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By fuzzynormal · Posted
Just watched Spike Lee's "meh" Highest 2 Lowest last night. Well, about half of it. Anyway, there was a collection of 16mm in one of the sequences. This looks footage definitely looks like that footage, so I'd say you're on target. -
By Clark Nikolai · Posted
Bravo! I like this version the most. The grain seems more convincing somehow. (It's hard to describe why.) I think the grain could be dialled back a touch in a few of the shots but it'll depend on what you're doing with it I suppose. I'm watching it 4K which shows the grain nicely and when I switch it to 480p, there's no grain at all but the colours and levels of brightness still look like it might've been shot on film. I think you're there (or perhaps very close.) You might want to create a handful of variations on this so you can choose different ones for different content to see which one works best for any given clip. -
There's some truth to that, but I think GoPro are a different breed. Still, it's not a popularity contest. Seems sensible! What sort of shooting would you do with it? My impression is that something like this is best placed to do things that larger cameras can't do, otherwise it'd be better to use those as they'll have nicer DR, codecs, etc etc. It seems like the advantages this might have would be the size, the crop factor (if that's what you're going for), and maybe the slow-motion which some people have said isn't really available elsewhere. I have shot a lot on small cameras and enjoyed trying to push things to their limits, including shooting stills on my GoPro 3, which despite not even having a screen still worked really well for street photography (the secret was burst mode). When you see the camera YouTubers they all have a similar mindset that comes from constantly standing around in public talking to large cameras on tripods (or being filmed by someone else) so size doesn't really matter in that sense and they'll just rig everything up. If, on the other hand, you're going out with a camera for more than a week or two before the NDA lifts, you've got time to learn it and learn how to use it and how it influences you to shoot etc, so you can rig it (or not) in the best way possible for its logical use. -
no 12 bit codec (whether it's PR444 or raw) makes it kind of DOA for me. that tended to be kinefinity's main selling point imo. conceptually its cool, but I just got a BMCC6K FF for 1500 euros second hand as a B-CAM. same sensor, same open gate capability, gives me an option to use an EVF as well, and it lets me do more in the grade. -
Dammit, v7 had a mistake in it, so re-exported and uploaded it.
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