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  1. 15 points
    Hallo friends, here is my contribution. I hope you like my final film. Looking forward to the great pleasure of exchanging experiences and technical odditities and tricks once Andrew gives the signal for releasing info next week. Thank you for your beautiful films, discussion and the awesome spirit. Thanks Andrew and everyone for inspiring us to film something personal. Here is my labour of love, shot last week and edited over night until just now cheers! Thank you very much!
  2. 13 points
    Can't speak for Ed but I'm fine thanks mate, just been a bit busy writing some code to contribute further.
  3. 13 points
    I'm not one of the heavy-duty contributors here but thought this was an inspiring idea and blew the dust off my very first self bought camera. Happy to see it still works and my muscle-memory was back within five minutes of handling that good old boy.
  4. 12 points
    fuzzynormal

    Unpopular Opinion?

    I'm a manual lenses guy. I despise auto focus for my filming. Even when it works I find it more of a curse than a blessing. Weirdly, I like it when subjects move out of focus and someone on the other side of the lens makes an organic correction to maintain it. And I love a slightly sloppy but creative rack focus. It's a neat trick of the craft. I'd rather have imperfections created by humans than perfection created by programming. Am I simply justifying my anachronistic (read: old fart) attitudes or do I really have a legitimate point? Am I alone? Is anyone else attracted to this?
  5. 11 points
    Blackmagic Micro Cinema Camera Super Guide and Why it Still Matters Today The Blackmagic Micro Cinema Camera was released in 2012. At the rate that cameras are being announced these days, that’s a century ago in the consumer/prosumer world. The camera was released with very little fanfare as it didn’t have a monitor and was marketed as a great companion to drones, head cams, dash cams, sport cams, etc. Some people rigged it up, but for the most part it wasn’t exactly the most popular camera at the time. Though I keep speaking in past tense, this camera is still available to buy today - though with the Pocket 4k and 6k on the market - it’s very unlikely anybody is buying them. As we enter the most competitive market ever for the low/mid tier videographer and filmmaker, I am here to tell why this small unassuming - and rather ancient by todays standards - camera is special and why it could fit well with some of you. This guide is meant to be a fun way to explore a hidden gem, not to cause a spec war, fanboy war, or any kind of mean spirited debate. It is just an opinion of one person, but something that I have been thinking about doing for awhile. Lets get into. Brief History The Blackmagic Micro Cinema Camera shares the same sensor as it’s older cousin, the Blackmagic Pocket Cinema Camera. A camera that truly revolutionized the filmmaking world, by giving filmmakers that didn’t have the cash to buy expensive cinema gear a camera that had an amazing cinematic and filmic quality to it. Something that wasn’t found in DSLRs at the time with not only the film look, but also specs. The camera could record internal RAW at a price point that was and still is unheard of. But the camera suffered from many issues. The screen was garbage, there was a lot FPN issues, and most notably the battery life was straight up horrible. Batteries would last around 20 minutes and often times much less. The Blackmagic Micro Cinema Camera shares the same sensor as the original pocket. Its’ a sensor created by Fairchild Imaging, with a sensor called the CIS1910F. Fairchild are a company based out of San Jose, CA. They have created several sensors for Blackmagic, but I believe the new sensors of the Pocket 4k/6k are now Sony sensors. The sensor is important in this guide, because thats where the special sauce lies. Blackmagic Micro Differences to Pocket The Blackmagic at first glance seems like a stripped down original Blackmagic pocket. The thing is, it actually cleaned up quite a bit inside the hood. The micro received a new more modern processor, allowing it to clean up some FPN issues and improved rolling shutter. Though not a low light beast, it handles things generally better all the way around compared to the Pocket. When using a monitor, accessing the menus though tedious with its button placement, is much more responsive - where the pocket was a lag fest. Here is where we get to the good stuff. The micro cinema camera on paper and at first glance seems like a bit of a letdown. No monitor? No cold shoe? No handle? Canon Batteries? But, thats because of how Blackmagic marketed it. They didn’t market it like how Red or Zcam do it, which is a modular camera with a build your own adventure way to build it. They didn't even really offer accessories for it. But that is how it needs to be looked at. You get a brain and you need to add accessories, there is no way around it. But building around it is not as daunting as most people make it seem and once you take the step, you really unlock something special. Whats the Point of This and What Makes this Camera Special? I am going to use some overused/misused terminology here to explain how the footage looks and what makes it special. In a current era where modern sensors show every single pore and are mostly made by Sony (with insane modern feats) - there is an organic look about the early Blackmagic cameras (BMMCC, BMPCC, BMCC) that is special and has a very film like look to it, which is what Blackmagic set out to achieve and emulate. This is going back to Fairchild and what they were able to achieve. The look that is ever so popular with almost every young filmmaker and over used on almost every filmmakers youtube titles - which is a ”cinematic or film look”. Yeah, I know, you want to argue its lighting and lenses and actual cinematography skills that achieves that. You are right. But there are still more tangible attributes besides that which can affect the way a video looks. Color science, DR, a soft look, and motion cadence are 4 keys to getting that look. If you can nail all of those, you get a rather easy filmic/cinematic look out the box. And the Blackmagic micro has all of those and is really the last Blackmagic camera to ever use one of those organic sensors that Fairchild brewed up. It’s also the last and only Blackmagic camera that you are able to buy today that has one of those most special sensors every created for its cheap price and accessibility. . It is a hidden gem and footage from the camera are often confused for cameras way out of its league. It’s a look that modern mirrorless cameras don’t often have, at least not without heavy film grain, pro mist filters, vintage glass, added motion blur, etc. What makes this camera special is not on the spec sheet, because 1080p isn’t going to making you excited. It’s not on the paper that will make you go “wow”. It’s simply with the footage. You can throw all the specs you want. The footage of this camera and the fact that it’s still available today new