gimbal - though compared with using the R4D, it will be much more of a pain in the ass.  On the other hand, most of the other cameras can support lenses weighing more than about 1000g which is about all the R4D can support if you want to use the 4th axis. External 5" screen?  If you don't already have one sitting around, you can get one of equal or better quality to the R4D screen for about $200-300. Any of those other cameras can also be set up in such a way that they will be small/light/unintrusive.  That's simply not possible with the R4D.  The closest you'll come is the Flex unit which costs $900 and then you'll be in a backpack ($200-300 if you buy the official PGY Tech one) and still carrying a pretty big/obtrusive camera. The main advantage of the Ronin 4D is the integrated 4th axis which eliminates a lot of footstep motion and helps smooth things out on a car mount, etc.  In my experience, it's better than using an EasyRig with the springy arm or a ReadyRig Nimbus - and can be used with either for even more smoothness. The second advantage of the R4D is that everything is tightly integrated.  If you get a Gimbal with subject tracking, that'll be on a separate screen and is usually driven by a second camera rather than through the camera's lens.  If you get a DJI Focus Pro or other Lidar-based manual focuser, that'll also be driven through a second camera and another screen.  With the R4D, you can draw a box around a subject and turn on AF and when you start tracking, it will do so uncannily well... about 95% of the time, and randomly lose the subject the other 5%. It's a great single operator camera - but again, it's far from the device I'd choose as my only camera.  If I could have only one, I'd take something else for sure.  It would be my first choice for my second camera, though... hands down.
    • I thought this was a gear forum, but maybe it morphed into something else post-Covid hehe
    • Unlike the other very good cameras you mentioned the Ronin has the entire FF set-up from the get go: stabilizer, gimbal, remote focusing mechanism for MF lenses, big focusing screen (and AF, of course). ProRes Raw and 4444 XQ. It's just a more compelling package for the brand agnostic.
    • Further north and more nuclear power station adjacent. Or further west if the S you are thinking of is somewhere on the east coast.  
    • A7iv IMO might be a better hybrid unless prioritising low light video over stills? Tamron 20-40 + 28-75 + 70-180 would make a pretty sweet 3x compact zoom set up. I know this because it was my set up last year for stills and is again for this year. Next year, pretty sure I will trade the 28-75 and 70-180 for the new boy 50-150 f2, both for the convenience and extra stop, albeit sacrificing a bit of reach. But then with my A7Rv I can crop quite hard if required. Personally, I’d go for an A7Rv over an A7iv as it’s a better camera pretty much every department, but A7iv’s are cheaper. All this stuff is available used of course.
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