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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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Stabilisation is to mine but not necessarily IBIS… With my S1Rii’s paired with primes, I have the e stab dialed up to the max in addition to the already great IBIS and though this crops considerably, no issue because I’m always working with slightly wider than necessary lenses. These are my ‘great stability speed’ units as in not even faffing with a monopod. The S9 is paired with a gimbal either on or off a lightweight tripod which requires a bit more faffing but gives another, but different type of stability. S5ii on heavyweight (it’s quite light actually) for ultimate stability for the longer stuff. -
By newfoundmass · Posted
The FX30s are still really great values. I realistically could get away with three of those and be set for the next half decade at least. The biggest issue I'd have is just the poor IBIS. IBIS is hugely important for my work, even more than auto focus and all the other comforts people wanted over the years. That's what has kept me in the Lumix camp. I plan to switch out one or both of my S5s for a S5II or S5II X here soon. Amazing IBIS and really good auto focus... no real reason to switch. -
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It's funny, I'm pretty aligned with your thoughts, just like you, I'm on the back end of my commercial life (went full time in 1993) and have always been pragmatic with gear. I want to splash out once before it's not relevant anymore! I too am shooting on the S1R2 and love the files out of it. And yes if I ever get an SL3P, the first thing is to black out, sorry stealth out the white Logo 🙂
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That would not surprise me a bit and although I have not watched a single review other than the CVP one…and even that, not all the way through, I have noticed a while recent bunch of LUMIX converts posted they have one. I imagine a bunch of them at least will shortly be posting a piece regarding why they flopped back to Sony, soon enough… I’d have no problem flipping back to Sony myself, but it would be the FX3A and FX30’s plus A7RV, all used, because all of that kit is more than good enough for me. The A7RV is still the best stills camera I have owned, though my S1Rii’s are better hybrid and as that is my bread & butter… It’s an unlikely scenario though as my LUMIX gear just works and shiny new stuff for the sake of shiny new stuff, is not enough of a draw for me personally. Still, no harm in looking and pondering from time to time!
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