and very cheap used, is the reason for this entire guide. Keys To Rigging You need a cage and an external monitor. There is no way around this. If you don’t purchase or have those, there is no point exploring further. Remember, like I briefly mentioned above - don’t think drone cam or sports cam - think modular RAW capable cinema cam. Smallrig and 8sinn both make cages for it, I have the smallrig and don’t see why you would need anything else. Take your pick with monitor, that is a personal choice, but I prefer something with Sony style NPF batteries. If you only shoot RAW with this camera (which is what I do) - then you can basically set your settings and forget them. I would leave your ISO at 800 and manage your light with your lens aperture and variable ND Filter. There is no need to go into any menus, other than to possibly reformat your memory card. If you do that, you avoid the headache which is the awkward placement on the menu buttons. If you shoot pro-res and you want to constantly change settings (ISO, WB, etc) then you will need to either get used to the buttons or buy a second hand “One Little Remote”. Which is a little add on module that can help you change your cameras settings without menu diving. For battery, you can use canon batteries for about an hour/hour half before it dies. Or choose the best option, which is to buy the NPF bridge (https://www.starvingartist101.com) which allows you to simply attach NPF style batteries to the camera. With this option you can get around 4 hours of battery life on 1 charge or even longer if you opt for the larger style NPF batteries. A monitor most people already have. And if you shoot RAW, which is kind of what makes this camera special and what I recommend using, then you don’t need to menu dive or you can simply use the one little remote. And if you use NPF batteries you now have a cinema camera that doesn’t require v-mount batteries and can shoot RAW video for about 4 hours. All in an insanely small package with amazing footage. I think thats what gets lost with this camera is that people complain about having to rig it up - but a lot of the add ons are either pretty cheap or you already have. The NPF bridge is around 30 bucks. Cage from smallrig is around $80. The monitor you prob already have. You really don’t need the one little remote if you shoot RAW or get used to the menus. Memory Cards If there is one legit complaint, its that newer sandisks memory cards do not work with this camera. Here is the scoop: “Please note that we have discovered an issue with the newer revision of the Sandisk Extreme Pro UHS-I SDXC 95 MB/s cards that begin with the product prefix SDSDXXG. These cards do not work with the following products: 1. Pocket Cinema Camera 2. Micro Cinema Camera 3. Video Assist 4. Video Assist 4K We believe that these new cards have the V30 rating on them. Currently, only Sandisk Extreme Pro UHS-I SDXC 95 MB/s cards that begin with the product prefix SDSDXP are compatible.” Though that sucks, good news is that if you have a sandisk pre 2018, it should work. Also there are non sandisk cards that do work. I have tested this one for example: https://www.amazon.com/gp/product/B00X1406EC/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1 and it works fine and with RAW. It is still something that you should be aware of. I got lucky and all my sandisks work. Speedbooster There is a dedicated speedbooster for this camera in Nikon or Canon variant. Its called Nikon G to BMPCC or Canon EF to BMPCC. There is a “T” version that has minor improvements, especially to the felt material inside. There are other speedboosters for micro four thirds that will work as well. Viltrox speedboosters also work. The difference is that the specific BMPCC version gives you a 0.58x vs x0.71 or higher crop factor. Resolution Let us now address the elephant in the room. This camera does not shoot 4k. If you want a camera that shoots 4k, this is not it, simple as that. But, if you are a person that cares more about the image quality than the resolution, you won’t be disappointed. But lets say you really do want 4k, well, there is another hidden gem that takes this camera one step further. Inside Davinci Resolve is a feature called “superscale” which upscales footage beautifully. And scaled micro cinema footage to UHD/4K looks fantastic. See Rob Ellis' beautiful video on this: Also even if you need 4k for certain projects, this camera should still be in your arsenal. It’s cheap enough where you can have it along side something like a pocket 4k/6k. Again, the footage speaks for itself. IR Cut and Moire I highly recommend using an IR Cut filter with this camera as there is some IR pollution that can affect your image if you dont use one. You can find some for as cheap as 20-30 bucks. There are also some moire filters, like the RAWLITE OLPF, that does IR CUT and reduces moire at the same time. You install this over the sensor and you dont have to worry about using filters, but it's costly. I don’t have too much of an issue with moire - so for most a simple IR Cut filter could be enough. Where to Buy You can still buy these new today. But you can score amazing kits on ebay, craigslist, etc. You can often find one with a one little remote, cage, and even memory cards for under $700. Some will even include a monitor. You can legit get a full kit for $1,000 - including every thing you need to shoot and rig it up. Conclusion (TL;DR) I made this post because I am a junky of sorts. I buy all the new cameras, fall into the hype traps, and have severe GAS. Every camera I have used lately has left me with a “meh” feeling. Except the micro. Specs can be great, some have amazing autofucus or great color. Some have shit color and shit bitrates. Some are great but the lens system and adapting to it are a pain. And some are plain beautiful but are really expensive. The micro has a rare balance of amazing filmic quality, a lens mount that most of us on here are well aware of at this point, fantastic battery life of around 4 hours with NPF batteries, compact size, legit RAW (not BRAW) to internal SD cards instead of expensive cfast or having an SSD hanging from your camera and its cheap. Ridiculously cheap if you buy used. It also has that old blackmagic special look so many of us fell in love with back in the day and in my opinion is lacking today. It is a hidden treasure in the filmmaking world that is still available new at many retailers. I created this to share and possibly open eyes to what is an amazing camera this is and probably the last of its breed. As we enter the resolution wars with sharper, high res videos, we will slowly be leaving behind that soft organic look. If you like shooting older cameras with vintage glass to get that "look" then you can think of this camera the same way. You do it for the look, not for the specs. Bonus: Footage!!! Here is some great content that I believe shows off this camera and what is capable of doing (All the footage from his reel at the start of this video are from the micro)
  6. 10 points
    Here goes nothin'........ Camera #2
  7. 9 points
    Kisaha

