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    • Makes sense.  I'd imagine that perhaps the biggest difference (apart from the size!) is that the 4P has the controls on the handle, not on the part of the gimbal being stabilised, meaning it's easy/possible to change settings and operate it while rolling. Will you mount it on the hot shoe of your stills camera?  Or maybe off to the side using a flash bracket or similar?  I'm always intrigued by hybrid setups where multiple cameras are attached together.
    • You really have to be impressed with the weight of these new primes, light even by MFT standards. FF still dominates the wider focal lengths considering what they are.
    • Nothing wrong with ZR dynamic range IMO, and highlights look good too. With NRaw ETTR just below clipping point is needed, but with R3D NE exposing correctly by false color works well. Just get Cinematools false color LUT to ZR, make your own in Resolve or use Parallax Monitor app. The ZR is no pocket 4P with DLog2 DR wise, but pocket 4P IQ still does not look even closely as nice as ZR, and guess which one breakes sooner in very low light. The pocket 4P IQ as a gimbal camera is still nice step up from earlier oversharpened stuff and does not look bad when mixed with raw shot with ZR and Z6iii.  Have not used RedCineX much after discovering it does not support R3D NE trim save either. 
    • The single biggest issue is that operating the thing one handed is not great and one handed is the only way to also shoot stills at the same time. The answer is to primarily shoot stills two handed and have the video unit attached to the photo unit and in that regard it needs to be small and operate on its own mini gimbal. Et voila, the Pocket series and its rivals. I also need a better BTS and quicker social media option so again, better tool for the job.
    • This is the right solution IMO.  Gimbals that you attach a camera to are so much less usable/useful than camera-integrated gimbals!
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