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    • Great hack for the filter holder!  I'd somehow missed how obnoxious they made the camera bump on the 17.  Sheesh.  I'll have to look to see if my Magsafe filter holder fits over my case (the standard iPhone 16 Pro soft plastic case from Apple).  I think I eventually found one, but it's been a bit since I used it.  But that is also my preference - just let me use the normal case and a normal screw-in filter and not some weird one with a proprietary filter system that won't work with my next phone. And yeah, Magsafe is definitely the way to go for filters - and if your filter adapter passes through the magnet, you can also get a magsafe CF Express reader/writer.  That's really useful when shooting ProRes on the 16 - and presumably for shooting raw on the 17 series.  
    • Getting ready for my next trip and I'm going far more minimal this time, and so the focus is on using the iPhone 17 Pro as my second / backup camera. As such, I've been working on a vND solution for it.  The significant considerations for me are.. It needs a ton of ND As it doesn't have an aperture, if you want 180 shutter then you need enough ND to shoot F1.78 in bright sun It has significant IR pollution issues It suffers from IR pollution far more than my GH7.  If I shoot with my GH7 and my 1-5 stop True Colour vND I never get IR issues, but the iPhone gets them even with just this 1-5 stop adapter. I need an adapter that works with my iPhone case I'm not taking my phone case on and off when I use an ND, and the "solutions" that the smartphone filter companies provide seem like pretty shitty cases compared to the rugged cases that I prefer to use. I want it to be as small as possible - adding an ND filter shouldn't make it look like I'm shooting a Nolan feature film As such, I've developed the following approach. I'll stack my existing 58mm K&F 1-5 stop True Colour vND with a fixed NiSi 3-stop ND that also has IR filtering in it I'm modifying the Tiffen MagSafe filter attachment I bought to work with my Otterbox case (photos below) Cutting it like this and overlapping them gives the height step-up required so the filter part sits on top of the lip that the case has around the cameras. After some testing, I found that I could position the 58mm filters so that they don't obscure any of the rear cameras (including the ultra-wide).  The two limiting factors in the arrangement are that I can fit two 58mm filters but not three (the third one starts obscuring the ultra-wide camera) and if I position it so the three filters are fine on the ultra-wide then the other cameras start to be obscured by the filter holder. The above is only held together with super-glue, but I have will cut some 2mm aluminium sheet and glue it in place with 5-minute araldite (epoxy) to make the thing sturdy. The MagSafe connection is remarkably strong, partly because the Otterbox case has magnets in it designed to transfer the magnetic field to the outside of the case.  It'll be strong enough for careful use anyway - it's not like I'll be shooting with it and also wrestling people at the same time! The more that I think about how good these smartphones are now the more ideas I have on shooting with it.  Once you toss in high-quality filtration like this, plus anamorphic adapters and all sorts of other things, the shooting possibilities get really exciting!
    • Happy September! I finished this music track yesterday and thought I'd share it with the community: "CRYPTIC DREAMS" You can listen to it here: https://soundimage.org/wp-content/uploads/2026/09/Cryptic-Dreams.ogg And download it here: https://soundimage.org/puzzle-music-8/ As always, it's 100% free to download and use in your projects with attribution, just like my thousands of other music tracks, sounds and images. Attribution information is here: https://soundimage.org/attribution-info/ OTHER LINKS My Game Music Packs: https://soundimage.org/ogg-game-music-mega-pack/ https://soundimage.org/ogg-music-packs-2/ Custom music: https://soundimage.org/custom-work/ As always, enjoy, please stay safe and keep being creative! 🙂  
    • I’ll let you know once I’ve shot with them and done an edit. I can’t shoot these things side by side ie, Lumix 35/85 vs Sigma 35/85 because it’s work not a set up test so will have to go on feel & results but shooting essentially the same kinds of scenes week in week out, I have continuity in that regard. I’m not expecting any quantifiable night & day difference, but rather some subtle but worth it to me differences. The Sigma’s are going to be slightly larger and heavier. I don’t mind that and were only talking +200-250g so well short of say using a chonky zoom that would require a battery grip. That should be all good and I actually prefer something with a bit of heft for stability.  I’m going to get actual aperture rings. Yay. My biggest criticism of the LUMIX f1.8 primes is their lack of aperture rings. Even the super expensive LEICA SL primes don’t have aperture rings. ALL lenses should have aperture rings on my planet! I’m expecting a fraction slower AF. I can live with that for the way I work and I could happily shoot manual focus 95% of the time so… The lower light capability (approx 2/3rd of a stop) is welcome, but I don’t really need it as f1.8/f2 is actually fine…and the Sigma f2 primes were another option, but the slower f2.8 90mm puts me off a bit for indoor work compared with the f1.4 85mm so I ruled them out on that basis. I actually had a set of them including the 90 a few years back and loved them, but I don’t think they are the right option for me right now. Finally, I think I am going to enjoy the shooting/ownership of metal vs plastic and there is that undefinable ‘I want to shoot with these’ rather than ‘I have to shoot with these’ factor. All in all, considering I am funding this 2 lens update by trading 5 lenses, it’s my ‘upgrade’ to something fractionally more ‘premium’ that makes up for not buying a Leica or a Hasselblad!
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