    Blackmagic Pocket Cinema Camera 6K

    I do not want to participate but a specific someone is playing us like a fiddle for 15 pages now. Drags people into the nonsense abyss and single handedly destroyed the P6K thread for everyone that is trying to learn anything at all about this camera. Also, is the individual attacking most people on the smaller amount of time I have ever seen here. Stop feeding him and please try to not completely loose control of the thread, any thread.
  8. 9 points
    Wild Ranger

    GH5 to Alexa Conversion

    Hi, here is a music video that i was DP, shot with GHAlex. it´s on the band's youtube only, so compression sucks. but i can upload some frames https://www.youtube.com/watch?v=R4hmsEW6PKQ&fbclid=IwAR3cYGmVBw47xgaaULwJKtSEQ9n8E9vpatP_55kWdZnOG371OHM_9_V_5zg
  9. 8 points
    Michi

    EOSHD $200 challenge - Voting begins!

    Congrats to @PannySVHS and @Framed_By_Dan and to all other participants as well! Some very exotic camera choices and lenses already revealed. Now I'm particularly curious to see what camera @TrueIndigo has used. I liked the colours of that one the most. And of course which lens created that unusual bokeh in the contribution of @Wronzoff. My choice was very boring and unspectacular, as I used what I already owned: Canon 60D and 60mm Macro with some cheap 0.9 ND (EOS standard colour profile without any grading).
  10. 8 points
    i got a bit fixated on the losing camera bit, completely missed the fine print about entering just for the judges category. But thats life. I'm a bit surprised with the amount of entries or lack thereof, as i bid on 3 or 4 cameras but was out bid on everything. I was sure you guys must have been buying everything up for the competition. The old video camera segment of ebay must be quite abit more active than one would have thought. Too cut a long story short i ended up using a logitech c920 webcam with a letus anamorphic adapter taped to the front. My reasoning for using the letus was to help differentiate my entry from the others. i figure if speedboosters were allowed if you already had them an anamorphic should be ok as well. Not sure if anyone else shot anamorphicaly. Considering i went to the trouble of using the letus i did forget to get any footage of the lens flaring which was kinda dumb. Since my entry has proved surprisingly unlikely to win the point is moot i guess. I'm glad i entered i learned a whole bunch of things that i can apply to the next challenge. i am fairly confident i can increase my vote rate by at least a 100% next time round 😎 So dan the man pm me your address if you need a webcam for the odd late night online dalliance. Mind you, you can keep those tips,tricks and footage for your own personal gratuitousness ok 😉
  11. 8 points
    kye

    EOSHD $200 challenge - Voting begins!

    Congrats to the winners - well deserved! I figured I would lose the competition so would have some fun with it, so went very very budget. I also wanted to see how far I could 'improve' the footage in Resolve. Camera #1: Fujifilm J20 Point and shoot - 2009 - 640x480 30p (final video was cropped to 16:9) Price is about $15-30 on ebay (mine was purchased by my wife when new, so has been sitting in a drawer for about a decade) Final video: Unprocessed footage: Camera #2: Fake action camera It claims 1080p, but is FAKE and shoots the worst 640x480 30p I have ever seen (final video was cropped to 16:9) Price was AU$17 brand new on ebay (which included free shipping across Australia - about 5000kms) Final video: Unprocessed footage: Camera #3 was going to be a D-Mount lens on my old GoPro, but sadly didn't survive the modifications..
  12. 8 points
    BTM_Pix

