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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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True, I would agree with this. For me, I always make it a priority, even though it's costly and I don't "see" anything new when spending all that money on RAID drives/arrays, memory cards, and the computer upgrade. But I do that knowing that in the past, I've always benefited from it and have never regretted it. -
By KnightsFan · Posted
You're not wrong, but the complicated part is deciding whether you can afford storage and computing power, or whether to use that money on lenses, snacks for your crew, other life expenses, etc. -
If you want the best quality, can afford storage, and have good computing power for editing, I don't see why you wouldn't shoot RAW. It's not too complicated, really.
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At ISO 6400, ZR is way better than Komodo X, and equal to S1ii. With noise reduction, even ISO 25600 is useable. And thats what matters for the target market. They're mostly one man with no or very limited lighting equipment. Underexposing and lifting the shadows in post is not what they usually do. Its good to have lower noise floor, but you don't want to go much down there anyway. Because despite less noise, you're still dealing with poor SN ratio, due to shot noise, which is inevitable side effect of underexposure. That's why much of R&D money in CMOS sensor industry is directed to improvement in saturation level (more room for overexposure), and solve the noise problem with AI.
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