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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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Anyone with a Panasonic S5 II or S9 interested in testing my in-cam ARRI compatible LOG C3 profile? 1 2
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By Andrew Reid · Posted
Who needs an S1H II when you have an S1 Mark ?E?E?E?E?E E for electronic shutter, to save costs. E for Exactly the same body as the cheapo camera from 2022 to save costs. E for enamoured with accountancy. E for enormous lack of creativity. E for eeee dear. E for End, as in the brand, and soon the entire system as well. E for E-mount which has a 3 year old model that's twice as good. E for erm, do I want to sign an NDA and go to some fancy Knightsbridge business lunch to see it. N for no fucking thanks! -
By Andrew Reid · Posted
Let's continue to talk about millimetres, it's fascinating stuff. -
Totally agree, somehow the jump from 24-28 feels way more than just 4mm for me. 20-60 / 2.8 or 4.0 would have been very welcomed. I only got the 20-60 as a kit at the time of purchase, the body only was not available. I Figured it would just sit in the box until I sold the body, but surprisingly I have used it way more than I ever anticipated using a slow split aperture lens! -
By fuzzynormal · Posted
The best practice for trying to hone a craft is to find something youre impressed with, deconstruct it, and then rebuild it yourself. Learn to walk before you fly. Editing is relatively easy but it's tedium too. Discover if it's what you want to do by doing it. If you make something decent and compelling you'll know by the end of the process if it's something you want to go through again. -
By newfoundmass · Posted
I too miss the ergonomics of the camcorder, though I've never found myself needing more buttons on my Lumix mirrorless cameras. I just miss them because I feel like they are easier and more practical the hold and use for video. I'd steer clear of any camera that has smaller than a 1" sensor, less because of depth of field and more because of low light. Those smaller sensors, even in newer cameras, just completely fall apart. They don't really even look that great in well lit situations. If you don't mind used, the Panasonic DVX200 is a great option. It's basically a GH5, complete with M43 sensor, in a camcorder body. When my friend used my GH5 as a b-cam to it, the footage was nearly identical. It looks like it goes for about $1600 used. Sony PXW-Z90 is a very nice camcorder with a 1" sensor. I built an entire streaming business off these kind of Sony camcorders. Goes for under $2100 used on MPB. For more advanced cameras: The Panasonic EVA1 also might be an option. Used options in Excellent condition on MPB go for about $2300. That has a Super 35 sensor and allows you to use EF and cine lenses. On the Sony side, the Sony PXW-FS5 II is under $1500 in like new condition on MPB. The Canon Cinema EOS C300 II is under $2200 in Excellent condition on MPB.
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