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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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People are using Z5ii, a $1700 camera, to shoot raw video, with changing extension hack. 4k30p, 450mb/s on SD. Yea its soft, but its filmic soft. I like this approach when I don't want to deal with massive files. -
Absolutely agree. Since starting to shoot Raw, even pseudo one, shooting and editing have become more interesting. The only deadline that a hobbyist can have is to clear your CFExpress card every night, if you plan on shooting the next day. I have only one 2TB card, so I took a habit to trim the captured footage after every shooting day, save it to SSD, and edit a quick video out of it, so we can watch it from the big screen how the day went. -
By Andrew Reid · Posted
Actually... The boom in raw codecs is being driven by clients That's my hunch. They want the best possible quality master files to do whatever they do with them. And lack the understanding that H.265 is more than fine, or that LOG should *shock horror* be graded! -
True. Except that, as hobbyists, we’re not up against deadlines and there are occasions when the more stuff we have to play with, the better. In that respect raw provides more fun opportunities! That is, I suspect a very different perspective to that of a single working professional who needs to optimise client satisfaction (income) while minimising time spent sitting in front of a computer. -
Thats with today storage technology and prices. 20 years ago, CompactFlash was expensive and one of the reasons people complained about raw. That's why they were insisting that 12 megapixels is enough and 24mp is unnecessary huge!
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