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This is probably a good workaround, especially for business owners that sell their services based upon a specific, signature look. -
I don't know if it's overbearing as much as it's an exercise in futility for at least 60-70% of the shots. But my biggest issue is that the utility LUTs just make everybody's footage look the same. Now I don't necessarily mean anyone on this site, but if you go on YT and watch 90% of the reviewers, their footage all looks the same and a majority of those guys have their own businesses separate from their YT channel. So to eek out an extra stop or maybe two, depending on the shot, let's shoot Log, slap a LUT on there and call it a day... or do a CST... now it's like I shot with an Alexa... and call it a day. That just doesn't really interest me anymore. I'd rather have DR limitations I'm forced to work around and get more interesting images. Just a thought I've been wrestling with. It's not like I'll never shoot in Log, I'm just opening up other options and exploring different color profiles now there's 10bit video in almost any camera.
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This is exactly why smartphones and smaller cameras like the GoPro Mission 1 Pro ILS are so appealing to me. You can move quickly, stay discreet, and still capture great images. I put together a great nimble kit for this project and I’m actually planning something similar with the ILS in NYC, grabbing shots in some premium locations to give the production a much bigger feel without a big crew or footprint. And I’m definitely grabbing some long and discreet shots. -
Being in the states, I’ve become reluctant owning any DJI products.
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I agree to a degree. I definitely think it can get over bearing and could possibly slow down your workflow. That’s why I shoot mostly burning a custom look in camera, but there are times when you really want to push the boundaries of an image. Whatever it is, I just make sure I’m capturing great images.
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