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  • Posts

    • It seems there's a bit of a trend (at least with some YouTubers), to make your own cinema camera. Mathew Trahan is making a CinePi. Alt Frames, is also doing the CinePi project with his own mods. So, interesting. It's now become something that people can make their own if they want. I suspect it'll become a hobbyist thing much like how people are 3D printing their own film still cameras.  David Bross was interviewed by CineD, (mostly about his app,) he talks a bit about how he got to try to "resurrect" the Digital Bolex.   So, I've decided that in my new film I'm working on, which is set in the present day and involves a group of artists, that one of the characters will be making her own cinema camera. I'll use my Faux Bolex project parts for props. (Still have to get it fully working though.)      
    • Regarding voice AI.  Hoo boy.  As a documentarian, this one can affect me a lot.  A lot of ills can be smoothed over with AI audio.  But ... at the end of the day it's an ethical choice how it's employed.  I've decided to ONLY use it to salvage VERBATIM lines from interviews and field audio that is distorted beyond comfort.  Like, wind noise, clothes rustling.  And then it's a last ditch option after audio EQ/Rx tweaking.  Best thing to do is just not 'f up the field production to begin with. Beyond that, if AI is used as a production short cut to solve a storytelling/crafting failure as a filmmaker -- I now consider AI use untenable for me.  It's simply on the wrong side of things morally when it comes to making honest doc films.  Sadly, I fear that's now a contrarian opinion; an "old-fart" opinion.  No one probably really gives a shit anymore about these sorts of "cheats" 'cept me.
    • Kling 3 and Seedance 2 are wild. I guess this means Veo 4 isn't too far behind. What a freaking time to be alive. ~  Mike Vogel (AI Video School), Mid-Feb 2026 source  
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