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For anyone interested in understanding a bit more about the relationship between technical measurements and aesthetic experiences, this video is very interesting. Perhaps the challenge is that many people believe there's a golden zone of sharpness where it's softer than clinical glass, but sharper than poor performance vintage glass, but as there's very little qualitative data it's hard to know how a lens performs. The video gives a non-technical primer on MTF charts, and discusses what potential uses there are for different levels of performance, culminating in this chart. I particularly like this approach because the thinking is well beyond "good vs bad" lenses and takes the much more mature approach of "the right tool for the job". This is an example of this kind of thinking from the video: Recommended viewing if you want to go beyond "I like this lens" and "I don't like that lens"! -
I find it incredible that people talk about switching bodies / systems all the time without really considering the wider ecosystem of lenses and accessories. Hell, I've stayed within the MFT system and whenever I get a new MFT body there are still all these extras that I end up being surprised about and inflate the price by 10-15%. If I was re-buying lenses then it would double/triple/quadruple the cost. I have no idea what the economics of lenses are, but I wouldn't be surprised if the camera body is now a loss-leader and the lenses where all the profit is.
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Well, we've gotten drastically better pixels, but because everyone has been screaming incoherently about wanting sharper images the manufacturers took the higher performance and kept the same overall image performance but made the pixels smaller so there's more of them. Everyone said they wanted a camera that could match the 2.5K Alexa, but because there were more people screaming for resolution than screaming for quality the industry took it's improvements and gave us mediocre 4K cameras, then more improvements and we got good but not great 5K downsampling cameras, then more improvements and we got quite good 6K cameras, and since then the flagship bodies have given us 8K / 12K / 17K cameras with pixels that are close to rivalling the 2.5K Alexa. So ARRI released the Alexa 35, and now there's a 4K ARRI camera that absolutely smashes the 8K / 12K / 17K flagship cameras. It's a complete myth that cameras aren't getting better. They're getting better by leaps and bounds, but almost all those gains have been "spent" on smaller pixels / higher resolution. If that hadn't been the case, you'd probably have had every other feature you've ever wanted by now.
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How about Matti Haapoja’s “epic fpv sea transition” video that was just an artlist AI ad disguised as a helpful video. The same bro who was gonna “take a break from YouTube and really get back to his creative roots for a year” now shilling Higgsfield AI whilst reviewing yet another lens in a sea of perfectly imperfect but still perfect lenses that are all the same and can be made to look however you want because there’s no bad gear anymore just the potential to either acquire or lack skill.
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