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Anyone with a Panasonic S5 II or S9 interested in testing my in-cam ARRI compatible LOG C3 profile? 1 2
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Good to know, thanks. All of my Nikon lenses are non-ai/ai/ai-s but I did see that the special edition of the 50mm 1.8G is available refurbished from Nikon for $199... so that's kind of interesting. Of course the 40mm f/2 Z is only a little more, so it'd be a little redundant. Either way, it's good to know that option is available. Do you know if the EF adapters for Canon R cameras have the same level of consistency as the Nikon adapter does? Also are there good portrait, AF-S G lenses that are relatively inexpensive but still good lenses... say 85-105mm? -
Thanks for the reply. It looks like I'll probably go Nikon or Canon, but if I was thinking about this at this point last year, the FX30 and possibly an a7c2 would definitely be in the running. I love the output from the FX30 but the media and the price isn't worth it to me. If the FX30 was $1200 or less, it would be a contender. As far as the BM 6K FF... just not a fan of BM cameras for what I do.
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Being a Canon fan over the years, obviously I drooled over the R5 since it was released, especially after the overheating got sorted out (thanks to the fine folks on eosHD) but it was waaaay over the reality of my life. Since my interest was once removed, I'm a little unsure of the specs but believe that the 4K raw is cropped, not downsampled, right? 8K is complete overkill for what I do... in some ways as I started thinking about this, I've gone back and forth that the 1080p raw on my 5D3 is probably plenty good enough for the short films I don't finish (HA) so 8K is just perverse for me. Unless I misunderstood your first sentence here... I believe the Nikon ZR does have IBIS? My real concern with the ZR is the 4K R3D crop in 4K. I'm sure I can live with S35 crop for video or maybe the 6K is soooo good that I will get over my analogesque snobbery. But the Komodo suggestion is tempting... another camera I have drooled over. Z8 is also a dream camera... basically any camera with internal raw and IBIS is a dream camera for me, so the Z6iii fits into that equation as well. Shit... just checked BH... the Z6iii is on sale brand new for $1999... Hmm... that complicates things a little. Not interested in BM products. Thanks for all of the suggestions, a lot to think about.
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Getting good affordable 960p would be cool for lots of people. I see the science explainer channels showing bad quality 960p and the richer channels with Chronos setups. Don't get me wrong about them not being cameras that appeal to a large number of people. They're very good for getting the new "EVERYTHING IS AWESOME AND WIDE AND SMOOTH AND DEFINITELY SHARP SHARP SHARP!!!!" style of video that looks more like video than anything ever made before, but as soon as they say it's a cinema camera, there are 27 things they have to change from every other model ever made, and to bet they'll get every single one of them right is a very long shot indeed. -
I would say that Z mount would be the way to go. It can adapt everything you’ve got in your lens collection to be near native. Not just your AF EF and F mount but with the TechArt you can have AF of all your manual lenses as well. If you can stretch to a used Z8 then that would close the argument on every aspect and would be a - if not THE -forever camera. I say this as someone who has still failed to buy one for the past three years despite it being THAT camera to me. But I’m going to London this weekend and you know what, I might well end up feeling saucy and doing a Wayne Campbell…
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