    Blackmagic Pocket Cinema Camera 4K

    EDIT>>> I had a longer reply but really I think "Fuck off" will suffice. I'm joining the long list of people that have you on ignore you complete and utter tit.
  13. 8 points
    Nearly done putting every video into a poll. Took ages! Hopefully get everything tied up tomorrow. Cheers for waiting!
  14. 8 points
    Creative Cloud is anti-competitive, locking users into a perpetual payment plan with no guarantee of future costs. What started at Adobe has spread like a cancer in the software and creative app industry with subscriber-only plans rather than a one off purchase price. Our subscriptions as businesses, enthusiasts and consumers are stacking up and becoming a real monthly headache, and it is time governments looked into regulating the subscription software industry - starting with the king bastard of them all, Adobe. Read the full article
  15. 8 points
    @webrunner5 was right all along!
  16. 8 points
    Little Teaser to my entry. Still editing. Learned a lot about my old camera and about camera in general. Lineskipping can be a great thing sometimes.
  17. 7 points
    Turn this: Into this! I entered two terrible quality cameras in the $200 camera challenge and somehow didn't come last, so here's what I learned. In case it's useful to someone Shooting: Low quality cameras have poor codecs and low bitrates, which typically have trouble with a lot of movement. Therefore I used a tripod for every shot instead of hand-holding. This also gives you more options for temporal NR in post too. Go for the 180 shutter by either using an ND or by simply filming in low light. How can you tell if it's 180 shutter? Wave your hand in front of it and see how streaky it is. or alternatively, if your camera is very low resolution and subjects aren't moving too much, then the sheer size of the pixels will completely obscure whatever shutter angle you have! Win!! In post: Edit in your desired output resolution, not the one you shot in.. dodgy 4K image? Output in 8K today! Think about converting to black and white. This gives you 4 times the effective resolution!! Camera only shoots 30p? Excellent - conform to 24p in post and get slow motion for free!! Most NLEs can slow audio slightly too, so if it works for the vibe of your project then go with it. Digital compression is awful and a give-away you're not shooting RAW or film, so is over-sharpening that you can't turn off. Therefore, blur the image in post. You might want to consider blurring only the edges of things, and you should experiment with blur size and blur strength too. I typically find a sharp diagonal line and blur until it looks like a straight line instead of a jaggy digital mess. Use noise reduction, both spatial and temporal. It will make the image blurry, but that's also what you want because of above, so go nuts. The image might look smooth, but we'll add grain later, so don't worry about it. My footage had a bunch of compression artefacts that flickered on and off on each alternate frame and was very distracting (and awful). De-flicker plugins can work wonders. Just play with the types and presets until it's gone. Colour will probably be awful, so either make it black and white (which also gets around the awful coloured fringing) or desaturate heavily. You can also do heavy chroma NR to get rid of colour flickering. Also feel free to use advanced colour controls such as Hue vs Hue to get rid of nasty colours, or use masks to selectively desaturate colours you don't like. Get rid of digital looking clipped highlights by controlling and artificial highlight rolloff via curves. Someone complimented me on the highlight rolloff, which was totally created in post. Use music, pick your shots well, and try and distract from IQ by using content, composition, lighting, and other 'tricks' 😆😆😆 Can't afford a nice vintage lens or camera has a fixed lens? Add halation by masking only the brightest parts of the image, adding a big blur, then put over the top of the image at a low opacity. Add grain to finish it off. Film has grain and film is awesome, so therefore.... plus, YT kills grain and will put heavy bands on smooth areas so you really should add some. I recommend doing a grain test video with different strengths so you can see what YT does it various amounts of it. It takes more than you think to show up in YT, a LOT more. Here is the curve that gives that highlight rolloff and deep shadows.... Here's another before/after image. and here's my reveal post with the final and SOOC videos: Hopefully that's useful to someone! Feel free to ask questions and I still think I can make a P4K look like a BMMCC or BMPCCv1 so if you have both and can shoot something with both then let me know.....
  18. 7 points
    Soon I'll put the link to the vote on the front page of the blog to drum up some more people to take part and vote. Then let's close the poll around Saturday-ish and do the big reveal of gear. Get some photos of the gear and post it. I'll do the same and reveal what I shot. I made two videos with two different cameras. Then the winner of the public vote gets the last place person's camera If he wants to give it him. We're not going to force it out of his hands This is supposed to be a bit of fun really. Then I'll choose a winner of the judge's prize, who will get one of my cameras.
  19. 7 points
