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  1. Sigma Fp review and interview / Cinema DNG RAW 1 2 3 4 63

    By Andrew - EOSHD,
    • 1.2k replies
    • 472.1k views

  2. Lenses 1 2 3 4 289

    By Andrew - EOSHD,
    • 5.8k replies
    • 1.9m views

  3. Blackmagic Pocket Cinema Camera 4K 1 2 3 4 455

    By Yurolov,
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  4. Other recommended topics

    By Andrew - EOSHD,
    • 0 replies
    • 1.7k views

  5. Panasonic Lumix S1R Mark II coming soon 1 2 3 4 36

    By ntblowz,
    • 700 replies
    • 311.3k views

  6. Panasonic GH6 1 2 3 4 88

    By kye,
    • 1.8k replies
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  7. People don't seem to understand lenses (moving beyond 'zooms vs primes' thinking)

    By kye,
    • 12 replies
    • 231 views

  8. Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3

    By Emanuel,
    • 41 replies
    • 2.1k views

  9. iPhone Lidar apps & cables as focus helpers or AF

    By radneuerfinder,
    • 6 replies
    • 3.1k views

  10. Narrative films shot in uncontrolled cities

    By QuickHitRecord,
    • 19 replies
    • 405 views

  11. What are your feelings about Panasonic S1R II being in the S5 body design?

    By Andrew - EOSHD,
    • 19 replies
    • 12.7k views

  12. All music at soundimage.org is now free for commercial use 1 2 3 4 29

    By Eric Matyas,
    • 563 replies
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  13. new camera purchase 1 2 3 4 5

    By maxJ4380,
    • 97 replies
    • 77.1k views

  14. Please recommend me some Manual Focus EF lenses! 1 2

    By kye,
    • 24 replies
    • 1.5k views

  15. The Aesthetic Part 3 - Film as the new reference

    By kye,
    • 9 replies
    • 1.2k views

  16. Looking for Gh2 patches

    By astralis,
    • 11 replies
    • 1.5k views

  17. How they filmed Backrooms for real

    By Aussie Ash,
    • 1 reply
    • 434 views

  18. power supply extra for sony fx30

    By stefanocps,
    • 14 replies
    • 8.7k views

  19. LUMIX L10 - announced 1 2 3

    By MrSMW,
    • 58 replies
    • 5.3k views

  20. The GX85 "Super-16" project 1 2 3

    By kye,
    • 49 replies
    • 3.6k views

  21. Kinefinity Vista First Look

    By Aussie Ash,
    • 14 replies
    • 7.3k views

  22. Pictures processed using Spektrafilm

    By Cosimo,
    • 2 replies
    • 348 views

  23. Hohem iSteady MT3 PRO Kit aka Hohem MT3 Pro with AI tracking (2.5 kg / 5.5 lbs payload)

    By Emanuel,
    • 0 replies
    • 334 views

  24. "Zine Control "control Nikon ZR from iphone -Beta testing

    By Aussie Ash,
    • 11 replies
    • 2k views

  25. Interesting Breakdown Of Arri Colour Science 1 2

    By BTM_Pix,
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    • 1.7k views

  26. Blazar anamorphics

    By Emanuel,
    • 2 replies
    • 2.6k views

  27. New cinema camera...? 1 2 3 4 5

    By Emanuel,
    • 82 replies
    • 9.1k views

  28. DJI Pocket 3? 1 2 3 4 7

    By sanveer,
    • 127 replies
    • 62.3k views

  29. RAW Video on a Smartphone 1 2 3 4 7

    By sanveer,
    • 121 replies
    • 66.1k views

  30. Blackmagic Autofocus firmware is Finally Public

    By Aussie Ash,
    • 0 replies
    • 484 views

  31. Metabones have a new adapter

    By maxJ4380,
    • 0 replies
    • 550 views

  32. Blackmagic Generation 6 Color Science

    By Aussie Ash,
    • 0 replies
    • 552 views

  33. The return of the Digital Bolex

    By Slothorp,
    • 5 replies
    • 1k views

  34. Is the EOS-M *THE* Digital Super-8 Camera? 1 2 3 4 16

    By Matt James Smith ?,
    • 314 replies
    • 151.7k views

  35. Documentarians?

    By fuzzynormal,
    • 12 replies
    • 6k views

  36. Best camera options today? 1 2

    By empedocles,
    • 30 replies
    • 34.2k views

  37. Lightning Rig ALT CINE

    By Emanuel,
    • 1 reply
    • 520 views

  38. PC build for editing | davinci resolve

    By zerocool22,
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  39. Music you love... 1 2 3

    By Emanuel,
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  40. Any used camera suggestions for under $400 for YouTube?

