eatstoomuchjam Posted April 8 Share Posted April 8 9 hours ago, zlfan said: I set my epic-x mysterium-x to 5k 60p 2.40 5:1. I used 5k 24p 2.0 3:1. I don't see significant improvement over r1mx 4.5k 24p 2.40 7.5:1. What difference did you expect to see? 4.5K vs 5K is barely any different and unless you're doing heavy grading or SFX work, going from 3:1 to 7.5:1 compression of raw footage should result in minimal impact to the visible image. Quote Link to comment Share on other sites More sharing options...
zlfan Posted April 10 Author Share Posted April 10 initially, 24 fps and cameras were motorized due to the need to synchronize with sound. when I watch Chaplin's soundless movies, I really enjoy them, and I think they are cinematic. like city lights, modern times, and earlier ones. sometimes he even used rack focusing. Chaplin was during the transition period of 16p soundless to 24p sound. I think 24p effects are exaggerated and glorified and even sacrified afterwards. Quote Link to comment Share on other sites More sharing options...
zlfan Posted April 13 Author Share Posted April 13 Black Magic just announced a new full frame 12 k cinema camera, can do 12k 60p. The higher resolution, the more severe dizziness if there is camera movement. For example, sd 480 shaking and panning does not give much dizzy feeling, but 1080p is much worse, 4k is even worse. 12k with 60p is much smoother than 12k 24p in moving scenes, due to the high resolution. Quote Link to comment Share on other sites More sharing options...
zlfan Posted April 18 Author Share Posted April 18 I just watched the gold rush 1925. where is the 24p magic? why am I still enjoying the story and composition and action such much? lol. Quote Link to comment Share on other sites More sharing options...
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