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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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Well, here's another interesting one from Samyang for L-mount. Previously Sony FE only... ...now also available in L-mount ; ) The new LK Samyang AF 60-180mm F2.8 weighs only 728g, which is remarkably light for a constant f/2.8 full-frame telephoto zoom (and at about a grand it is also considerably cheaper than the usual 70-200mm f/2.8 options). It has no optical stabilization (OIS), in either L-mount or Sony FE, unfortunately : ( A deal breaker for Sigma FP owners/lovers, as for instance. 60mm at the wide end is actually quite useful for video, and losing 20mm at the long end seems a very reasonable trade-off for that size and weight. -
By Eric Matyas · Posted
Greetings Creatives, It's been a very busy week, but I managed to create a couple of new music tracks to share with the community. They are: "NEON METROPOLIS" (This one loops.) You can listen to it here: https://soundimage.org/wp-content/uploads/2026/08/Neon-Metropolis.ogg "CYBERPUNK STREETS IN THE DEAD OF NIGHT" (This one doesn't loop.) You can listen to it here: https://soundimage.org/wp-content/uploads/2026/08/Cyberpunk-Streets-in-the-Dead-of-Night.ogg Both can be downloaded here: https://soundimage.org/sci-fi-15/ As with all of my music and images, they're 100% free to use in your projects with attribution. 🙂 OTHER HELPFUL LINKS: Attribution Information: https://soundimage.org/attribution-info/ My Game Music Mega Pack (1400+ tracks and growing) https://soundimage.org/ogg-game-music-mega-pack/ My Genre Music Packs https://soundimage.org/ogg-music-packs-2/ Custom Music https://soundimage.org/custom-work/ As always, enjoy, stay safe and keep being creative! 🙂 -
By eatstoomuchjam · Posted
Yeah - sounds almost as good as Fuji already. 😅 -
By Ilkka Nissila · Posted
The ZR does allow the main card and battery to be replaced without taking the camera off the tripod provided that the plate or rig is designed right for the camera and a suitable head is used. Yes, the micro slot is unfortunate. But for video, no Nikon camera has dual card recording anyway, so the main card is where it's at. The orientation of the battery and main card along the width of the body makes the body a bit wider than it could have been if there had been a larger grip, but if optimizing for the fraction the LCD takes up of the camera's back side surface, this design is understandable. The MKE 600 shotgun microphone is 25 cm long and with the supplied cold shoe foot, its rear end extends quite a bit behind the camera, like with many longer shotgun mics it blocks comfortable access to the viewfinder. Longer shotguns give better side rejection and can sound less distorted but because they are long and mirrorless cameras tend to be short, there is a bit of a compatibility issue which does not exist with professional camcorders that are long enough to accommodate these mics without interfering with the picture or the shooter's forehead. However, camcorders typically give lower image quality at wide angle focal lengths which are a priority for me for many situations where I want the camera to be close to the subjects. My desire for a larger screen is not without limitations, the camera must be small and light enough to comfortably use on a gimbal (for potentially long shoots), for those situations where I do want to use one. Of course, one can use a camera without a gimbal, but I have situations where it is useful and a priority. A BMCC would make the gimbal setup too heavy. I have Nikon lenses so it makes economic sense for me to use Nikon camera bodies as well, and get lens corrections automatically applied to the video footage. Yes, 3.2" is usable but 4" would be better. I find particularly for manual focusing a larger screen would be better. I already have the Z8 which has a full-sized HDMI, though it has no XLR connections. I imagine Nikon would within the next few years make a higher-end video-first model that would sit between the ZR and the Komodo, and be more head-to-head competitor with the FX5. The ZR is just one camera in presumably a lineup that Nikon have yet to make. Why do I want to use a gimbal with a mirrorless camera? Let's say I am shooting a parade with music and performances moving across the streets. I need wide angle (because subjects can be tall) with keystoning controlled, and since there is no guarantee that a fixed spot along the way will give me the best moments, a tripod is not ideal. The gimbal keeps keystoning from appearing (with a suitable lens and appropriate mode), and keeps the camera level while I'm moving. The drawback is that I need a separate sound person - which is a big drawback. -
https://www.eisa-awards.org/awards/nikon-zr/ Interesting to see the Nikon ZR taking EISA’s Photo/Video Camera 2026–2027 award. On paper, I can understand it. The overall package is unusually strong, particularly for the money, and Nikon has clearly managed to turn the RED acquisition into something rather more tangible than a logo on the box. Still, awards like this always make me wonder what is actually being judged. A camera can be outstanding as a specification sheet, and even as an overall product, while still having one or two behaviours that matter disproportionately once you start using it seriously (codec implementation, processing, noise reduction, workflow, etc.). That does not necessarily make the award wrong. It just shows how different “best camera” can look depending on whether you are judging features, image quality, value, or the less glamorous realities of actually shooting and finishing a project with it. The ZR may well deserve the trophy. I'm rather more interested in whether Nikon keeps refining the bits that do not fit quite so neatly on the award plaque ; ) That said, kudos to ZR! EAG :- )
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