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The EOSHD YouTube Channel (22,094 visits to this link)
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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Train Dreams on Netflix I don't know how many of you have already seen it, but I still wanted to recommend a film that I watched a few nights ago on Netflix that hit me right in the heart. It was presented at the last Sundance Film Festival but then went directly to Netflix without going through movie theaters. And it's a real shame because the cinematography is stunning. Shot in 3:2 in the Idaho forests with an almost documentarian feel. The story is infinitely sad and very slow. The reviews are almost all enthusiastic, and it has become one of the most viewed films on the platform in recent weeks. The negative reviews accuse it of being truly slow, but in my opinion and that of others, the beauty lies precisely in the film's slowness. If you manage to get into the mood, it hits you right in the heart. I don't want to spoil too much about the story, but the ending truly moved me. The DoP says that the film was shot almost entirely using natural light (à la Lubezky), and many scenes are set at dawn, sunset, and nighttime using real candlelight. The chiaroscuro is a delight for the eyes. https://filmmakermagazine.com/129137-interview-cinematographer-adolpho-veloso-train-dreams-sundance-2025/ -
By fuzzynormal · Posted
Same. On this particular project I found myself reaching for it more than the GH5. Not for the bird shots as that really required good slow-mo, but for the people shots? Looked awesome. It pancakes the highlights though; just loses details that LUMIX cameras hold onto. Other than that, pretty great for a $300 camera. -
By fuzzynormal · Posted
Oh god. That thing. When online people complain about lousy footage with the cliche "was that shot on a potato"? They're probably talking about the D90's codec. -
By John Matthews · Posted
Not surprised. I love the video from this camera when I see it online. I love the footage in this simple family video. Shot in "muted" with FilmConvert applied on top. Kit lens. I once filmed a wedding with a GX80, a Sony 1080p pro-level camcorder, a Nikon D90, and a Nikon D3400. It wasn't easy to match to say the least, but I was able to keep the story center-stage, not the crazy colors of each camera. -
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