Jump to content

Leaderboard


Popular Content

Showing content with the highest reputation on 03/19/2017 in all areas

  1. 7 points
    Just been with Nick Dirftwood playing around with a GH5 this morning and the IBIS is very very impressive even just in your hand with no rig ..... I do like this feature a lot especially on a shoulder rig for hand held shots , it does get rid of micro jitter and torn frames which I hate on hand held footage , and the rolling shutter is minimal - this is also great news for panning shots they don't lean over!! At last I can do great pans on a hand held rig. You can also upload your own LUTs into the camera , a very useful feature to have. 10 bit 422 looks superb ,we are getting into Alexa type quality looking footage now , the detail and clean blacks are there . I do think this camera is a game changer for Indy film makers . Panasonic are sending me one to use on the next film I'm about to start shooting, so I will share footage so you can see how good it is .PS on a Panny native lens you can programme in focus points on the rear screen and it will pull focus between those two points very useful feature to have . you can actually programme in 3 focus points in all. We all as indie film makers have to thank Nick Driftwood for working closely with Panasonic to get these great new film making tweeks implemented on the GH5 .
  2. 5 points
    fuzzynormal

    Panasonic GH5 - all is revealed!

    Agreed. I've utilized IBIS effectively for my low-end corporate shoots. Unless one is a complete moron shooting video, ya figure out what looks good and what doesn't and make it work for your production. No, you don't use IBIS as a replacement for a tripod. If you're doing loooong-take event videography, (boring, but whatever) you most likely get a tripod. On the other hand, if you attempting to knock out a ton of quick but elegant b-roll shots, you can make IBIS footage look great. With decent IBIS I quickly and easily learned how to emulate a dolly/slider shot. I do this handheld with a simple technique. Doing that on the fly adds a level of quality I try to accomplish on my gigs. Back in the day, I'd have to set up track to handle the bulkiness of video gear. Then, as gear got smaller, I went to a slider to accomplish the same look. Now I can do an entire shoot handheld and still get that more sophisticated footage. What's not to like about that? Bottom line: You still need to be a half way decent shooter, nothing compensates for that talent. But if you got the chops and know how to make smart decisions, (IBIS is NOT a steady cam people) then the added tool of IBIS is a welcome capability.
  3. 4 points
    this camera is a game changer , I was shown the prototype GH5 last June in a meeting with Panasonic and the spec was amazing , ( I have had to keep very quite since then) the GH5 is everything we have all wanted in a Pansonic Camera , now its finally coming out its going to revolutionise Indy Film making like no other camera has . I expect to see this on alot of Indy movies over the next few years , it will be my main camera for movies now.
  4. 3 points
    Chrad

    Panasonic GH5 - all is revealed!

    Based on videoDSLR.pl tests for noise, resolution and rolling shutter, it appears that the 1080p is just an in camera downscale, so the performance should be identical. I'm very happy about this as it will mean I won't be so inclined to shoot in 4K and downscale as I am with the GH4, unless I really need to crop in. The 1080p looks superb.
  5. 3 points
  6. 2 points
    Chrad

    Panasonic GH5 - all is revealed!

    The best thing that's come out of 4K on consumer cameras is finally being able to make sharp and detailed 1080p.
  7. 2 points
    Looking forward to you getting this camera Andrew and also the EOSHD Pro Color & Shooters Guide!....LOL between you and Leeming and Luke I will have quite the collection of profiles for this Bad Boy!
  8. 2 points
    j-oc

    Colour Grading Webinar

    Alexis Van Hurkman's book (remember them?) Colour Correction Handbook is a great introduction to the theory of colour grading and a useful reference. Read it and then get some training on the software of your choice.
  9. 2 points
  10. 2 points
    mercer

    Panasonic GH5 - all is revealed!

