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By eatstoomuchjam · Posted
Pity about the EF stuff. I'm planning to keep mine for as long as possible and I'm still adding more on occasion. Adapts to everything, autofocus feels native on RF bodies. Plus most of the lenses were designed before it was assumed that the camera would fix defects with a profile. The M mount glass will look brilliant on any system you mentioned, though. Isn't the FX3's RS only like 8ms already? Usually that's enough even for fast action to look good. Just keep in mind that gyroflow-style solutions usually require fast shutter speeds. -
By eatstoomuchjam · Posted
I think there are a few things at play. We're in a place where cameras from 2019 (and maybe a bit earlier) are still totally great and usable. The Z-Cam E2-F6 was released in 2019. The EOS R5 was released in 2020. The A7s III was also released in 2020, as was the OG Red Komodo. You can go pick up any of those cameras right now and make great-looking content with more than enough resolution/quality to be played and look good in any theater. Because of that, there's not a huge reason for everybody to upgrade. If I look at upgrading my R5 to the R5 II, I see nothing that would be worth me spending $1500-2000 for it (assuming I sold for standard used price and bought for standard used price). What am I getting? A bit less overheating, slightly better DR, and more 8K frame rates that I won't use a lot? For $2,000? 🤷♂️ Assuming that most enthusiasts have purchased a new camera within the last 5-6 years, they have a camera that's good enough to produce professional results, either in still photos or video. I can sort of see what manufacturers would focus on high-end gear with big margin instead of chasing a share of the shrinking low/mid-range market. But! The good news is that if you're in the category of a person who bought a decent camera in the last 5 years, there's no need to get stressed by the hype around new models. Watch people going for corporate gigs and the like these days and you're apt to see most of them carrying a 5-year old FX3 or FX6. -
Also it needs to be warp stabilizer; any of the stabilization algorithms in Davinci resolve don’t do as well and end up making the result worse. Warp stabilizer set to substance warp is quite good however. I actually am currently paying for just after efffects alone and have some scripts that let me quickly render a single clip in Davinci resolve, apply warp stabilizer in AE, render and import quickly back to Davinci. -
I completely understand. What I can say is for some reason solid handheld technique + Canon IBIS + Canon DIS + ADOBE warp stabilizer is very consistent and stable. Worth a try. But I do get it, gyroflow is great too and uses real motion data. I’ve done a ton of filming on canon bodies though and this technique works really well. It’s not 100% perfect but I’d call it 95% perfect with a bit of tweaking.
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By Eric Matyas · Posted
Greetings Fellow Creatives, This week's brand new free-to-use-with-attribution music tracks are: "SNOWY PUZZLER_v001" (LoFi) You can listen to it here: https://soundimage.org/wp-content/uploads/2026/02/Snowy-Puzzler_v001_LoFi.ogg We also have: "LIGHT PUZZLES 10" (LoFi) "ARCTIC PUZZLER" (LoFi) You can freely download them all from the Puzzle Music 7 page on my site: https://soundimage.org/puzzle-music-7/ OTHER (HOPEFULLY) HELPFUL LINKS: https://soundimage.org/attribution-info/ https://soundimage.org/ogg-game-music-mega-pack/ https://soundimage.org/ogg-music-packs-2/ https://soundimage.org/custom-work/ As always, enjoy, please stay safe and keep being creative. 🙂
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