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Posts
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By Aussie Ash · Posted
CineD have just dropped a 13minute interview with Cathy at NAB on youtube about this camera -
By newfoundmass · Posted
I don't know Gerald outside of what he presented to us, which is to say that I don't know him much at all because we all present what we want people to see online. But with Gerald and other content creators, the algorithms and audience steers you towards what it wants from you. Gerald might naturally just have been someone interested in clinical tests of cameras and not had an interest in being more creative, but I always wondered if part of the reason he (and others in his position) never explored more artistic expression in his videos was the fear that it would be torn to shreds. Sitting in the middle of four walls with a tripod, camera and teleprompter is safe. Creating something MORE and sharing it with folks makes you vulnerable, especially if you've already established yourself in a niche. "The nerdy long form camera review guy that you all put so much faith into fell on his face when trying to actually create something!" Just putting yourself out there at all you open yourself up to so much unkindness, let alone when you actually share something that is deeply personal and vulnerable. As I've gotten older, and experienced how shitty people can make you feel for just engaging in your passion, I've become more empathetic and understanding. I think it's important that while being critical we still remember these folks are human. -
By fuzzynormal · Posted
Nor I, but I do wonder if there's even a slim chance that enough people would search out alternatives as things keep getting worse. -
By Andrew - EOSHD · Posted
As far as mainstream content goes, it's up to the audience to change their habits, and I can't see them all squirrelling off to a dozen internet bookmarks everyday when they can just get served all in one place by an algorithm. Half of them probably don't even own a computer and just use their phone for everything. -
By eatstoomuchjam · Posted
The GFX 100 II and, I assume, Eterna, have a 5.8k 2.35:1 full sensor width recording mode. And the Ursa Cine 17K has a 65mm sensor. And FWIW, any of the Red VV cameras have a 40mm-wide sensor which is exactly in the middle of the 36mm of a FF camera and the 44mm of GFX/Eterna. Since terms don't matter anymore, they should probably just call that "medium format" since, y'know, the GFX sensor is also substantially smaller than what would traditionally be called "medium format." Unless Sony have a big 12K sensor that can read out fast enough for video, how would that happen? There's only one 12K video sensor on the market, as far as I know, and BMD have it custom-made. There isn't huge economy of scale in it so manufacturing costs are high. But also, speaking as a person who owns a 12K-capable camera, there is almost never any reason whatsoever to shoot in 12K - including in IMAX. Mine is an 8K camera nearly all the time, except when shooting plates - and when I forget to toggle back to 8K after switching plates and facepalm.
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