    Right, but the 4K is long form gop, correct? Am I also correct that there is no All-I at all at launch... not even 1080 8bit 4:20? Dont get me wrong this camera is a beast at launch and I am seriously considering using my BH credit to buy one, but with the All-I in 4K and 1080p... this could be an epic camera at that price point. I am really excited to hear your first impression review, Andrew. Please post lots of updates. It doesn't start shipping from BH until the 30th, so that extra week should really shed a shit load of light on this camera!!!
  11. 2 points
    OK....I guess I should clarify my post....by traveling, I mean exactly that...TRAVELING...and I would never have any camera going down a river in a speedboat (though the fact that the GH5 can, does not seem like a negative to me!)...and as a sailor the only power boats I ever go in, would be a dinghy with a little outboard motor to get me from anchorage to shore...but I'm still impressed by the lack of RC in the GH5 and this footage help me arrive at that conclusion...for shooting in a work situation (whether traveling for it, or not) I use a Miller 22lb fluid head on a heavy duty tripod as my rig weighs in around 18lbs...I can however see grabbing a shot with the GH5 that lasts only seconds though, in an inconspicuous manner and that's one of the ways for my use, that the camera would distinguish itself...I would never walk with it....would never use it on a gimbal and if I wanted movement, would do so on a dolly...I don't even zoom on zoom lenses while rolling...so...different needs for different people...but for my use, this is exciting!
  12. 2 points
    You can shoot v-log and preview with a Custom LUT? Impressive.
  13. 2 points
    Andrew your past comments about what Canon could have done but did not make me think that for SONY to enter the GH5 arms race presents more of a marketing challenge then a technical one. if SONY makes as significant an improvement in things like image and rolling shutter and all of that (in a full frame camera) how is it that --- (given the right glass) the image would not now become indistinguishable from SONYs own way more expensive super 35mm LSS camera line. As we have seen, Canon would never do that, certainly not for a line of cameras that already starts at under 3k. We all know what canon could have done but did not. What now will SONY be willing to do that Canon has not and how does this not present a challenge for them? Panasonic still has the difference between a M 4/3s sensor and a super 35mm sensor but a FULL FRAME camera is a whole other deal. Your thoughts.
  14. 2 points
    hyalinejim

    Panasonic GH5 - all is revealed!

    Impressive real world stabilisation. Check from around 45 seconds when water droplets appear on the lens to see the action of the stabiliser. This footage would be unusable on a camera with less stabilisation and more rolling shutter.
  15. 2 points
    jonpais

    Lenses

    Sorry to those who were expecting to see a field test of the Sigma 18-35mm f/1.8 with the Lumix G85, but looking at my clips, they only confirm what I already knew about the lens – that it really, genuinely is tack sharp from wide open with the Metabones Speed Booster XL – and I really have little interest in pursuing further tests of the lens. For the time being at least, I’m liking the results I’m seeing with native m43 lenses, preferring their compactness. If time permits, I’ll go ahead and post a video of the Sigma, as well as field tests of the Tokina 11-16mm f/2.8 and Voigtlander 17.5mm f/0.95. I just received new LED video lights, so I’m more interested in shooting with those and sharing my findings than in doing lens tests at the moment. Incidentally, this was shot handheld and I shake like a mad dog, yet the in-body stabilization of the G85 was able to iron out the wobbles, so I see no justification for purchasing a Panasonic lens over any other brand based solely on dual IBIS.
  16. 2 points
    There is always going to be an improved camera further down the pike. If you ask me, Panasonic have come out with yet more wife material but that won't stop Sony unleashing a strumpet that will seduce many. It won't be as reliable as the GH5 but will definitely turn heads and get people salivating.
  17. 2 points
    GOOD satire. He's too busy at the DPReview forums
  18. 2 points
    They fucked up because Canon fails to understand that entry to medium range ($1000-$3000) camera with good video capabilities would generate some substantial sales and there is definitely a market segment here (eg GH4). Even if this "video DSLR" market segment represents 3-5%; Is the Camera industry doing so well that they can ignore it ? They fucked up because now this market segment is being taken by Panasonic and Sony and people who make the switch are not going to come back. They fucked up because some conservative executives in Japan think that delivering decent video feature in DSLR/Miroless body would hurt their pro-cinema line when actually the pro do need a real pro camera with built in ND, XLR and all the pro cam features. They fucked up to comprehend that the amateurs or video enthusiasts like me can't spend the money they don't have for an expensive Pro camera and even if I had the money I need something small capable of doing video and stills (plus having a nice full frame sensor and not S35). It has nothing to do with cannibalization, Sony does have A7 and FS line and they do just fine because they know it's two different market. Bottom line is that I laugh at the 5D4, I pre-order the GH5 and I'm not spending a dime anymore on Canon gears. I may not be the typical core market guy for Canon but is the camera industry doing so well than they can ignore the 3-5% video/stills folks and laugh at the face of customers who invested a lot $$$ over the years ?
  19. 2 points
    Kisaha

