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YM Cinema did an analysis of it: https://ymcinema.com/2026/03/18/gopro-next-gen-large-sensor-action-camera/ This image shows the sensor.. If we assume it's the same size as a normal GoPro (at around 70mm) then that looks like the sensor is about 20mm across, which is a crop factor of about 1.8, so very slightly larger than MFT. If the camera body is larger then it looks somewhere between MFT and APSC. Based on how far Apple has pushed its sensors with Apple Log and how far things like the GH7 etc are, there's the potential for genuine image quality. What there won't be however, is the potential for GoPro to go "oh, we'll just provide an adapter for you to mount any other manufacturers lenses on this bad boy!" and not cash in by providing an entire line of overpriced lenses to keep you locked in their 'ecosystem'. -
It reminds me of how the people that do rug cleaning videos name their cleaning equipment. My favourite is this:
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Wides are a completely different thing depending on the circumstances. If you're hand-holding and moving around for video it's a completely different beast than doing stills or doing video but on a tripod with very careful camera placement and subject movement etc. I also think it's pretty difficult to make wide angle lenses look professional - that demo from ARRI showcasing their ultra-wide zoom had more "amateur with an action camera" vibes than a shallow-DOF 85mm portrait shot from the standard video mode on a 5DII. This is the elephant in the room for amateurs - the pros choose equipment in support of the vision of the project whereas amateurs choose an aesthetic and then use it for completely inappropriate projects.
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By Aussie Ash · Posted
Not a very good interview but the short and curly of it is The URSA Cine 17K 65 retails for approximately US$29,995. In contrast, the Arri Alexa 65 is unavailable for purchase and must be rented, with high-end productions often spending hundreds of thousands on camera packages. -
By Aussie Ash · Posted
Very refreshing to see a movie made in a way that abandoned established norms.Having learnt the hard way how difficult it is to use a 19mm for landscape stills I couldn't help but notice "many of the ultra wide shots in poor things have no foreground compared to a still shot in landscape photography". The lens seems to be used to help create a surrealist world. Yorgos film "The Favourite" is a damn good film as well.
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