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Nope, that is exactly where I am; I've had more seasons than Kiefer Sutherland in 24 who only managed 9 seasons, - I'm closing up Season 26, the last 15 of which have steadily become increasingly hybrid with the last 5 being approx 90% hybrid packages. In 2027, it's 100%. The format of these events has barely changed in the last 26 years, - more fashion and annual fads, but the core of it is the same; two people get ready, meet for a ceremony, drinks & snacks after, then they eat, there's some talking stuff and then they dance. Having said that, the variety of things to capture is high with so many genres of capture required including; landscapes, architecture, still life, candid moments, food & kitchen, bands, formal elements... But aside from that, yes, my biggest driver kit-wise has been 'smaller & lighter = faster = better'. The compromise is always 'quality (of output) vs volume, size and weight of kit' and I could make a strong case for M43, APSC, FF or MF but the sweet spot for me is FF stills and either FF or APSC/Super 35 for video. M43 doesn't really have the ultimate low-light quality I need and MF doesn't really either, especially when we are looking at lenses such as Hassie's 35-100. Folks often suggest things to me that seem so obvious to them but my question back at them is, "do you do this week in week out, all season long, as a one man band, because if not, I appreciate the thought, but nah". I'm still exploring even after all this time. For example, I picked up my 4th gimbal recently after quickly returning every single one previously...and once again, absolute failure. It's not me, - it's the tool...and yes, well aware of the saying about blaming the tools, but sometimes it really is the tools, so selling the gimbal and a camera and doing something else instead because the simple reality is, the stability in LUMIX cameras is now so good, I can actually get better...or rather, more consistent footage, NOT using a gimbal, but using just the camera. (What's wrong with the gimbal? Simply having it and then having to operate it whilst not being able to do anything else is a fucking pain in the arse!). So yes, the tools are critical and am I at 'peak camera'? Absolutely, - I just need to be at 'peak operation' of said tools and I pretty much am with just a few niggles such as gimbal type work as in I don't want or need 'a gimbal', but have a need/want to be able to produce 'gimbal-like' footage at certain times, so it's a case of need/want driving choices, rather than buying tools and then trying to make them work/fit. My decisions are also not cost driven, ie, if the Hassie R2D2 actually made quantifiable sense, I'd find a way to fund it. In fact I had a plan and that was to take 2x more jobs in 2027 than I wanted plus the sale of some kit, which would fund it. We're talking an extra 2-3 weeks work in total, for something that would last years and maybe I could market & milk to death and be part of any future model launch, but my conclusion remains and that is it would not allow me to do anything I already cannot and therefore makes zero sense other than on a pure 'want it' factor.