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    • Sony FX5 has the same or slightly modified sensor from Sony A7R VI. Interesting.  FX5 would be a tempting proposition if you buy a new camera for commercial work from a local shop. Difference with FX3A is about 1000 $/E.  As others already mentioned same FX3 sensor is available in the form of A7S III and Sony ZV-E1 for much less in the second hand market. Difference in picture quality between the FX3 sensor and FX5 one in real world shoots will be minimal. Not to mention that I can monitor and control current Sony cameras from a quality monitor like Portkey LH5P or a smartphone or use cheap external EVF and have all the tools for comfortable and quality work.  Thanks but no thanks, not for me at this price.
    • I'm already shooting 2x anamorphic open-gate on my $30 Charmera keychain camera, so nothing new for me here. Nice to see that Sony has finally caught up though!  
    • This could eventually become what you’re looking for, if users started leaving more reviews. Other than that, I think you’re kind of stuck sifting through “Don’t sleep on this camera!” and “This old digital camera shoots like film” hype videos on YouTube.
    • Great camera, $5k these days is a lot though. Like big picture it's not, but these days there's so many options out there in every price range new and used that it's hard to justify dropping that much money. Happy with my Lumix set up.
    • I'm sure it's a great camera, but what the REAL difference between it and the FX3 or A7S line, other than AF algos? Can anyone notice the 2.3% better highlight control at midday with no ND? Camera and videomakers have entered the "bore zone".
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