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By QuickHitRecord · Posted
Can you think of any narrative films that were shot with natural lighting minimal crews in busy areas/cities? I’m doing some research for an upcoming zero-budget project, trying to figure out a solid approach to the aesthetics. I really want to get out of a locked set for this one. -
I'm thinking of selling mine. I have had mine for a couple years and understand the camera's ins and outs if you need any information. As far as your question, I'd be most worried about the usb-c port. Most of the available cages do not have cable clamps, so I'd imagine most FP users haven't used them with the camera. So I'd verify with the seller that the port functions and the connection is tight. -
By radneuerfinder · Posted
https://www.cined.com/lidarac-app-for-tilta-nucleus-m-ii-and-nano-ii-introduced-turn-your-iphone-into-a-lidar-rangefinder/ -
I have finished modifying the painters pole i bought. Comparing the cheapness of selfie sticks verses the price of branded monopods, the painters pole does comes in dearer than a selfie stick and a fair bit cheaper than any monopod. It did need some modifications with a drill and a hacksaw it also required 2 x 1/4 bolts which have now been replaced with 2 black knurled 1/4 inch large diameter "bolts" which makes disassembly or assembly a breeze. The mission 1 fits on the crane m2 gimbal without issue even though it is a little bigger and heavier. i did remove some mass off the base plate, that allowed me to move the camera sideways just enough that i can fold all the axis's flat and stow it away in a plastic protective case in one piece. Remove the two black bolts stow in case and go. A great time saver i think. The first feature i like about it, is its robustness. Painters poles are sturdy pieces of equipment by design. The 2nd feature important to me at least was it has a hexagon shaft extension. which mean i dont have to worry about cams or twist locks, like you find on tripod legs coming adrift or wearing out, they always seem to frustrate me. The minimum height is about 5 feet and i think i can extend it to about 9 feet. I'll have to find a tape measure tomorrow... With gimbal attached the camera is a little lower than my eyes and im nearly 6 feet tall. So i kinda feel like it should be a nice height if i am just holding it upright, time will tell. I have been out today scouting, My town has a bunch of murals painted on various walls all over town, probably most towns have similar. There's actually a path to follow on google if one wanted to search it out. I had the mission 1 in a pocket and the first thing i noticed is that the rubber sun shade can get dislodged pretty easy and intrude into the photo. This is from a burst mode, you know the 960 fps. Interestingly burst mode files sizes seem to come in at about 134 - 144 MB per batch. if you have a look at the two pics you can see the difference in light levels. Straight out of camera we have a jpg ( yes i know i should have shot raw ) i figured i would start with the defaults and see how that goes... These are like only a minute apart and there's not a cloud in the sky. Not that i find the look unpleasant, it is what it is. The mission1 also does a ton of processing after you stop recording, it continues processing for a few seconds. Again not an issue just things i have noticed. If i use the phrase gopro take a picture it will do whatever the mode is set to, however it seems a little finicky in its execution the timing doesn't always seem the same. Theres also a very good chance the error is operator induced, but i think it may be more consistent for me, if i buy a bluetooth remote to trigger it, specifically if your trying to do one man band 960 fps sequences. I have tried half a dozen slow motion things at home with out alot of success. -
Nice images, was it overcast that day, they seem a little subdued ? or is that the lens combo you think ? A long way from the top is a good thing i reckon 🤔 Be careful with the at-x pro 28-70mm pro 2.8 there's 3 versions from memory. I forget how to tell which the "better" one is. Google would help no doubt. I also suspect the tokina 28-70 at-x pro's might be flying under the radar. I vaguely remember this lens getting a good rap and an almost cult like status in some video forums. Pentax forums is a handy place to visit... I must be cdo its like ocd but with the letters arranged alphabetically, like they should be 🙂 Would you believe i only just gave that lens a wipe over 😞. I also have had an ef-mft metabones xl speed booster 0.64 arrive. With my metabones the internal focus was way off and the internal element was free to rotate willy nilly. Completely the opposite to your speedbooster Kye. I suspect the screw that holds it tight is maybe either bent or stuck as i cant move it by hand. its also in the open position which allows the element to move freely. I also don't have a screwdriver that small either, so until one arrives, i have a temporary work around. The whole internal lens is losey goosey, i think theres about a half a millimeter of play. I know it seems like huge amount. However it really is quite loose, i can get a rattle out of it, if i shake it. Not sure if that is why it was up for sale, i suspect its been played with then sold when it became all to hard. I initially had the 17mm takumar mounted to it but i think in hindsight that probably wasn't helping, with the depth of field so i put the 50mm on it instead. I can wind the lens element almost all the way in and it becomes a tighter fit and i can get infinity focus ( i think ) i have to double check. No issues with mounting the 50mm on the metabones Here's a pic of the front of the metabones and back of the 50mm takumar. i used the 50mm as that measured the longest out of the measurements i took. There seems to be plenty of room between lens elements. I have the chipped ef mount on it and the back of the takumar barely protrudes, less than a millimeter i think, cant measure it as i tossed the digital calipers... it would be interesting to compare it to the back front of the viltrox. One interesting fact i picked up is that the Olympus em-10 ii and the em-1 iii do not like the ef adapter with the chip on it. The chip is supposed to tell the camera that its a 50 mm f1.4. I always figured some metadata would be nice even if it was wrong data at least i had a place to start. However the Olympus's simply refuse to start up, all i get is a grey screen. If i depress the lens lock mechanism and turn the adapter slightly ( and i presume ) the contacts no longer touch the the cameras will fire up and work. I have two other brands of camera and the chipped ef adapter works fine on them. I have no idea why i haven't noticed it before. The problem is tilting the camera in any direction indicates to the lens, it should try its best, to immediately fall off ( don't ask me how i know this )🙄
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