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By eatstoomuchjam · Posted
None are shown on any pictures. Luckily, there are about a bazillion lenses that can be adapted to Micro 4/3 mount - including a lot of C-mount lenses and probably at least some D mount lenses will cover or work in a cropped mode. 'The same 50MP 1" sensor as..." -
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Is there really no electronics on the lens mount? That's a bit of a shame. Is there any info on crop factor, as I understand it's not an MFT sensor, only MFT mount. -
Looks interesting with an MFT mount and the claim the Hypersmooth works with any rectilinear prime (their stabilisation is a pretty important feature, especially with how small they are). Of course, if they don't have animal eye-detect PDAF then the internet will skin them alive!! -
By newfoundmass · Posted
Broadcast/live streaming is where the money is right now. There are so many mirrorless camera options that releasing another affordable cine camera probably doesn't make sense right now, especially if they don't significantly improve upon what BMD already has out there. I feel like the lower end cine market in general has retracted a lot. We're a long ways from when ZCam and BMD were regularly releasing different variations of the same camera, and both are more focused it seems on broadcasting than filmmaking right now. It's not just sports broadcasters buying this stuff, but churches, schools, governments, hospitals, non-profits, concert venues, etc. too. One of the biggest concert venues in my state now has a live production set up to encourage bands to film their shows for release there. It has hurt local freelancers who used to film concerts there for bands. Zoom during the pandemic really ushered in the era, but in the years since the needs/wants for these folks has grown and a company like BMD has done a great job in capitalizing.
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