    Cheap 7 inch 1080p field monitors

    Just get your facts straight and you will be fine. - 5D3/D750 aren't 4K cameras, so no 4K monitor can help you there - The monitors we are talking about are NOT real 4K monitors, is this comprehendible enough for you? - Full frame focus with 1.4f lenses is almost impossible to focus right for more than 1 second - or less, even if you had a 65" TV worn on your head, it isn't about the monitor/screen/focus peaking, it is about physics. That is another huge conversation, about the 5Dii revolution, and the effects on moving image mentality and psychology, not for this topic. That's what I said, that's what you seemed missing completely, people with less knowledge are reading these forums, and they will try to find 4K monitors to use with their D750, or else they won't be able to pull focus with out a focus puller on 1.4f lenses, filming a soccer game. I did not call you anything, I just disagreed with your generalities and offered facts to your myths, while it is truth, people didn't use 4K monitors until a year ago, and still just a wee tiny portion of video makers have a true 4K monitor (something like a 0.4%) to help them with focus, do you disagree with that?
  20. 1 point
    jonpais

    The Advantages of Traveling Light

    Pun intended! So I just bought my very first video lights (a Lishuai LED 100WB-56 and Godox Softbox for vlogging, a Lishuai 700RSV and Yongnuo YN216 for location shoots), and I'll be going to shoot a model in the park later this afternoon. I'll be bringing along the G85 and three lenses: the Leica 42.5 f/1.2, the Leica 12mm f/1.4 and the Oly 75mm f/1.8. I've never worked with lights for video before, so it will probably be shit, but gotta start somewhere. What's great is how ridiculously tiny the entire setup is, but not sure if it'll be powerful enough until I give it a go. I've gone ahead and ordered the Lishuai 1500RSV as well, but at something like 20 pounds, not ideal for location work. Of course, there are lots of other, cheaper lights available as well, I think we're approaching the golden age as far as affordable, battery powered, high CRI (or whichever method is used nowadays!), LED lighting is concerned. Mishaps: it took over an hour for me to put together the Godox Softbox; I broke off one of the reflector clips on the 100WB when I hit it while putting together one of my light stands; and I snapped a reflector while trying to fold it. Apologies for the ugly bed sheets.
  21. 1 point
    Fritz Pierre

    Panasonic GH5 - all is revealed!

    No question that shooting in 4K and downscaling to 1080 produces rich "thick" looking (for want of a better term) 1080 footage!
  22. 1 point
    funkyou86

    Panasonic GH5 - all is revealed!

    The last video i saw from Simon was the T3i "comparison" to Alexa, and I promised again that won't click to yt's recommended videos. He's a wannabe Coelho, making general statements while constantly being afraid of GAS. Sorry for the offtopic.
  23. 1 point
    Wasn't that the feeling about the GH4 until the A7S came out?
  24. 1 point
    I don't want to derail this thread, and maybe 60% of you have seen this video or more, but it is very informative to what we are talking about on this thread, as well as this web site. I know it is 3 years old, and the end of it is well, Arri based, but I think it tells us we don't need as much as we think we need resolution wise, or can Afford to storage what we shoot. Long story short is, I think if you can live with the form factor of the GH5, you have to be crazy not to buy one. It appears to be that good once the firmware updates are released. http://www.moviemachine.tv/video/rodney-charters-bm-pocket-camera,-4k-acquisition-and-alexa/112820539/ I sure as hell can't argue anything about your post. Very well thought out reply.
  25. 1 point
    Andrew Reid

    Panasonic GH5 - all is revealed!

