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The EOSHD YouTube Channel (23,710 visits to this link)
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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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Right now I’m working on a GPU-accelerated H.265 mode, with the goal of getting video that is as close to RAW as possible while maintaining stable IT8-based color calibration. In RAW mode I’m currently limited to around 22 fps (Motorola Edge 50 Pro). To push beyond that, I’ll probably need to rewrite a significant part of the capture and processing pipeline in C++/NDK and reduce the amount of work done on the Kotlin side. Over the next few days I’m planning to register as a Google Play developer and try to publish an early version of RawLogCam on the Play Store. I’m also considering releasing it first as a closed or open beta. If anyone here has an Android phone with decent Camera2/RAW support and is interested in testing it, I’d definitely appreciate feedback — especially on dropped frames, sustained recording, external SSD recording, RAW compatibility, and color calibration across different sensors. If you have a better idea than going directly through the Play Store for the first public builds, I’m open to suggestions. -
@eatstoomuchjam by "Pro" version, I meant the $10,000 Ronin 4D cinema camera, not the Pocket 4 Pro. -
Hi, you are not being rude at all 🙂 happy to have a convo as we all use our gear differently. Unfortunately where I failed was assuming the H265 was normal, at the time of purchase it seemed like a perfect camera for most projects where for higher end stuff you could shoot red code and for more lower-end project (talking heads/ social content) you could shoot H265. The 2 surprises once we started shooting with it was just how massive the red code is compared to other red cameras (we also have other reds with other DOPs on projects) and how unusable the H265 is So camera was sold and we're back to using Lumix's / Sony FX for lower end projects and Pyxis 12/Komodo for higher end projects. This is just my use case in my little world..... I know we all have different wants and needs 🙂 -
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I have very simple needs and if I was forced, I could shoot ML Raw in 1080p on my 5Diii for the foreseeable future. I posted a video here a while ago from some Nordic guy that mixed 5Diii/ML Raw with Osmo Raw drone footage and I was blown away by the Osmo Raw. At the time, the camera by itself was too rich for my blood, but I couldn't deny the image. On the complete opposite scale, I recently used my friend's Pocket 3 and I must say that it reminded me of my camcorder days, where you just collect footage in as interesting ways as possible to tell the most important thing... the story. That said, I would be an instant buyer of a $2000 raw video version of the Osmo Pocket camera... preferably with a larger sensor, but I would be okay with the 1" too if need be. I can only imagine how much fun the pro version is... even with its headaches?
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