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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3
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Yes, the Go is definitely the nearest competitor, but quite different actually. The Charmera is: - half the weight: 20g vs 39g (unsurprising given the processing and battery requirements) - similar in size: it's slightly longer but also thinner but probably the most significant thing is the Charmera has a screen and the Go doesn't, unless you add the case, but then it's the size of a GoPro again: The screen is really a differentiator for use, as the Charmera has a 35mm FOV that you compose by looking at the screen, and the Go is a 16mm FOV that you can't compose unless you use an app or "rig" it up with the case. Unsurprisingly, we're back to the fundamental differences between a normal camera and an action camera, only in this case both cameras are much smaller than a normal action camera! The size is interesting too, as today I took it out with me and it fit nicely into the tiny coin pocket that sits above/inside the normal front pocket of my jeans. If there was such a thing, this would have to be crowned the King of pocketability! I've fitted mine with a finger strap (not a wrist strap, that would be far too large!) and now testing that as a "minimalist rig". The people that use a keychain (like the one it comes with) only get video where the audio is the sound of the metal keychain links all reverberating through the camera body, so my finger-strap is made from a thin paracord. I watched a bunch of his stuff when I was first getting into photography and learning the exposure triangle and all that stuff, but I quickly outgrew his content as he seemed to be a very low-maturity "camera club" photographer, who only ever focused on specs and sharpness and practicalities, and when it came to what you did with the camera he seemed to be all about "the rules" and not about creatively breaking them or moving beyond them. In photography most people resent how the general public think that their expensive camera is what creates nice pictures, not the photographer, but the irony is that most of them don't create work that is really much beyond taking dull formulaic pictures with expensive kit, and Matt was squarely representative of that mindset. -
Now, about using it in summer... are we talking about a mild summer, or an actual summer that isn’t even properly hot, where the camera doesn’t need to suddenly remember it has thermal limits? Here’s a useful 45-minute guide: And last but not least, one of the best comparison tests I've found so far, if not the most interesting with a unique range of pros and cons is here, as well as probably the smartest use of a fine example for low light is there (serves as tutorial too). -
Do you think it’s time for a revival? I could blog about the mission 1 however it’s not a Nikon… -
By eatstoomuchjam · Posted
Usually a clean plate is useful for things like subtracting objects from the scene or similar things. Once you erase the thing, you need the stuff that should have been behind it. If your goal is just to key out the smoke from one scene and add it to another, I can't think of why you'd need it. Though I'm no VFX expert so I'm fully prepared to be wrong! -
By eatstoomuchjam · Posted
He used to wear weirdly large cargo shorts and it became a running joke on this forum. He doesn't seem to do that as much anymore, but the meme lives on!
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