    That refers to the 1080p. The 4K is 10bit 4:2:2 from launch.
  26. 1 point
    This is absolutely great. Does this feature get enabled with V-LOG only, or is it already in there? Does it just change the output of the LCD or is there an option to bake the look into the recording? It would be useful not just for LOG but for tweaking the Panasonic standard Rec.709 colour science AKA EOSHD Pro Color.
  27. 1 point
    webrunner5

    Panasonic GH5 - all is revealed!

    Best I have found. "GH5 Firmware Upgrade Path: 4:2:2 10bit – Available April, 2017 6K/24p Anamorphic Video Mode (4:3) – Available Summer, 2017 (200 Mbps) FHD 4:2:2 10bit ALL-Intra – Available Summer, 2017 (400Mbps) 4K 4:2:2 10bit ALL-Intra – Available, Summer 2017 V-Log Color Profile – Available at launch, Cost: $100 6K/24p Anamorphic Video Mode will be available in a 4:3 aspect ratio in the Summer and the very fact we are talking about getting 6K, or close, Anamorphic out of a $2,000 MFT body is exciting. Panasonic is calling this upcoming mode: “High Resolution Anamorphic” as it is 6K resolution in terms of pixel density, but not 6000 pixels of horizontal resolution. **Update: The camera ships with Anamorphic 4K (4:3) with H.264 compression enabled. Come Summer 2017, 6K (4:3) will be shootable in H.265 compression with free firmware update. Firmware schedule below." update on the update! "Color depth is improved and the GH5 will eventually shoot internal 4:2:2 10bit, compared to the 4:2:0 8bit of its predecessor, but launches with 4:2:0 8bit only in IPB compression. 4:2:2 10bit color is double the information of 4:2:0 and provides greater grading flexibility in the post process before the image falls apart."
  28. 1 point
    That's the reason I have the Metabones Speedbooster XL in Nikon mount. Like, I have a bunch of Nikkor glass and Sigma, Tokina etc are all Nikon mount as well. Allows for easy dummy control with a mechanical ring for the aperture. That means the SB itself is a bit cheaper. Also that alternatively, you can use it without a focal reducer, just with a simple and affordable adapter. But I agree on EF, as a taking mount, it's more flexible though. So for my Contax Zeiss (C/Y) and Leica Summicron-R (L/R) I have the ZY Optics/Zhong Yi/Mitakon Lens Turbo II in EF mount (to m4/3). I then use a simple C/Y or L/R to EOS/EF adapter from K&F (Kent & Faith) Concept.
  29. 1 point
    Looks surprisingly good for a century! I got the feel to own a 1.33x adapter again :D
  30. 1 point
    Thanks, Man! Shot @ T2.8 which is the widest I could go. No stopping down.
  31. 1 point
    I think a lot of people with their new GH5 will have problems trying to edit their 4K ( UHD ) h.264 4:2:2 10bit files. I downloaded the latest version of DaVinci Resolve 12.5.5.026 and it will not recognize this file. My Windows Media ( Windows 10 ) will not play this file, although other video players such as VLC will.
  32. 1 point
    Somebody kicks this guy off the forum please!
  33. 1 point
    andy lee

    The Advantages of Traveling Light

    Are they weather sealed like HMI lights as I'm looking for LED lights to replace Arri M18s smaller lighter as powerful and weather sealed for out door use for a job
  34. 1 point
    hmcindie

    It turns out I am Canon's biggest fan!

