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By Framed_By_Dan · Posted
I've always tried to figure out what the crop was in 4K. Always assumed it might have been 2.3x, similar to the GH4 but it definitely feels a bit more than that. -
By Aussie Ash · Posted
Available on the app store at last only US $15 -
@Framed_By_Dan Afaik the Lumix GX9 has a 1:1 readout in 4K, covering exactely S16 image width, with a 2.8 crop of FF. So even a 10 or 12mm S16 lens should work perfectly in 4K. -
By Ilkka Nissila · Posted
This is quite misleading as mirrorless cameras can be set up to do a similar thing where the image is tone-mapped and written to a rec 709 video, usable immediately. The use of a log format and pretending that it is meant for direct viewing and comparing that to a highly processed video from a different camera is a bit disingenuous when cameras have menus with processing settings that allow the user to get a video without editing, with less AI for sure, but with good algorithms that do a roughlysimilar thing more predictably and with higher quality. I am not familiar with how Canon or Sony cameras do things but on Nikon I often use ADL which is their tone-mapping algorithm and it allows me to shoot high contrast, suboptimally lit scenes and get good results without editing. Log video is specifically a storage format and not meant for immediate viewing, which you of course know. Extremely edited night time footage where subjects have been dug out from the shadows will never look very good, and using appropriate lighting and/or making the video in conditions where the existing lighting is half decent is better than relying on extreme AI processing. This is probably one of the reasons why compact cameras are enjoying a resurgence: people are sick and tired of the sickly-looking overprocessed results from smartphones, and even a compact camera that has a small sensor but does not overprocess the image is preferred. -
By zerocool22 · Posted
Whatsup with arri clog on the s1ii though? It still seems way off from actual arri footage?
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