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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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https://www.youtube.com/@CtrlAIDelete/videos CtrlAIDel is helpful, to say the least... Just look at this, quite vividly represented, shall we say. That V pretty much tells you where to look… : D Or this one, where you’re probably used to having their ad pop up right in front of your eyes: CtrlAIDel is a channel that investigates AI tools, crypto projects, and digital services by analyzing their claims, their creators, and their real credibility. Most online tools look convincing on the surface but fail when you trace who built them, what they previously created, and how consistent their results actually are. This channel focuses on: - breaking down AI and digital systems beyond marketing claims - exposing patterns behind misleading products and services - analyzing founders, companies, and past projects behind the tools - showing where trust breaks before money is lost No hype. No surface reviews. Only source-based analysis. -
By Nicolas-r02 · Posted
Unfortunately, a filter in front of the lens doesn't work. I think pro mist or soft focus filters doesn't affect the same frequencies. The only thing that works seems to be an OLPF, good debayering or bigger resolution. I had the impression that Rawlite reduced false color issues but not the banding. €450 is a bit expensive just to slightly reduce the problem. I’ve never seen any serious before-and-after tests. -
By eatstoomuchjam · Posted
I have no direct experience with the rawlite filters, but people seem to like them. You might want to specify the camera since there may be variance in the quality/utility of the filter. As a cheaper option, have you considered using a pro mist/glimmer glass/etc filter? I think those can help with moire too. -
Yeah, i think it is great to start and then just go with the flow and see which direction it takes you. By now i am putting bits and pieces on my channel: https://www.youtube.com/@MagnetischC I have some videos in the making ranging from short films to equipment tests and i even try to create a vlog... I believe making money on youtube is a whole different thing with it's own rules - the amount of channels, podcasts that focus on this matter is vast. -
Happening mid season, so right now… I sent my S9 in for repair (audio side of things not working) and yesterday, finally received a repair quote…which is not only more than the trade in value, but more than buying an ‘as new’ one from MPB! Nope! Instead, I have requested a return and will make it a dedicated gimbal camera where not having audio is not an issue. Which still leaves me a camera short… I have been juggling what I have with the L10 picking up the slack and managed the situation for the last 5 jobs, but it’s not ideal as the S1RII’s definitely DO overheat and shutdown on hotter days at around 15 minutes max. Step forward a used S1IIE which has all the tech (but upgraded) from the trusty reliable S5II but in the much better (mainly rear LCD) body of the S1RII/S1II. It doesn’t have quite the ability of the S1II, but for my needs, that’s fine and the reliability is more important to me. So the re-jigged line up now is: Pair of S1RII’s for hybrid, but pretty much 95% stills, with the 18/35/50/85 f1.8 primes. S1IIE primary video unit with the Sigma 17-40 f1.8 S5II static video unit with Sigma 28-70 f2.8 S9 with Sigma 17-50 f2.8 + gimbal as err, dedicated gimbal unit L10 candid, closeups (has excellent macro function), details, plus doubles as my personal EDC/DadCam. Should be able to function properly for the second half of my season…
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