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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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50p on the S1Rii’s, S9 and L10 but don’t really do much slow mo these days. I shoot 25p on the S5ii as what I shoot with that I would never need to slow down. Supposedly better AF shooting 50p over 25p but not sure if it makes much difference? I suspect I will prefer the 28-105 more for stills than video and my favourite video lens is the 17-40mm f1.8 APSC crop lens. 25-60mm FF equivalent with a DOF wide open more line f2.7 but retaining the light gathering capability of the f1.8 it is, pretty compact and non-extending zoom. I did like the 28-45 f1.8 full frame lens but a bit of a limited range, especially for it’s size and weight and so replaced it with that 17-40 which I MUCH prefer, but you have to be happy to shoot cropped/S35…which I am and on the S1Rii allows you to shoot 4.7k 50p in a 4:3 ratio crop, so even ‘better’ than open gate. I would flip back to the full-frame 28-45 f1.8 and use it as an indoor/low-light lens, but ONLY if Sigma bring out a longer focal range sibling such as a 45-90mm f1.8 with internal non-extending zoom…but no signs of that so I’ll stick with what I have. One of my 4 set ups I am playing with is next weekend, S1Rii plus battery grip plus 28-105 dedicated purely to stills and the other S1Rii with the 17-40 which with e stab switched on gives a focal range equivalent to 36-84mm which is a preferred outdoor range for me. It’s the set up I am most interested in along with my twin S1Rii plus any choice of 4 primes including; 18/35/50/85. The former is bigger and heavier, but offers a bit more range at any time with the stills and the latter is pretty compact and low weight…and just works so the 28-105 will probably end up on my S5ii, but we’ll see… -
Raw Log Camera Demo – looking for closed testers (Android) The first signed demo bundle is ready for closed testing on Google Play. I am looking for Android users who can test the app and report bugs or usability issues. Current focus: • RAW and RAWC recording • IT8 calibration and color profiles • Astro mode • Motorola Edge 50 Pro and other Android devices Google requires at least 12 testers to remain opted in for 14 days before Open testing becomes available for this new developer account. If you would like to help, please join the tester group: https://groups.google.com/g/rawlogcam-closed-testers After joining, please reply with the Google account email used for Play Store testing. I will share the Play opt-in link and test instructions with the group. Demo recording is limited to 20 seconds. Feedback about drops, exported H.265 playback, GPU preview, RAWC stability and IT8 behavior is especially welcome. -
https://camerajabber.com/photography-news/isabelle-huppert-directs-and-stars-in-a-short-film-shot-entirely-on-the-dji-osmo-pocket-4p/ -
By Andrew - EOSHD · Posted
On a phone the purpose of RAW video for me ideally would not to actually capture to storage in RAW but use the RAW10 uncompressed output of the sensor without Apple's processing, as a way to bypass the stock look and bake that uncompressed "Digital Bolex" look into an H.265 recording with the raw data just a temporary thing held in a buffer for the LUT and H.265 to work it's magic on in realtime. Sure LOG and ProRes RAW is great if you enjoy spending hours in Resolve and want the ultimate in flexibility but then the question is why choose a smartphone at all for that purpose when so many better options exist. What I want from a phone is the RAW look without the storage and grading hassle, and it's needed more on a phone than on any other type of camera because the stock Android and Apple looks are consumer-looking dialed-up HDR TV soap opera hell. I am working on a few iPhone apps at the moment and actually one way to bypass the stock video look is to apply a LUT to the rec.709 in realtime that adds back the tonality and character... a little like EOSHD Pro Color for Panasonic back in the day. Raw would be more ideal for this as the high digital sharpness isn't baked in. -
curious, on the S1Rii are you shooting anything in 50/60p or all 24/25P My S1Rii's overheat in 60P! Looking forward to your thoughts on the 28-105/2.8, oddly I keep trying to decide between it and the 24-45/1.8
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