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By Clark Nikolai · Posted
To my eye this seems like the right amount. The shot of the coffee maker seems to have noticeable vertical gate weave that I don't see in the other shots and it was distracting. Are there adjustments for vertical separate than horizontal gate weave? If so then maybe only use horizontal. But other than that one shot it just seemed "natural" for the grainy look. By "natural" it's of course what I've come to associate with grainy film from a certain era. Later cameras were so stable that they didn't have any really. -
Gate Weave increased (and I rebuilt the gate weave engine using the Camera Shake OFX). I'm not sure I like the aesthetic, so might turn it down for my own projects. @Clark Nikolai @eatstoomuchjam @Framed_By_Dan would especially appreciate your assessments of how close this is and what might be any next steps. I feel like it's good enough for my (untrained) eye, but if there are any more specific things you can identify then I'd be keen to keep going and see how far we can go. I'm gradually disabling things in the FLC plugin and manually recreating them myself using other plugins or just manual methods. -
By Clark Nikolai · Posted
Just FYI, if anyone on here is looking for one. This one is 5000 Euro. https://cinematography.com/index.php?/forums/topic/104495-for-sale-digital-bolex-d16/ -
Soooooo...... no more EF manual focus lenses around I should know about?
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By eatstoomuchjam · Posted
For years now, the EF 35-350 has been near the top of my "will I or won't I" pile. So far, still "won't I," but one of these days, i'm gonna get a wild hair to search and find a great deal..
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