    So, I've happened across the service manual for our old friend the GX80/85.... A while ago, a brave soul on DPReview cracked open his LX100, located where the internal mics connected and made a breakout cable. Its documented here https://www.dpreview.com/forums/thread/3845240 So with the aid of the newly acquired GX80/85 service manual, I had a look to see where the mics were and was there a similar potential. The good news is that there is. The mics themselves are located under the hotshoe . The service manual provides all the information you need to trace the signal and connect a break out to your own connector. You could conceivably do the same for the speaker output and make a headphone port if you were so inclined. You can use this IR mod guide to get you going with the cracking open the case. https://www.lifepixel.com/tutorials/infrared-diy-tutorials/life-pixel-panasonic-lumix-gx85-diy-digital-infrared-conversion-tutorial And then take it from there with the service manual I've attached here to do the rest of the steps to get to the hotshoe removal. LUMIX GX85 Service Manual.pdf Now, I'm no expert on consumer law but I have a sneaking feeling that doing this mod might invalidate your warranty a little bit so its all at your own risk. What we could really do with is someone who already has a completely dismantled GX80 to try this out for everyone eh @Andrew Reid ?
  20. 7 points
    OK, I‘ll do it. But: Seeing the masterpieces you guys submitted I’m seriously afraid to lose my camera (it’s old and cheap and partly broken but I’m somehow fond of it), so I’m entering only for the jury prize... 🤷‍♂️ Shot only with a camera and a rather old lens. No grading. Here it is:
  21. 7 points
    aaa123jc: "hopefully I won't lose my new camera" -- don't worry your camera's quite safe, I've just uploaded my entry:
  22. 7 points
    Another quick and dirty demo just so you know that I'm not sat on my arse not getting on with it. This is brought to you via the medium of a family pack of Golden Wonder crisps and a microwave to illustrate fast snap between points and also continuous refocus as the king of low cost potato snacks approaches and retreats. It is using an Olympus 17mm f1.8 lens wide open. There is no ramping set but as with the 3C app this will be an adjustable parameter. NB. I was not preparing to put the Leica and those pickles in the microwave. TOF_31_7.m4v
  23. 7 points
    The free version of Resolve has almost all the functionality of the paid version, and a one-off purchase (of $300 IIRC) potentially comes with unlimited future upgrades. They don't guarantee that, but I bought a dongle when v12 was out and it still works on v16, and people who bought at?previous versions are also around saying the same thing. If you buy a physical dongle then I think you can use it across however many computers you like, just not at the same time, and you won't be subject to the Apple store licencing restrictions. There are also threads of people petitioning BM to give it still image editing so they can also ditch LightRoom, but I'm not sure on how likely that is. Come on in, the water is fine
  24. 7 points
    Hello EOSHD community! I must admit that although I follow your website on a daily basis, Andrew, I haven't really commented or posted much on these forums. Regardless, a big thank you for all the honest, passionate, critical, informative and damned funny content you've shared over the years! In any case, here is my offering, for what it's worth. This was a great little project to focus the mind and soul!
  25. 7 points
    Got lucky with the weather yesterday out filming my piece! Definitely a challenge using my chosen camera body and was wary of it's pitfalls. In keeping with the rules, I'm not revealing my choice but the only thing I will say is that I use the latest version of this model in my professional work and boy do we have it lucky now!! The technology has definitely moved on considerably in a relatively short period of time. Looking forward to the results from the judging phase!
  26. 7 points
  27. 6 points
    What are some of the lesser known YouTube channels that you find to be informative / helpful /whatever for Filmmaking? Most of these channels have under 10,000 subs when I think they deserve more. Felicia Smith https://www.youtube.com/channel/UC0VID5nSIk6QDC65bHym7TQ I stumbled upon her channel and there are videos that I wished I'd seen when I first started, especially the "What's in a camera assistants bag?" video that goes over tons of things I had to learn "the hard way." I also think it's cool that she adds another female voice to filmmaking. Not enough of those. DIYCameraGuy https://www.youtube.com/user/DIYCameraGuy I think he has some cool little tricks up his sleeve. I wish he was more active, but when he does make a video I almost always get something out of it. Gaffer & Gear https://www.youtube.com/channel/UCOgN351K45vTrozaadFPXlA What I like about this channel is how in depth he gets. Again this is stuff I'd wished I'd seen when starting out, and is helping me shore up some of my weaknesses when it comes to production and filmmaking. Lucas Pfaff https://www.youtube.com/user/erish2k5 I like Lucas's channel because he reviews a lot of budget gear, and has also started getting into stuff like anamorphic shooting, something I'm starting to dip my toe into. TL;DR Filmmaker https://www.youtube.com/user/TheAsianFilmmaker7 I've been dipping my toe into narrative work, and I've found his videos to be pretty helpful. He also does quite a few reviews on budget gear. I do worry though that he's becoming another YouTuber that gets free gear in return for reviews. Video Gizmology https://www.youtube.com/channel/UCv23Zj2x11HHN-NG3fU_64g He owns a lot of equipment! I'm not quite sure why, ha ha, but he does. And he usually does a pretty in depth overview for quite a bit of it, and will do comparisons. ----- I feel like the filmmaking/production community on YouTube has changed a lot over the last couple years, and not for the better. While you still can get a lot out of them, education and teaching has taken a backseat to everyone wanting to become an "influencer." Get those free trips, free stuff to review, get that ad revenue, etc. So I just thought maybe I'd turn some people into some channels that really are helpful and have yet to fall into that cycle. Hopefully they help someone! Please share some of your own!
  28. 6 points
    BTM_Pix

