I also get where you are coming from and that is why I bake the LUT into my footage.
I set up all my cameras with 3 basic profiles based on ISO and WB for outdoor, indoor and low-lowlight scenarios.
I say LUT, but there are actually 2x LUTS stacked; the conversion LUT and then my own custom ‘Look LUT’ which can be dialled in anywhere between 10-100%.
It gets the look I want SOOC and it’s as unique to me as these things can be, is easy in the workflow and allows me to concentrate more on the interesting side of editing a film rather than the boring to me, more logistical grading.
Only really works if no one else has a say in the end result and I’m fortunate that I’m my work, the grade is 100% my call.