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Posts
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You don't like security cameras? No need to be insecure... -
I can report the mission 1 and the mission 1 ils don't like older micros sd cards. They perform some sort of test when you turn the camera on. How old this card is anyone's guess but the gopro wants certain requirements met. I know its an older card and other cameras i have dont flag any concerns. I mostly use it for timelapses as thats not so demanding, one picture every couple of seconds. However the latest gopro's, just refuse to use it. I did try settings with lower requirements like hd 24fps or even just stills, no joy I don't consider it an issue, more of an observation. I guess if you want 4k or 8k some requirements have to be met. -
By Benjamin Hilton · Posted
Yeah we've taken a lot of time to create a film look that gave good color, but also just kind of works. When using footage in a doc from a lot of different cameras, archive stuff etc. a lot of film looks can break easily. We also wanted something that while invoking film, was also not too strong. Below are some side by sides, the images on the left are the look we developed, and the versions on the right are a standard CST: -
Well nothing was announced this week but it’s looking most likely like a Sigma FP2. Meanwhile LUMIX is supposed to be revealing at least 2 new bodies in November to mark their 25th birthday or something… Please let this not be some letdown like a security camera or some other crap but something ‘we’ might be interested in… Too soon for a GH8 so maybe some small compact L10-like MILC? Maybe the long overdue S1H2, or some ‘cine’ version of the S1ii? -
By Framed_By_Dan · Posted
This is where Log doesn't work for me filming weddings. I am constantly outdoors, indoors, outdoors, indoors. Even my favourite Nisi Variable ND (which unlike most filters, starts at 1 stop of light reduction) will cause issues if I need to quickly ramp up the ISO indoors for a dimly lit situation. If I can shoot at a stop lower than I'd need if I had ND it can potentially save a shot from being too noisy. The slightly more crushed look of a Rec 709 profile can help mitigate any visible noise over a Log profile. I'd rather "shoot as I see" than constantly think about exposing at a stop over in Log.
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