    Canon EOS M6 Mark II

    Should have got this one. Samsung really are determined to get 8K into people's homes one way or another. And yes, that is a real product
  29. 6 points
    Esguelha

    EOSHD $200 challenge - Voting begins!

    Really fun to see the variety in cameras used, and I'm really happy to see I got some votes! Camera wise, I guess went the boring route. You can just about see in the picture, It was 138€ for the kit if you exclude shipping. This is my first M43 camera, and unfortunately the chinese adapters I ordered didn't arrive in time. I have a nice Zeiss 50mm 2.8 I could have used for some more creative results. I shot on the Smooth "film mode" with -2 contrast and sharpness, and used a preset "LUT" from Filmora, can't quite remember wich one. I was very happy with the picture quality.
  30. 6 points
    TrueIndigo

    EOSHD $200 challenge - Voting begins!

    The camera used was a compact stills camera, the Fuji FinePix E900. I bought it new for £140 in May 2007 and haven't used it for seven years (the first thing I had to do was reset the clock!). The 4:3 video it shoots (auto exposure only) is 640 x 480 x 30p. I enlarged this with a video utility to make it 1440 x 1080 x 30p before editing on a 1920 x 1080 timeline, so the "Academy" shape was retained. But absolutely no exposure or colour changes were made, so the colours you see are straight from the camera. Interestingly, it's the auto exposure (and it's sudden changes within a shot) that makes it look amateur, more so perhaps than the ultra low resolution. A sad sign of the times regarding increasing obsolescence: I took out the xD card to put in my computer multi-memory card reader, only to find that xD was not one of them! Luckily, the camera features a USB socket, so I could connect the camera directly to access the files. Michi: "I'm particularly curious to see what camera @TrueIndigo has used. I liked the colours of that one the most." -- This camera features a 9MP 5th generation Super CCD HR sensor. From the days when Fuji photsites were octagonal in shape and some were of a different size -- wild times!
  31. 6 points
    mercer

