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hmcindie last won the day on November 21 2013

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About hmcindie

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  1. If you say stuff like "mojo counts for nothing" then that tells me that you're not talented enough to spot what mojo is. And man, if a Canon is too bulky, you would really hate an Alexa then haha. "not always threatening to slip". Huh? The little ass Sonys are constantly slipping like greased fishes.
  2. A couple of little ML RAW action scenes done as practice runs:
  3. What's the problem? The 5dmarkIII with magic lantern RAW hack has been available for years and it delivers everything except "tack sharpness". I've been using it so much that upgrading to a better camera has been difficult as not even the C200 offers exactly what the 5dIII with raw does.
  4. Rolling or global shutter has nothing to do with interlacing. You can have interlaced material with either, it's just a way of encoding more framerate into the same bandwidth. So 25p -> 50i in PAL. Most of the cameras used in the days of interlacing were using global shutter CCD's. Interlacing would not help in anyway for rolling shutter as the RS is independent of how the frames are encoded and is usually 1/60 atleast. That goddamn RS wobble is horrific.
  5. You can edit on HDR on any monitor but you can't see HDR except through external monitoring. HDR can (at the moment) only be played back through a blackmagic (or similar) card and HDMI output to an external monitor. I have the Acer X27 (great monitor with FALD and HDR1000) but there is no way to see HDR through Premiere or Resolve unless played back through an external box. Yay?
  6. A lot of grading is done in grading suites where there is no light and you have a 100k projector system. People sit in that suite for hours on end and they get used to the dark. They all want to have it look good there, no one cares what it looks like once it comes out of the telly. No one will usually bother to tell anyone that "hey, this is too dark on my laptop" as all the important "creative decisions" are done in the suite and everyone is there. And if they do HDR grading then that will complicate the whole mess.
  7. I agree but have you noticed how every other camera has it too? Professional cameras still have it and doing a scene like that on a C200 is horrible. Yeah it has half less but it's still visually easy to spot and if do a real bourne style fight scene with any of these cams you will have to change your settings to something that rolls less. So yeah, you could do that with an EOS R but you have to drop the resolution. But you have to drop it with every other cam too, especially FF ones. I shot a lot of that style of shit back in the day with a Canon 7d in 720p. Dropping the resolution is always an option and it works so these scenes are not out of the question.
  8. Hey everybody, what's up here in the world of cameras? Did a little fighty thingy when I had the GH5 for a sec. Threw in some curves, tested the 10bit 4k and the 180fps and and... I think I didn't touch the vlog as the weather was greyish so no need for more dynamic range. Had some kind off a speedbooster on top of it. I don't even have an opinion on it. It worked? Didn't notice anything weird yet. You could probably happily shoot a film with the GH5 (just get a monitor for it).
  9. Thanks! The woman wasn't a martial artist, we trained her for a couple of hours and then shot. I think the shoot was one day.
  10. That's just like only four manufacturers. You need to own at least seven and at least three different models from each. And did you say "owned"? So you don't actually own them anymore? Don't be a n00b, you need to get down to business bro! Take out your wallet and go get some new models!
  11. There is this sony fanboy in a finnish facebook forum (man I hate this modern facebook crap) who has been spouting the gospel of Sony for about six years. That's a long ass time. I remember his posts from the times of the Sony Nex-7. Now he is strongly on the A7 bandwagon. The thing is though... he doesn't really shoot anything that looks that great. Neither do I but there is a disconnect when I see postings where somebody gushes about a camera but never shows anything he has shot with it and when he does, it looks like shit. This isn't a Sony thing necessarily but that guy was.
  12. So the RS is not an issue with another manufacturer but is an issue when it's a Canon? Interesting logic. I get it in the sense that your basically spec shooting. I don't get it in the sense that either it is a problem (then it is a problem with every camera that has it) or it is not.
  13. So it's still faster than the a6300 by about 20%. Funny. A7sII at 4k is also about 30ms.
  14. Another little action scene with the 5d raw. A couple of shots from the sony a6300 thrown in there for good measure too. All upscaled to 4k.
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