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  1. The EOSHD YouTube Channel   (23,229 visits to this link)

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  1. Lenses 1 2 3 4 289

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  2. Panasonic GH6 1 2 3 4 88

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  3. The GX85 "Super-16" project

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  4. DJI Pocket 3? 1 2 3 4 7

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  5. Canon C80 coming soon 1 2 3 4

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  6. C-mount lenses on smartphone 1 2

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  7. Smartphone Accessories

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  8. Rushes

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  • Posts

    • Wonderful!  Great eye and great images.  Definitely in the direction of Koyaanisqatsi etc, not only with the images themselves but the shifts in theme too. Everyone should do themselves a favour and watch it!
    • Great stuff! I also find that when using 'lesser' equipment my brain can more easily switch over from "will this make technically great images?" to concentrating on the compositions and creative aspects. I suspect that our subconscious knows that footage from the latest cameras gets very detailed technical scrutiny but once the tech is no longer the current model the technological fetishism moves on and it's only the creative people left. I also find a strange satisfaction from getting great results from older equipment, and I have no idea why, so I just go with it. Other potential advantages of older equipment: it's potentially cheap to replace, so you can be less precious with it, even risking things like taking it in the rain etc any scuffs or scratches or wear marks can improve it's appearance rather than detract from it (people say "look at that old camera and how worn and beat up it is, awesome!" and also "oh no, I scratched my nice new camera") older bodies are often smaller older equipment is more likely to be metal rather than plastic - I dropped my GF3 once and it just got a little dent with no other damage! the lower DR forces you to expose better in-camera rather than choosing the exposure (and therefore the subject) of a shot, forcing you to be more decisive when shooting etc etc. Plus...  if you own them already.. they're free!
    • That GH2 footage looks great. Makes me want to take my GH1 out again. Any one of us would have been overjoyed to captured that footage ~15 years ago when that camera came out. And even now, it looks great. I don’t think I would have ever guessed that it was from an 8-bit mirrorless camera. I’ve been really enjoying shooting with outdated cameras and applying modern post to them, especially degrading them further to hide the imperfections. I don’t know that I’m achieving something that I couldn’t with more modern and convenient cameras, but I feel like it takes a lot of performance anxiety away and that may have an impact on the way I’m shooting. I think it’s nice to go in thinking, “this will probably look terrible” and then it just becomes about enjoyment, and less about the result. And then when you do manage to get a nice shot, it’s all the more rewarding. I’ve written a short that I’d like to produce later in the Summer or Fall. Since it takes place outside and mostly downtown, I’m kind of liking the idea of shooting it guerilla-style with a hacked EOS-M. 
    • The trailer is gorgeous.  Great job!
    • I use it both for my own films as well as I get hired to do music videos and events. I just finished a feature length experimental film shot entirely with it called Shapes, Colours, Patterns. (There's a trailer for it on my Tumblr. https://clarknikolai.tumblr.com ) I'm very happy with it, and of course the image from that camera is gorgeous. Something I've discovered with the Digital Bolex's footage, is that it looks the best projected rather than shown on an LCD screen. I'm now working on a new project. It's a narrative, collectively written, performed and crewed by myself and three other artists. It's set in the present day in east Vancouver where three artists are working on their art projects. The characters are based on the people involved and their real lives (but fictionalized so we have more freedom.) We're using French New Wave and Availablism methods. Quick half-day  shoots. It's self funded, using what we have around us, the equipment we already own, locations we already have, etc. (I think so far all we've spent on it was some coffees.) I plan to enter it in to film festivals when it's done. Here's a picture with the camera mounted backwards on the shoulder rig. This is so the camera operator can walk forward while the talent is behind them and they don't need a spotter. It's tricky to learn how to move but it's going okay. It works fine with a wide lens but not easy when zoomed in (as you'd expect.) We have to flip the image in the monitor or it's disorienting.
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