    Blackmagic Pocket Cinema Camera 4K

    Please don’t advertise you’re an American, it makes the rest of us look bad. Hahaha... just kidding. I’m almost convinced Skip77 (and possibly ZachGoodwin2) are alter egos of somebody on this site having a laugh.
  32. 6 points
    Frame grabs from a shoot yesterday, 1080p 120 fps upscale to 4K in Resolve.
  33. 6 points
    androidlad

    Nikon to Release 60MP Z8

    Latest leak: The 60MP mirrorless from Nikon obviously share the same sensor (variant) as Sony A7R IV. But it'll extract the full potential of this sensor in both stills and video department, by employing 16bit RAW mode (as in GFX100) and supersampled 4K video with various crop factors and aspect ratios.
  34. 6 points
    ok, so bmd has had its moment out in the sun again and a couple of more threads have been started, you'll either buy one or you wont . Now cam we get back to the important business at hand ? like creating content and judging said content 😉
  35. 6 points
    mercer

    Lenses

    Anyway, here’s yet another shot from my film...
  36. 6 points
    Yeah...sure...meanwhile in my office.
  37. 6 points
    https://www.facebook.com/VICE/videos/345786596351138/UzpfSTEwMDAwMzA5NTc4ODA1ODpWSzoyMzgzOTkyNTc4MzM3MDQ5/ @webrunner5 will approve the choice of camera used by the director! 😉
  38. 6 points
    maybe bc for the vast majority of us, its a buggy/crashing nightmare.
  39. 6 points
    mercer

    Lenses

    Some more test shots with the 35mm 1.4. This time in B&W...
  40. 6 points
    Thanks for the positive feedback. Much appreciated. Please buy it I've run out of gaffer tape making this one so that integration will have to wait for a while.
  41. 5 points
    Hi All, and well done to everyone who entered - a lot of fun was had from my part. Reading through the other comments, in comparison, my choice of camera was quite unadventurous as I used my Canon EOS M that I bought for £135 at the start of the year. It came with a 35mm F1.6 APS-C Television TV Lens/CCTV Lens For 16mm C Mount Camera and C Mount adaptor and 3 batteries. I felt like I cheated because I also used two other lenses for a few shots - whereas everyone else seemed to use one lens. As you can see in the picture below, I also used a Helios 44-2 58 mm f/2 Lens M42 Mount and also a Canon EOS EF-M f2 Pancake Lens (both borrowed from work - I work in a Photography department at a Univeristy). I also used a Zeadio mini tripod and cheap variable ND filter. I shot the footage using the Prolost Flat picture profile. I think that's most of the info. Oh yeah, I did a bit of primary and secondary grading in Premiere but nothing that major. So there you go. I guess I get to keep my camera - he he! Thanks to the peeps who voted for me!
  42. 5 points
    Ive had both and compared them side by side. The Viltrox is sharper on all apertures accept for wide open, has an adjustable back focus (no tools required) and its like a third of the price. The only Metabones I would ever buy is the dedicated BMPCC version (which I currently own), used. Otherwise I would go Viltrox (I sold my Metabones XL).
  43. 5 points
    OK for @jase or anyone else who wants to prod about in a bit more of a structured manner on their Lumix device, I have just knocked up this rough and ready Lumix Video Format Explorer app for Android. Usual story, attach your camera to your device over wifi and then open the app and hit the CONNECT button and your camera should clear its wifi screen and show that it is under remote control. If you want to see if the 709Like profile works on your camera then just hit the 709Like button and see what happens. Certainly does nothing on the GX80 but it seems to on the GX9 so its worth a go on similar later cameras. The next 4 buttons switch the video format of the camera and the MP4ED appears to populate the GX9 with additional options but again, nothing on the GX80. Next up, we have the SELECT FORMAT button. When you press that, you get this list (which scrolls to several pages). This is the list of every format returned from a probe of the GH5 so select the one you want to try and it will return you to the main screen with that one now shown in the blue banner beneath the SELECT FORMAT and SEND button. Obviously to send the currently selected recording format you then hit SEND. Beneath the blue banner are the PREVIOUS and NEXT buttons which will select the next recording format in the list and then automatically send it to the camera. The reason for the two different methods is obviously so you can use the list selection to get to a specific one you want rather than scrolling through and the PREVIOUS/NEXT auto method is better for stepping through regions of formats (i.e just the AVCHD ones). Finally, the RECORD button is a bit self explanatory and switches between red and green depending on status. The purpose of having the file name in the bigger banner is so that for testing you can point the camera at the phone (on a stand or propped up ideally) and then when you review the recorded file you will have a visual indicator of what file format you had told it to record in for easier confirmation. If you send the camera some file formats it really doesn't like then certainly on the GX80 this can sometimes result it in de-populating its list inside the camera (i.e. you can select MP4 but there are no different formats listed) but this can easily be resolved by choosing a known working format from the list and sending it which will restore the list. For the GX80 an example of this will be mp4_24p_100mbps_4k As this contains the full list of all 202 GH5 format variants, I'd probably say this is the definitive last hurrah for anyone trying to find any hidden type inside their Lumix cameras and is obviously fastest and the most structured way to do it so will be less painful than having to paste hundreds of commands into a browser. I think that this will be more fruitful for the latter cameras based on what seems to be happening with the GX9 so if you have one of those then using this you might be able to find more gold with that one a bit quicker. Also, if you come across someone with an LX100 Mark 2 then this app will let us quickly establish if there is anything in there as I now have a sneaking feeling there might be. Usual caveats regarding use of this app is that it doesn't send any commands other than those sent by the Panasonic app but obviously use of it is at your own risk. Your Android device should auto install the attached apk file when you download it but make sure you have your security settings set to allow installation of apps from “Unknown sources“. LumixVideoFormats.apk
  44. 5 points
    good thing is the 6k as a isb_c port to charge / power it actually they do have some https://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera/workflow?fbclid=IwAR0sgY7iPmAG3SHMnW4eAGXaRgwplf-ghSxSc5KvzvwecALbYBfvVEXJNN0
  45. 5 points
    Anaconda_

