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    • Japan is not tropical at all.  Tokyo sits at 35N, a little bit North of San Diego, CA which is about 33N.  For buying used lenses, tariffs are a real motherfucker, since buying lenses used from Japan used to mean getting them for a bit less than US prices and in much nicer condition all-around. As can my Blazar 1.33x when I pair it with one.  It's a great place to pair with an old DSO FF 58 if you can find one at a reasonable price (or just wait until Gale does another run of them, I picked one up last year over the holidays). If playing with this, you might also experiment with a lens modded with an oval aperture or with just putting an oval cutout in front of or behind the lens.  It'll make the bokeh a little more stretched.  It's similar to what Blazar are doing with Mantis and was one of the options with the previously-mentioned DSO FF 58.  I think there are also tutorials on doing a DIY mod for the Helios 58 (the lens used for DSO) to have it.
    • Great thread BTW.  Modern sterile images are incredibly boring.
    • Here's a quick test from the Voigtlander 42.5mm F0.95 and Sirui 1.25x showing the overall quality and how it behaves with differing apertures.  The Voigt is sharp when stopped down, but not when wide open.  The colour shifts are from the Voigt. F2.0 F1.4 F0.95 Here's an image from the other night to get a bit of a flavour.  I've sharpened it quite a bit in post. I've shot with this combo on my current trip and really like it, but it's really heavy and so I've been thinking about alternatives for getting a similar look.  I'm starting to think of this as a two-part challenge: the first part is things that can only be done optically like the bokeh (size, shape, CA, etc) and the second part is things that can be influenced in post (especially the softness of the focal plane). In this sense, I'm looking for glass that will give me the right bokeh, and can then degrade the image in post using softening, vignetting, distortion (barrel / pincushion), CA (of the whole image) etc. I'm surprised at how much the bokeh swirls: The fact that swirly bokeh is just anamorphic bokeh at the sides of the image, and the wider the aspect ratio you end up using in the final video the more you're cropping off the top and bottom where the swirl goes from vertical to horizontal, makes me think that a very swirly spherical lens with a wide crop might be a passable alternative. I will be investigating my vintage fast ~50mm collection on SB when I get home.  These seem the easiest way to get soft images with character without huge weight and complexity and cost.
    • How dirty are you looking for? My Sirui 1.25x can look pretty dirty if you put it on a softer taking lens.
    • @Ninpo33Thanks for such a detailed response. It's good to know that there are still some out there making beautiful images with this old glass. I love the idea of Buyee for vintage lenses, but it never seems like it was more cost effective than just waiting it out on eBay. And that was before the tariffs. Plus, it seems like a lot of older glass imported from tropical climates has more fungus. How do you make it work for you? I can't find anything written about this. Is it as simple as unscrewing the back panel and popping out the anamorphic element? Seems like a steal compared to some of these other variable diopters. Are there any known limitations? Is that a YashicaScope? Would love to see some footage!
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