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By Olivier Vanaschen · Posted
https://www.afcinema.com/Emmanuel-Marre-director-and-Olivier-Boonjing-SBC-director-of-photography-discuss-the-technical-and-aesthetic-choices-made-for-Notre-salut.html?lang=en -
According to this reviewer VIVO x300 Ultra is the GOAT of smartphones for video: https://www.youtube.com/watch?v=Zbh6Kplm8pc RAW video with DCG on all 3 lenses with the MotionCam Pro 5 Beta and 35mm on the main camera. Now question is should I buy the Chinese version from tradingshenzhen.com or wait 10-12 month for global version to appear on second hand market at decent prices. -
By Aussie Ash · Posted
Tilta compared to Viltrox -his summary of the differences is at 9.5 -
By Clark Nikolai · Posted
Thank you. I'm glad people are liking it. It was a lot of work and took two years to make. Most of the time by myself, out in the city with a tripod and camera. I met a lot of people doing it since the camera looks unusual. (It's common in Vancouver to see someone filming as it's a big film production town and has six film schools but people out shooting usually have more modern squarish looking cameras.) The themes and aesthetic came out of the photography I had been doing for several years already. I had been framing buildings to make geometric shapes. This was basically adding motion to that series. The music was from a friend who had I got to know when he acted in a short I did a few years earlier. https://testcardmusic.bandcamp.com It hasn't had a festival screen it yet but it did get an award in Sevilla, Spain. https://www.instagram.com/seviff.spain/p/DUTcVcGDLq7/?img_index=16 -
By Clark Nikolai · Posted
Pretty cool. I found this article about the cameras used in each of the films at Cannes. It's pretty interesting. This film is shown. (Alphabetical under M. About two-thirds of the way down. ) https://www.indiewire.com/gallery/cannes-2026-cameras-lenses-arri-alexa-35/screenshot-231/ There's a picture of the director holding a camera. It's so rigged up that it's hard to see but looks like a Digital Bolex with the PL mount. It says they used two of them, a PL mount one and a C mount one. The second one not rigged up and hand held. Looks like they used a variety of lenses too. In the picture it looks like a vintage Angenieux zoom. There's mention of a TV lens and CCTV primes. Here's a quote. That's been my experience as well. I shot 16mm some decades ago on a 1970s Bolex and a 1930s Victor (that had been fished out of a dumpster behind an NFB office.) so I'm familiar with that and of course many different video cameras over the years. The Digital Bolex is closer to a 16mm camera than to a video camera in both how you operate and how the image looks.
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