Subforums
-
The EOSHD YouTube Channel (23,062 visits to this link)
17,268 topics in this forum
-
- 9.1k replies
- 2.6m views
-
- 5.8k replies
- 1.8m views
-
- 1.2k replies
- 448.2k views
-
- 0 replies
- 1.3k views
-
- 700 replies
- 296.3k views
-
- 1.8k replies
- 733.4k views
-
- 8 replies
- 316 views
-
- 2 replies
- 190 views
-
- 6 replies
- 821 views
-
- 49 replies
- 3.5k views
-
- 1 reply
- 105 views
-
- 15 replies
- 520 views
-
- 27 replies
- 4.7k views
-
- 1 reply
- 135 views
-
- 20 replies
- 671 views
-
- 121 replies
- 52.7k views
-
- 2 replies
- 2.4k views
-
- 4 replies
- 279 views
-
- 6 replies
- 526 views
-
- 61 replies
- 8.2k views
-
- 3 replies
- 263 views
-
- 1 reply
- 123 views
-
- 121 replies
- 23.1k views
-
- 558 replies
- 253k views
-
- 9 replies
- 913 views
-
- 3 replies
- 311 views
-
- 1 reply
- 284 views
-
- 5 replies
- 578 views
-
- 102 replies
- 40k views
-
- 29 replies
- 1.6k views
-
- 0 replies
- 295 views
-
- 1 reply
- 242 views
-
- 1 reply
- 291 views
-
- 58 replies
- 17.8k views
-
- 0 replies
- 327 views
-
- 3 replies
- 403 views
-
- 0 replies
- 260 views
-
- 1 reply
- 725 views
-
- 5 replies
- 610 views
-
- 3 replies
- 366 views
-
Popular Contributors
-
Forum Statistics
-
Total Topics17.3k
-
Total Posts351.4k
-
-
Member Statistics
-
Posts
-
Great write up and thanks for making the effort. I can see that shooting the Alexa with a neutral / clean lens with deeper DOF and crushing the whites / blacks and it not having carefully sculpted lighting etc would mean it would be an easier act to follow for MFT. As I see it, the limitations of the GH5 compared to the Alexa would be the colour science on skin tones etc, DR, and shallower DOF with character lenses.. most of which weren't significant in how it was shot. I have no experience with an Alexa but I've heard that it's a two/three person camera and that operating it solo is difficult. When I think about things like that, combined with the weight and form factor, I can really understand how limiting it would be to operate compared to how fast the GH5 etc are. I do have some idea about coverage and how incredibly demanding actual "real" productions are. When I analysed Parts Unknown and saw the quantity and quality of shots required for a 40 minute episode I was blown away. Most shots were professional but not incredible, but there were something like 1000 of them in each finished episode. Which they manage to get in something like 5 days on location. I suspect the speed and flexibility difference between the Alexa and GH5 is really a microcosm of the DSLR Revolution. Sure, some of that would be shooting style from the operators and some would be camera choice (ARRI made the Amira for being much more portable/faster) but even between an Amira and GH5, if the goal was getting as much acceptable quality coverage as quickly as possible then the lighter camera has the edge for sure. Pair it with one of those tripods where a single mechanism releases all the joints simultaneously and you'd be able to really cover a scene very quickly. I remember doing a graphic design course back in the day and they said that you can use whatever stock images you like for your projects, and as long as they don't actually clash with the theme of your project then no-one will notice. Since hearing this I have paid attention to such things and it's definitely true - the graphics really don't have to be related at all. I suspect b-roll is partly like this too, as long as you have someone talking and include things that are vaguely related to the subject then it'll work like forgettable eye candy to keep the viewers attention. The Kuleshov Effect is working in your favour for sure. I love the quote "kids love colour and motion" which I think was from a movie and used very sarcastically, but I suspect some of the purpose of b-roll is just to keep that part of our brain from getting bored while we're listening to the person say the thing. Of course, there is an art to it for sure and talented people will be shooting and making edits that create magic by being a lot more than the sum of their parts. Great to hear you were able to navigate the politics and that the end result was a success in the eyes of the boss. Going back to the ARRI takeover and strategy, the fact that ARRI created the Alexa Mini as a 'special use' camera and then everyone switched to it for the whole production says (to me at least) there's a demand for smaller camera packages. It would be amazing if the new management didn't realise this and see what they can do with smaller bodies still. I'm sure ARRI would have a good idea about sales figures for things like the RED Komodo and Komodo-X etc, which are very small, which must further emphasise the demand for smaller packages. I understand that cinema cameras potentially do things like heat/cool the sensor so it's at the optimum temperature and this requires size/weight for the mechanisms and also significant battery power too, so maybe making things smaller is more difficult than we'd imagine. I like to point out to people that the GH7 has a lot more stuff in it than the smaller cameras people compare it to (IBIS, cooling, internal RAW, etc), but in this case we're comparing mirrorless cameras with cameras that literally have heaters in them, so it's not a straight comparison by a long shot. -
By KnightsFan · Posted
After reading the newsshooter article, I think the Vega h2 is a really cool camera with lots of neat features, but I'm definitely skeptical about the sensor and color and stuff. -
By eatstoomuchjam · Posted
I'm pretty sure that the Mavo Mark II LF is using IMX410. It's a great sensor which is why it's been used in so many cameras since it was introduced in 2018. But that's also exactly the problem. It's in a lot of cameras already. Sell it at $1,500 and it's interesting as a budget play. Sell it at $3,000 and you're going up against the EOS R5, Nikon Z8, Red Komodo, Nikon ZR, Panasonic S1 II, and EOS R6 Mark III. IMO, every one of those sensors that's at least equal to the IMX410. They also support 10-bit internal recording that doesn't look like ProRes 4444 (I think that's the only 12-bit format available on Kinefinity right now). Of course, it's also up against the much cheaper Z Cam E2-F6 and E2-F6 Mark II which also use IMX410. The form factor is enticing, but a ZR is even smaller and also has a big flippy 4" screen. And internal raw. And really good autofocus. And costs around $1,000 less. Just like with some of the other cameras that have been announced recently, the question to ask not just "What makes me buy this over the other cameras on the market?" - but it's also "What makes me buy this over a camera I already have?" -
By Aussie Ash · Posted
There is nothing on their web site about it either.The full specs don't seem to be finalised yet,it looks like an entry level camera for them so logically the sensor is already used in their existing line up.Their Mavo MkII full frame body start around US $6,000 they are aiming at getting this to market at around US $3000 . -
-
.thumb.jpg.f009dd1b87265c3f739c46c66786cdc7.jpg)