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  • Posts

    • Personally, I like simple.  These days I fret that features get in the way of artistry.  Too often I focus on craft and don't invest enough in the art of it all.   So maybe a basic tool is best? I don't know.  I can tell you the best film I ever made was with FCP 7.
    • Indeed, though "Ursa Cine LF" would be a totally fine name.  There's just no need to say "12K" on there.  For the other?  "Ursa Cine 65" since the 65mm sensor is going to be a whole lot more exciting to most people than telling them it has a 17k sensor that they will mostly use in 8K or 4K mode.  Just about the only competition on the market, the rental-only Alexa 65, is a 6.5k camera. That is, of course, unless you're selling something to be used for projecting on The Sphere in Vegas.  Then I guess there's a single camera that's competing - like literally just one body, as far as I know - that 18K thing with the 75x75mm or so sensor. I've been a bit tempted a few times now to try to rig up something with a medium format ground glass or a 4x5 GG, similar to an old DOF adapter for camcorders.  I remember Gale had the Forbes70 which worked that way and there have been some 8x10 projects to do the same, like the FZero from Salazar and the one that Media Division put together.  I should probably just go through my pile of project cameras to see if I have a pretty clean GG around and just do it...
    • At least Red choose some catchy names V-Raptor,Red Raven,Dragon,Helium,Gemini,Monstro,Komodo,Gemini,Red Epic
    • I'm not sure what "a modern approach" is, but iMovie and Luma Fusion are both pretty straightforward and unbloated from what I remember - and they both run on Mac.  I'm not sure if either one has a lut editor, but 3d lut editor has been pretty good for a while now, hasn't it?
    • It tries to do too much, and dates originally to 2004. A modern approach is needed. New ideas welcome!
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