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Posts
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By QuickHitRecord · Posted
That GH2 footage looks great. Makes me want to take my GH1 out again. Any one of us would have been overjoyed to captured that footage ~15 years ago when that camera came out. And even now, it looks great. I don’t think I would have ever guessed that it was from an 8-bit mirrorless camera. I’ve been really enjoying shooting with outdated cameras and applying modern post to them, especially degrading them further to hide the imperfections. I don’t know that I’m achieving something that I couldn’t with more modern and convenient cameras, but I feel like it takes a lot of performance anxiety away and that may have an impact on the way I’m shooting. I think it’s nice to go in thinking, “this will probably look terrible” and then it just becomes about enjoyment, and less about the result. And then when you do manage to get a nice shot, it’s all the more rewarding. I’ve written a short that I’d like to produce later in the Summer or Fall. Since it takes place outside and mostly downtown, I’m kind of liking the idea of shooting it guerilla-style with a hacked EOS-M. -
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By Clark Nikolai · Posted
I use it both for my own films as well as I get hired to do music videos and events. I just finished a feature length experimental film shot entirely with it called Shapes, Colours, Patterns. (There's a trailer for it on my Tumblr. https://clarknikolai.tumblr.com ) I'm very happy with it, and of course the image from that camera is gorgeous. Something I've discovered with the Digital Bolex's footage, is that it looks the best projected rather than shown on an LCD screen. I'm now working on a new project. It's a narrative, collectively written, performed and crewed by myself and three other artists. It's set in the present day in east Vancouver where three artists are working on their art projects. The characters are based on the people involved and their real lives (but fictionalized so we have more freedom.) We're using French New Wave and Availablism methods. Quick half-day shoots. It's self funded, using what we have around us, the equipment we already own, locations we already have, etc. (I think so far all we've spent on it was some coffees.) I plan to enter it in to film festivals when it's done. Here's a picture with the camera mounted backwards on the shoulder rig. This is so the camera operator can walk forward while the talent is behind them and they don't need a spotter. It's tricky to learn how to move but it's going okay. It works fine with a wide lens but not easy when zoomed in (as you'd expect.) We have to flip the image in the monitor or it's disorienting. -
By Clark Nikolai · Posted
Here's a pic from a shoot I did last December. I don't know the brand of the shoulder rig (as I got it used on Craigslist), the EVF is the (sadly discontinued) Kinotehnik LCDVFE. The camera attaches to the rig with a Niceyrig quick-release plate (that has feet). The lens is a vintage Angenieux 17-68mm zoom with a screw on wide angle adapter, on top is a Niceyrig top handle holding an Audio-Technica stereo mic and a monitor mount. A bit hard to see is an attachment that goes below the rails between the shoulder pad and the grips for two wireless mic receivers. -
"A man of his time", a French film which was part of the official selection at Cannes and was very well received, was shot entirely on a digital Bolex. https://www.screendaily.com/reviews/a-man-of-his-time-review-a-superb-swann-arlaud-powers-emmanuel-marres-ambitious-overlong-vichy-france-drama/5217030.article
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