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By eatstoomuchjam · Posted
The faster the lens being boosted, the more likely you'll have some speed booster artifacts. Even with Metabones, I don't think I'd go past 1.2. If you really wanted to go that way, and it's off-topic for this thread, but I'd suggest looking at the Voigtlander 29/0.8 which, IIRC, is native for M43. -
Wow - that's one hell of a sun star! You could use that to gain both power and respect on the entry-level stills photography sites.. they'd fall on their knees before you!! After going through the exercise of seeing what EF glass was out there I didn't see a lot of options that tempted me, so I suspect that I'll just end up leaving it attached to the Zeiss 50/1.4 and that will be that. If the image from the Zeiss is half as good as the lens' physical construction then it would be worth buying the Viltrox just to use with the Zeiss lens alone! Someone else pointed out that the Viltrox is probably only capable of F1.2 at maximum, so that would mean the Mikaton 50mm F0.95 lens is out of the running, and it was the only other thing I was really tempted by. -
I'd use a little known plugin called Tilt Shift Blur (TSB), which comes with Resolve but is very special in a critical aspect. Normally if you have a node and give it a key then the node calculates things as normal and then uses the key as a transparency effect, so if you used a large Gaussian Blur and gave it a key then you'd get a huge blur mixed with the sharp image at the level of transparency the key dictated. However, with the TSB, the key defines the size of the blur, so you can vary the size of the blur that way. For this purpose I'd give it a luma key of the image and adjust the contrast and amount to control the relative amount of blur between the lighter and darker parts of the image. The TSB is what I use to soften the edges of the frame in my lens emulation nodes, which allows there to be no blur in the centre and it gradually transition to having a larger and larger blurring towards the edges. The fact that the key input acts as a transparency control really doesn't make much sense when applying most OFX plugins and I'm surprised they haven't made more of them smart like the TSB one where it uses the key as an input to control one or more of the OFX parameters.
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By Clark Nikolai · Posted
Probably anything you do from now on is just for fun. What ways would you implement this? If it was me it would be a two or three layers, each with a lumakey for a brightness range, then different grain size on each one. -
A quick headsup with the Viltrox adapter. Years ago, I hacked a Canon 10-18mm to make it fit, which it did. However, one day, I took it out my bag and was getting some really crazy lens flares. Turned out, the back lens element was touching the glass in the adapter when at around 12mm. In my bag, it cracked the glass in the Viltrox, and I learned there's a pretty good reason the combo didn't work without being hacked. So if you get any EFs lenses, be careful - or you'll end up with a one of a kind, megaflare adapter (I've used it a few times since because of the 'creative flaring', so it's not all bad) This photo is from the moment I noticed something was wrong. Luckily, it was on my GX85 at the time, which I was using for behind the scenes stills. So nothing was lost or ruined in a 'professional' sense.
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