    Yes because that 3-5% are not film makers. Most are just using the video features on auto to film something, without even wanting to shoot anything in s-log. Then the pro's shoot with something larger than a DSLR leaving a small niche of people using DSLR/Mirrorless cams for video more professionally (i.e shooting on manual and focusing by themselves). That niche is almost filled with Blackmagic cameras too. So it is already saturated.
  35. 1 point
    jcs

    The Advantages of Traveling Light

    If you are shooting at night those lights could work fine. In daylight you need really powerful lights (or put light right next to subject face etc.). Reflectors can work well in daylight and are light and cheap. Something like these might be the lowest cost right now: https://www.bhphotovideo.com/c/product/1259265-REG/intellytech_173004_fresnel_bi_color_high_output.html/prm/alsVwDtl The F485 is about 3095 lux at ~10 feet at 20 degrees (https://www.intellytechusa.com/products/light-cannon-f-485-bi-color-high-output-485w-led-7-fresnel-w-dmx). The most powerful on the market appears to be this guy: http://aadyntech.com/products/the-punch-plus/, at 64,090 lux at 10 feet! (~$5700. About 21x more lux and only 3.6x the cost, so actually a very good value). That light is pretty huge and heavy. It's good to know ranges of lights available as many manufacturers vastly overstate the light output of their lights.
  36. 1 point
    haha. love your way with words!
  37. 1 point
    Unfortunately, I don't think you can adapt Canon or Nikon lenses to the CY mount. If you want a focal reducer for the cine lenses, your best bet is to get a EF to MFT model as that will allow you to use your CY lenses with an adapter, along with Nikon F/G and other mounts. My only issue with EF adapters is that you'll want to get an electronic one that can operate the aperture as virtually all of them do not have a mechanical iris. (I'm not a fan of electronic lenses, they tend to be prohibitively expensive to service so I prefer PL or Nikon F/G. Not that matters with the DS lenses as they're fully manual.)
  38. 1 point
    He's a wizard with handheld shots as well, which suggests that he knows how to use his entire body to minimise shake. Come on, Brandon, we know you are on here - do a workshop. PS Please
  39. 1 point
    I think I'll replace mine for their ultra sharp version too! 😂
  40. 1 point
    Agreed. I hope they do implement each and every item we mentioned. That camera would be the Holy Grail for many of us. Well, at least until the next Holy Grail. Right now, I am looking forward to using the GH5 on my next feature, and honestly, I will be content for quite some time. Keeping up with the Cinematic Joneses is both expensive and time consuming. I get more accomplished when I am not researching the next big thing.
  41. 1 point
    Looks good! Have you stopped down your aperture?
  42. 1 point
    cojocaru27

    Your ideal NX1 Settings

    hey guys, please let me share with you my last project shot on nx1 entirely. I have spent a month in Africa and this is what i got left of it, hope you'll enjoy it. Any comment is more than welcome :
  43. 1 point
    Just out of curiosity. Wouldn't you have rather made like a few Indie Films for that $100,000 or so you said you spent on the Canon Gear?
  44. 1 point
    Kisaha

    Cheap 7 inch 1080p field monitors

    ..like people couldn't focus for more than 100 years.. all these generalizations "we need 25600 ISO to shoot/only AF/only 4K 60frames 10bit is acceptable", and whatnot make me wonder, if I am too old for video, or people have just a six months memory. Like a couple of years ago, all humanity was focusing on 4K 7" monitors that costed 150$..just gimme a break.
  45. 1 point
    Cinegain

    Panasonic GH5 - all is revealed!

