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    • I really loved your video and enjoyed your lovely footage! @Henryo Thank you for sharing. You totally hit the point in regards to a highly desired pocket og II, with good battery life and a strong full hdmi. I would also vote for a much stronger IR cut filter. Great skills and bravery with your d-mountung. I wouldn't even dream to dare to do that!  Great sounding voice and awesome narration btw!:)
    • Thank you for sharing, Andrew. This is looking great. I will watch it as soon as they show it in the cinemas over here. I am still curious to test a GH5 MK II due to it been tested by slashcam for displaying great rendering of texture and offering one of the best 4K images of any dslms out there in that regard. Its optional 1.4 crop mode makes it a great digital 4K S16 cinema camera. GH7 in 4k pixel per pixel mode might be closer to 16mm crop though. I would love a M43 sensor sized lumix pocket cinema camera with flexible cropping, like S16 1:1.66, S16 4:3 with full Super16 width, 2/3" 1:1, you name it. And while you are at it, Panny please give it an internal ND and still keep the EVF and great battery life plus full size Hdmi.:)
    • Looks fantastic. Any interviews with the cinematographer / crew out there? They used Panasonic GH7 + Lumix 12mm F1.4 for most part https://www.eoshd.com/news/in-ny-and-la-theatres-january-major-new-movie-magellan-is-shot-on-the-panasonic-gh7/
    • Quote it : ) Unfortunately, a truth of nowadays. Well stated :- )
    • Even mushy 1080p from the t2i looks better than 8K/12k except for DR. The best tech from the past 5-10 years is IBIS. Any new full frame cameras have good 1080p raw without a crop?
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