    'Caged Bird' - An Animation

    Hey guys, Yesterday my daughter and I made this animation. I've not done it much before, but it was a nice way to learn 3d space and camera moves in AE. Although it was just a fun little project for a rainy day and I didn't have any intention of showing it to anyone, I'm proud if it and her in many different ways, so thought I'd upload it. Would love your thoughts. EDIT: the images were scanned from paper drawings with a €70ish camera - does that count for the cheap camera challenge? 😁
  46. 5 points
    I'm submitting this 50 mins after the deadline, I don't know if I'm in or if I'm out... Damn, I know that this thread has been open since around a month, but didn't had time, didn't thought on participate, and last week I thought about it and said "let's give it a try".. unfortunately didn't had any time, and just today I was able to sit in front of the computer to edit.. so sorry for the quality, I tried to do the best I could on the image part but didn't even had time to normalize and do something with the audio 🤦‍♂️ I hope it's good enough. The camera used can be bought used from $124 very used, and all the way up to $200 in mint condition. I aded a BONUS SHOTS part where I put some unrelated and random shots with different lighting conditions to see how the camera performs on those situations. Here is the link, it's still uploading:
  47. 5 points
    I agree with Andrew on this. VLog on the S1 is friggin' spectacular. It destroys the A7S, A7S-II, GH5, GH5-S and beats the FS7 with no trouble. Showdows are clean in VLog, even with noise reduction turned down to zero, there is so little noise even at 2000 ISO...even in pitch black night! (Thank you Panny for giving us actual noise reduction control!!!...I doubt Sony will ever allow that) My A7S-II used to be my "go to" low light camera but this S1 destroys it. The A7S-II's 8bit readout was always "splotchy" as Hell in the shadows and would clip the blue channel WAY to easily in SLog-3. The S1? No way,...its shadows are smooth as silk. Just super clean and highly detailed in VLog. V-Gamut protects each RGB channel beautifully too! Tell me: WHO'S SENSOR IS IN THIS THING??? CT P.s......4k raw over HDMI is coming. I have a good source on this.
  48. 5 points
  49. 5 points
    Cheers for sharing the footage! Did a quick grade in Resolve (20 min) using @Sage GHa conversion lut. Some adjustments to white balance and luma here and there. Overall very impressed.
  50. 5 points
    Many of us never use AF in video. So it's not "excuses". More like "not caring".
EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color 3.0 for Sony cameras
EOSHD Pro LOG for Sony cameras
EOSHD 5D Mark III 3.5K RAW Shooter's Guide


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