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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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By Eric Matyas · Posted
Happy December Everyone! To kick off the new month, I've created a couple of new production beds that you'll find on my Rock page: "STRUTTIN’ DOWN MAIN" "EMOTIONS RUN HIGH" https://soundimage.org/rock/ They're 100% free to use in your projects with attribution, just like my thousands of other music tracks. AD-FREE & COMMUNITY SUPPORTED My website is completely ad-free and supported by the community. If you can, please consider making a small contribution to help me pay for my overhead. You can make a small donation here: https://soundimage.org/donate/ You can also check out my Genre Ogg Music packs (mainly for video game developers.) https://soundimage.org/ogg-music-packs-2/ Or my Game Music Mega Pack here: https://soundimage.org/ogg-game-music-mega-pack/ Enjoy! 🙂 -
I can understand that camera companies are not exactly incentivized by the profit motive to release *perfect* cameras, but it's a shame that this is artificially feature limited when it's getting so, so close. I just shot a project in 3:2 open gate on my S1H and it was such a great experience for myself and the director, though I did run into some of the limitations of the slower readout speed and ibis wobble. I guess Sony is saving 6k and open gate for the A7S4 and Fx3ii. It remains to be seen how they will integrate 32 bit audio recording. I am sure I'm not the only one waiting for these features in a proper workhorse body for doc. I'm close to pulling the trigger on an S1ii anyway as it has the fewest compromises of any system, but it's hard when you know an S1hii could follow or the Fx3ii is likely around the corner. I'm making money from my gear these days, but not so much that I feel like burning money on an intermediate body. All the tech is around for a perfect doc mirrorless camera. -
Only if it was medium format. I’ll get my coat. -
Only works if people buy the stuff at these prices…which they mostly will so 🤷♂️
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For hybrid work, I’ll keep my S1RII thanks. Next choice would be used Z8. For pure stills photography a used A7RV. For purely video work, S1II. Or maybe ZR for the form factor and screen plus ability to adapt E Mount glass, but not the RED raw codec which is overkill for my needs. That would be my personal 4-5 choices based on not just the bodies, but lens availability.
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