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By Andrew - EOSHD · Posted
I don't have a GH7, but I remember it being better than the GH6. -
By Andrew - EOSHD · Posted
Listening to the Canadians is like reading the side of a box. Tick, 30fps burst rate. Tick, autofocus is fast. Tick, price is just $3000, a bargain. Thousands of 2 legged sheep...following the affiliate links. And don't forget to bag that 24-70mm F2.8 for 2 grand before driving home in your white Tesla to your home decked out in grey and white, stopping off on the way at the US Camera Shop for Boring Twats, to buy a massive gimbal. -
The EM1X seems like such an underrated beast. Does the image hold up well in 8 bit? I’m sure the IBIS performance is legendary. @Andrew - EOSHDdo you think the EM1X IBIS outdoes the Gh7? Or at least is comparable? -
Also if I upgrade my camera body sometime soon it will very likely be the Panasonic G9II. I’d save a few hundred versus a gh7 body. Just love the form factor, high frame rate options without having to crop, autofocus and class-leading IBIS. I’ve also heard that the e-stabilization high mode doesn’t crop in as much as previous cams. I briefly owned a LUMIX S9 this summer; sold it and reverted back to my OG Nikon Z6 for financial reasons (Nikon Z6 is still going strong though here in 2025 I’ve got no “need” to upgrade even IQ wise). Loved throwing it into e-stabilization high but it gave me a near-apsc crop from full frame. From eBay I’ve heard, the G9II doesn’t crop in as much in this mode. id get a g9II, metabones 0.64x, and a sigma 18-35. I figure I’d get good lowlight performance from that setup; seems the g9II and gh7 don’t suck in lowlight and having an f/1.15 in terms of light gathering would be sweet.
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GH series are no way outdated. I definitely think older bodies line the Gh5 and Gh5s are excellent values. Even the OG Panasonic G9 which I’ve seen go for just over $400 USD before…and that’ll do 19 bit HLG which you can CST into v-log L in Davinci resolve. These cameras are also a solid value in the live broadcast space, an industry I’ve been continuing to work in. I work on some broadcast truck shows for American sports tv broadcasts; many of the cameras used there are very expensive 3CCD b4 mount cameras; small sensors but often with not just SDI but even FIBER connections and all kinds of tools necessary for high-level broadcast. Older lumix cams are solid ultra-low budget cams for multicam setups. MFT lenses are dirt cheap, Gh5 and Gh5s have full size HDMI, older models look the gh4 and gh3 still have clean hdmi out albeit micro…basically nice affordable cams you can use in multicam setups. I’ve seen some churches use Panasonic Gh5, gh4 and even g7/g85 and build entire multicam production setups around them. Super versatile. And I love how the gh5 has all the features that are just now all in full frame bodies. A 8+ yr old camera with 6k open gate, 10bit422, etc etc. Crazy! I wish the Gh5 autofocus’s was good; I’d honestly switch to the gh5 if it were haha.
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