    I was already like did me and webrunner5 even watched the same video?? Even on the scene with the girl it's pumping around, you can also tell by the heavy breathing of the lens. Don't know, luckily I gave up on C-AF with Panasonics a long time ago. If you must... get a Canon for the type of shots where you really need to have it. Otherwise, S-AF & MF.
  46. 1 point
    If the budget is only $5000 i'd recommend this kit. Canon C100 MK1 - $2499 Sigma 70 - 200mm f/2.8 - $1299 Sigma 18-35mm f/1.8 - $799 Rode Videomic Pro - $229 SanDisk 128 GB Extreme Pro - $66 Total: $4892
  47. 1 point
    I'd apologise for reviving this thread but I think Geoff's colour profile is good enough to warrant more views. I just finished the edit on a travel film I made having used the profile in Sri Lanka on the Sony A7S II with Slog2/Slog3.cine. Happy with a lot of the shots, although some shots were trickier to grade than others I think that's down to my pretty novice skills as a colourist and occasionally getting the exposure a little off on the high contrast scenes. Anyway, thanks again to Geoff. Would appreciate any feedback from the folks who watch it.
  48. 1 point
    MountneerMan

    Petition for Samsung NX1 hack

    The rumor mill keeps turning. I call BS as well.
  49. 1 point
    markr041

    EOSHD Pro Color for Sony Cameras

    No, EOSHD is not "for" SLog 2, or Slog 3 or "Movie" or "Picture" gammas for that matter. In the video, the guy graded his ersatz EOSHD profile, using Slog2 (not an EOSHD setting), with a LUT. Obviously, one is free to do anything with the EOSHD settings, but changing the gamma from the EOSHD one evidently puts one right back in the never-never-land of LUTS, which EOSHD settings were designed to avoid. But I am sure everyone would be interested to see what you come up with.
  50. 1 point
    SMGJohn

    NX1 Workflow - Best Image?

    I cannot speak for Geoff but I got a pretty simple workflow. Adobe Premiere Pro CC 2015 supports HEVC however the performance just is not there yet because my GPU lacks HEVC hardware support so I interchange with the old workflow a lot. Basically its: Shoot Video -> Convert Video -> Edit Video -> Export DNxHR 1440p25 Whereas if I just edit the footage and no colour grading I do not convert the footage and just: Shoot Video -> Edit Video -> Export DNxHR 1440p25 Personally I never convert the 4k footage to the 1080p before edit because its too much hassle for me, but I found 2160p to be vastly useless regarding my export so I always export to a 1440p master file and then I use that master file to create smaller versions like 1080p with lower bitrate etc for my clients, for my YT I only do 1440p because 2160p is a niche at the moment and requires quite fast internet speeds it also creates huge file sizes and at the moment Blu Ray discs which I use for archiving are VERY costly for 50GB and 100GB, if I can slap the entire project on just a few 25GB discs I am happy, but a pack of 10 x 50GB are same price as a pack of 50 x 25GB BD discs. If I convert the HEVC to ProRes422LT I use the LUT, if I edit the HEVC straight in Premiere Pro I also apply the GammaDR2LOG from EOSHD this is only if I use the GammaDR profile but seeing how good colours the camera shoots with the various Picture Profiles, I am actually moving more away from GammaDR and just using the in-camera colours. The reason why people grade a lot of their footage from their DSLR and mirrorless is to get away from that digital look that is infamous today, but the NX1 shoots such good rec709 colours that I think you probably only need GammaDR if you need to acquire colours that are vastly different from the in-camera ones or if the client requests it. There are various programs to convert the HEVC footage with, you probably heard of them like RockyMountain Movie Converter 2.00.0 and ClipToolz Convert V2, for Mac there are others that I do not know about because I use Windows. Because Windows does not support ProRes out the box I use DNxHD or DNxHR. I never export 2160p for personal use or family videos only if the client wants it otherwise I use 1440p which saves a lot of space and allows me to still crop in post if needed, I can crop 2 times in 1440p which is quite good. Because I use Adobe Premiere Pro CC 2015 I do all my grading work in Adobe SpeedGrade CC 2015 but I am also experimenting with just creating LUT's in Photoshop or SpeedGrade from still images and then use them in Premiere with the Lumetri tool which allows me to adjust brightness, contrast and all the good stuff very easily without having to open SpeedGrade or After Effects (SpeedGrade sucks for HEVC editing, better avoid it at all costs until Adobe fixes the performance issue)
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


×
×
  • Create New...