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    • I think for some who don’t want to spend time in post, these software features are truly moving the needle forward in a very positive way. 
    • For it to be full frame then f2.8 might be tricky ish to keep it super compact.  But at the very least a 28mm f4 (i.e. roughly doubling the 14mm f2.5 specs) should have been possible!! (or heck, why not at least f5.6??? Why does it have to be f8 for goodness sake??)  Maybe third-party lenses will have to come to the rescue to say the Panasonic S9 as a true "everyday walk around camera". Such as this pancake lens for only US$99 (manual focus only), 35mm f5.6: https://www.bhphotovideo.com/c/product/1628287-REG/7artisans_photoelectric_a006b_l_35mm_f_5_6_lens_for.html Or the Sigma 17mm f/4, or Sigma 24mm f/3.5 , or Sigma 45mm f/2.8,  all are autofocus lenses: https://www.bhphotovideo.com/c/product/1757611-REG/sigma_415969_17mm_f_4_dg_dn.html  https://www.bhphotovideo.com/c/product/1605137-REG/sigma_24mm_f_3_5_dg_dn.html  https://www.bhphotovideo.com/c/product/1492965-REG/sigma_360969_45mm_f_2_8_dg_dn.html Or adapted M Mount lenses: Voigtlander 21mm f/4 or Voigtlander 28mm f/2.8 or Voigtlander 35mm f/2.5  or Voigtlander 35mm f/1.4 or Voigtlander 40mm f/1.4 or Voigtlander 40mm f/1.2 or Voigtlander 40mm f/2.8: https://www.bhphotovideo.com/c/product/483740-REG/Voigtlander_BA211P_Color_Skopar_21mm_f_4_0_P.html  https://www.bhphotovideo.com/c/product/1781163-REG/voigtlander_ba379e_28mm_f_2_8_color_skopar_m_type.html https://www.bhphotovideo.com/c/product/326913-REG/Voigtlander_45BA245C_Color_Skopar_Pan_35mm_f_2_5.html https://www.bhphotovideo.com/c/product/1494427-REG/voigtlander_ba347c_nokton_classic_35mm_f_1_4.html https://www.bhphotovideo.com/c/product/355977-REG/Voigtlander_45BA246B_Nokton_40mm_f_1_4_M_Mount.html https://www.bhphotovideo.com/c/product/1378116-REG/voigtlander_ba342a_nokton_40mm_f_1_2_aspherical.html  https://www.bhphotovideo.com/c/product/1695929-REG/voigtlander_ba324e_heliar_40mm_f_2_8_aspherical.html   Or instead of Voigtlander, go with a cheap Chinese brand of lenses, TTArtisan 28mm f/5.6, 7artisans Photoelectric 35mm f/5.6 (same US$99 lens as before, but in a more versatile M Mount instead of L Mount), AstrHori 40mm f/5.6, 7artisans 28mm f/5.6: https://www.bhphotovideo.com/c/product/1711280-REG/ttartisan_f2856blm_28mm_f_5_6_lens_for.html https://www.bhphotovideo.com/c/product/1628285-REG/7artisans_photoelectric_a006b_35mm_f_5_6_lens_for.html  https://www.bhphotovideo.com/c/product/1794221-REG/astrhori_a11b_40mm_f_5_6_lens_for.html  https://www.bhphotovideo.com/c/product/1702411-REG/7artisans_photoelectric_a011b_28mm_f_5_6_lens_for.html    Nah, as it is adapted M Mount (unless there is an adapter which grants AF to manual M Mount lenses?? I've seen such amazing feats accomplished with an E Mount adapter, has anybody done this for L Mount too??)    The Panasonic S9 is however a massive improvement of any smartphone camera, and so long as they make it nearly as very easy to post immediately to social media as it's possible with your own smartphone, then perhaps the S9 still has a niche for the social media addicted content creators.     The integrated gimbal the DJI Osmo Pocket 3 has is hard for anything else to compete against in this market niche. It's better than the IBIS of the S9 for sure!  But for photographers, then the S9 is going to be more appealing than a DJI Osmo Pocket 3
    • I wonder if that indicates they've ceased production of this camera?
    • Ah, right...  I'd forgotten about the frame interpolation.  Doing it your way bakes in the 3:2 pattern, but at least it won't look like someone accidentally slipped the audience something in their drinks!
    • I've used it on my 700D and yeah, it's not winning any UI awards that's for sure.  Then again, I hear that the Sony menus give people nightmares so who knows. But when it comes to the image, it's like I said, different people wanting different things. All the professional colourists are taking the high-end Alexa footage and doing NR, softening / blurring, adding grain, and sometimes adding halation and diffusion - even on top of the vintage primes many movies were shot on.   Then on the forums everyone is like "Dune looked AMAZING, I wish my films looked like that...  anyway, who wants a 16K camera with no noise at ISO 100,000 and sharper Sigma Art lenses?" Yeah.  People are even converting 24p movie clips to 4K 60p using AI and uploading those to YT.  I suppose that's in-keeping with our current phase of revisionist history 😂😂😂
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