    By srgkonev,
    • 13 replies
    • 997 views

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  • Posts

    • Ty Harper
      Sigma Fp review and interview / Cinema DNG RAW

      By Ty Harper · Posted

      Are you referring to the original DPL base mount with the SSD bottom rack + USB side plate in this video?  Also had you tried the RAW 12bit 1080p option via SD cards? I've heard it's pretty good so was thinking it could be a compromise in situations where I want to be as light as possible. I'd be shooting exclusively with the EF 35mm f2 (IS) and maybe pickup a 24mm f/2.8 (IS) + the PDmovie Live Air 3 and look into DPL's screen mod later down the line. But I figured that lens/PDmovie setup (w/o the DPL stuff) would cover the main limitations of the FP, while still being a fairly small footprint - but curious what you think from your own experience?      
    • MrSMW
      People don't seem to understand lenses (moving beyond 'zooms vs primes' thinking)

      By MrSMW · Posted

      I mostly use zooms out of necessity but use them like primes, ie, as fixed focal lengths. For stills on one of my S1RII’s with the Sigma 28-70 (chosen for it’s lightweight, minimal zoom extension, compact build), I shoot it 28 or 70 or 105 using the crop function. For stills with my L10, there is a 3 step function button and that I have set as 28, 50 and 70 for my candids. For video, currently S1RII to be replaced ASAP with an S1II (for less overheating purposes, an entirely different story), Sigma 17-40mm in crop mode with full eStab engaged making it either a 36 or an 84. The latter gives me a slightly tighter perspective when shooting side by side with stills but can’t get around that without some compromises. The summary is I’m pretty much always shooting 28mm as my wide and then either 70 or 105 as my long for stills and 85 for video. I’m pretty tuned in to those focal lengths as 28/85 would be my primes only set up. I would rather use primes but same as for manual focus only lenses, not a chance for the work I do. My work dictates the lens choices.
    • Emanuel
      Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera?

      By Emanuel · Posted

      These two [1*] [2] Korean hands-on videos are probably among the most useful references I have seen so far on the Luna Ultra / Pocket 4P discussion. EDIT — plus this one from another reviewer elsewhere: [3] Not because they end the debate, on the contrary : ) but since they also help show the real operational trade-offs better than most spec-sheet comparisons, while still offering some fairly clear findings on the usual comparison points, such as outcome, colour or dynamic range, whenever those aspects are covered. source   *In this 1st video, right from the start, you can see exactly that approach: using this kind of camera as a serious B-cam tool (Osmo Pocket 3) in commercial work, very close to the way I have also been using small capture devices in a similar role, as mentioned before.
    • Aussie Ash
      People don't seem to understand lenses (moving beyond 'zooms vs primes' thinking)

      By Aussie Ash · Posted

      Here is the confrontation  young upstart Kubrick had with an established cinematographer re different focal lengths ,that Mercer is referring to.Kubrick is known as a "single camera director" but used multiple cameras sometimes like in the war room sequences of "Dr Strangelove.".He often shot a scene more than 30 times to reduce the artificial acting and get the performers displaying raw emotion.Not much use have fabulous cinematography if the acting is not up to it,the audio is poor or the story dull and boring.      
    • Aussie Ash
      People don't seem to understand lenses (moving beyond 'zooms vs primes' thinking)

      By Aussie Ash · Posted

      Feature films have the "luxury" of being able to shoot one scene with multiple cameras,focal lengths and perspectives-if it is beneficial to do so.Master & Commander has an extra on this ,five cameras  A to E with a range of focal lengths used,including  17.5,27mm,35mm,40mm,50mm,75mm and 100mm including at least one zoom lens.Shot on Super 35 format.Whatever focal length and perspective to tell the story can be chosen in the edit.  
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