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    • Sooooo...   Does it have a 2X crop mode, and can you adapt MFT lenses to it? 😉 
    • Yeah. I have spent time in tech startups, app design, user experience circles, and "proper" cameras are basically dinosaurs, and the thinking from the manufacturers is pre-historic as well. It's not getting better that quickly either, because there's this background mentality that "it works for the pros".  In practically any camera forum you see it with discussions that go like this: Hi, I'd like a small and convenient camera with great image quality..  what do you recommend? Use your phone Actually, I'd like great image quality too, that's important to me Oh well then, you'll need this 5kg rig that is manual everything and needs lighting and external audio Actually, I need it to be small and convenient too Use your phone ........ Actually BOTH are really what I need <mumble mumble...> so you know better than the pros do you? well....  hey everyone, this guy is shitting on Deakins!!   It totally is!!!
    • Yeah, I really think of it in terms of the priority.   Cinema cameras are divas - the things in front of the camera are changed to suit the camera.  You need lighting to suit native ISO, you have to wait for the camera to be ready, you have to start/stop if there's an issue with focus etc, they need external stabilisation. Hybrid / mirrorless / video cameras aren't divas - they adapt to the things in front of the camera.  They are designed to operate at non-native ISOs and often have dual-native ISOs, they turn on quickly, they try to keep up with the scene with AF and AE etc, and they often have stabilisation built-in to reduce need for external rigging or tripods etc. Obviously this isn't a perfect description, but in general terms I feel like these are the "stereotypes" of each genre perhaps.  Over the last 10 years both camps have started integrating the features and benefits of the other camp, with cinema cameras getting better ISO performance and now AF and IBIS, and video cameras basically getting a nicer image. If you shoot in relatively controlled environments I think it's easy to think that everything is mixed up now, but I shoot my friends and family during travel in available light with no direction and no retakes.  Often I will see a moment about to occur and I have 2s to start recording and by the 4s mark the moment is over.  I miss lots of these because the camera is in my hand by my waist and I can't get it turned on and in focus in 2s.  Lots of my clips have the first 5 frames of the clip being the nice moment and then the smiles fade as people turn away etc.   My situation is obviously extreme, and I'm 100% aware of this and that almost no-one is operating like this, however it throws the situation into very clear focus for me, because: 1) my iPhone can operate under these situations just fine and can turn on and do AF and AE before I've composed the frame properly, and apart from delays in getting the camera app started from the Lock Screen, it's basically faster than I am 2) my GX85 is almost as fast as my iPhone, being easier to turn on, but AF and AE are a tiny bit slower 3) BMPCC / BMMCC.....  good freaking luck with that!!  By the time you turn them on (and the monitor of the BMMCC), get the ND adjusted, get focus, start rolling, then frame, the moment is all but a memory.  and these don't have a 60s turn on time!   Yes, I could walk around with the camera turned on, but I remember the day my wife and I went to Pompeii - we walked around looking at this and that for 3 hours, had lunch, then went for another few hours again.  Carrying a cinema camera around with batteries large enough to last that long simply wouldn't have worked.  I carried the GH5, F0.95 prime, and Rode Videomic Pro in one hand that day, and my arm was sore for a couple of days afterwards. From this perspective, a C70 might be a camera I could work with, but a Komodo would simply not be anywhere near flexible enough for me.  Thus, I am very aware of the differences in general approach, and thus thus, these "I just bought a RED!!!!" and then "Why I'm selling my RED" aren't surprising at all 🙂 
    • That may depend on the camera.  I have no experience with their older stuff, but DSMC3 isn't nearly that slow to use.  I've even been taking the K-X on hikes and from my shoulder bag to recording takes about 2-3 minutes.  Of course, I'm not running with a sound person, video village, etc.  If I were on a half day indoor natural light docu-type shoot with it, I'd bring it with the EF 24-70/2.8 on a focal reducer.  Camera setup and teardown time would account for 5-10 minutes of the day.  I'd probably have to swap a battery midway through. The problem may not be the camera in this case, but the person who is using it.  😉 That said, if someone didn't insist that I use it, I'd be far more likely to grab my C70 for that kind of shoot (also with 24-70/2.8 and focal reducer).  It's hands-down a better camera to use in a fully uncontrolled environment.  Setup/teardown time would be almost identical.
    • My eyesight is not as good as it once was but I see Batman. 💥KAPOW💥
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