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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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By eatstoomuchjam · Posted
Yeah, a big screen is nicer. No doubt about it. It just wouldn't be, for me, the main selling point of one camera vs another. That said, you are already in L mount and I've heard that the recently-released autofocus on the BMCC is quite good... -
I dream of having a tool of this magnitude. Being serious, as someone who really does not want to rig out his cameras as after all, I am a hybrid shooter, the larger, clearer and brighter the rear LCD is, the better because I shoot exclusively with the things. It’s also why I prefer a tilt over a flip out. Fully articulated works better for me for the stills side, but tilt for video. Hopefully all cameras in the future will increasingly work on having these physical features which probably benefit more folks than massive pixel counts or bloated codecs. Less grading is financial boon to the small business as time saved is time that can be put to use elsewhere, or increase profitability. That is what draws me to the Red codec, but as things stand, that storage costs defeats any savings for me, but the grading time is a draw… -
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Quick update: I tested the Motorola Edge 50 Pro hardware encoders and could not find a working HEVC 4K60p path for the full RAW-derived frame size. c2.qti.hevc.encoder accepts configurations like 2160×2880 @ 60 fps and 2880×2160 @ 60 fps, but fails after the first frame with UNKNOWN_ERROR. Rotation does not help. The same size works at 30 fps, and 1080p60 works, so this looks like a real Qualcomm encoder limit/driver issue, not an AAC or RAW/DNG problem. So the current plan is: RAW/RAWC master: full resolution, 60 fps H.265 quality proxy: full resolution, 30 fps H.265/H.264 smooth proxy: lower resolution, 60 fps if supported PC export: final 4K60p from RAW/RAWC/DNG A more interesting idea is to use the extra RAW60 frames for HDR30: alternating short/long exposures, then merging pairs of frames into a 30 fps HDR output. -
Having detachable EVF as good as Z6iii has would be even better than having only the ZR display. Still the 4” display is joy to use, and regular 3” or 3.2” LCD’s feel quite tiny after using ZR. The main problem is still the lack of saving trimmed R3D NE files as R3D NE. If you shoot from sticks and put the camera far away you end up getting a lot of unwanted data you can’t get rid of. Unless you save the R3D NE trims to H.265. Shame on Nikon and RED as NRaw works fine. Luckily you can use Parallax monitor app to control the ZR, Z6iii, Z8 and it has pretty good exposure tools too, false color, red traffic lights, scopes, zebras, and even focus peaking with LUT, frame guides, desqueeze, just to name a few of the features. ZR could be so much better if saving R3D NE trim was fixed. The file size itself is not that big of an issue itself. After shooting almost two hundred days with ZR the R3D NE looks a bit better and needs less grading than NRaw, especially in low light.
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