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Second Charmera arrived, and I got the other naturally coloured one, so that's a win! I got the second one so that I don't feel like I need to be careful with the first one, so it's the sort of redundancy that will let me push for getting shots even if it's raining or I'm in a crowd or whatever. I found a second microSD card for it, but it had issues, and it turns out that if you format the card in the camera it stops being functional - either for the camera or for reading it on a computer! This ended up being a win though, because I discovered that if I format the SD card to the oldest format FAT32 IIRC then it works better than the previous format (ExFAT) which had random stutters in the footage. So after some confusion and a bit of trial and error that's a big win! It still duplicates every third frame though, so it didn't change that behaviour.

My attempts of modding a phone. I also went for the D mount on another phone with a smaller sensor.

I’m waiting for Google Play Store verification — they require an ID check before I can publish the demo version for beta testers.

It is interesting that Joe says in the video, they wanted the absolute character of the Kodak sensor to be preserved in-camera, without any noise reduction or introduction of any circuit noise. Just the natural grain from the sensor. So it got me thinking... With HVEC and modern sensors we have a squeaky clean look. It has a lot of noise reduction you can't turn off, and a lot of compression. So if we wanted the colour, character, uncompressed Cinema DNG and film grain of the Digital Bolex... We need to find a modern camera... Because the D16 on eBay now is $6K!! I think the closest I own is the Sigma Fp-L in crop mode. It has the resolution for 2x crop so works with Super 16mm lenses. But any crop from about 1.37x onward gives a very detailed texture to the uncompressed 4K raw.... as it is a 1:1 pixel readout. If you download the frame grab below, and look at the full 4K JPG conversion of my DNG, it is apparent at 1:1 that nothing is being lost and nothing is being added. Especially since this is at ISO 3200 behind a strong ND filter. At lower ISOs it looks a bit too clean to be a Digital Bolex-a-like. However at ISO 3200 it is perfectly on note. What other cameras could we wrangle (with a few tricks) to look like a Kodak CCD? GH5S? S1R 5K? Canon RAW? Nikon Z9? How about our smartphones in Motion Cam?