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By eatstoomuchjam · Posted
Nice try, GoPro, but $699.99 is not as "less than $700" as I meant. So it is in "I'm gonna wait for this to be in the hands of real people" and not "Why the heck not put in a preorder?" territory. https://www.bhphotovideo.com/c/product/1964095-REG/gopro_mission_1_pro_ils.html -
By fuzzynormal · Posted
Sure, I'll give you a deep dive. I'll also vent a little. You might imagine there would be some worry matching footage, but for this project, surprisingly not really much of a big deal. We had worked with the Alexa footage for months, so I didn't fret at all that a GH5 would do the pick ups. Why? None of the Alexa footage was shot with a deep consideration for the lighting. It was all very workman-like. And the "eye" of the shooter was decent, but average. That's really the biggest thing. Anyway, the cinematographer and director decided to bring a rigged out Alexa to a run-and-gun-available-light shoot. The dudes are older gents and they just felt like "the best" camera was the logical tool to use. Not true, honestly, but you couldn't convince the cinematographer of that notion. Which is kind of a legacy mentality with older guys, but that's what happened. There was a political element here too. It's a decent budgeted doc so the "shot on ARRI" rhetoric was desired. Okay, so the main reason re-shoots were required: there weren't a lot of compelling shots that could juice the narrative. The footage was decent to look at, but not dynamic. The cinematographer really couldn't get around easy with this big 'ol rig and sticks. Interesting things would happen situationally with the characters, but he would unfortunately deliver a single shot when dozens were needed for a good edit. He'd just end up being burned out physically as the day went along and couldn't move into interesting places for useful footage. Ultimately, a big powerful camera was being underutilized because of "reasons". An Alexa camera delivers nice footage, of course, but when you're pointing it into blown out skies and shooting mid-day with it on the regular, it's not like it'll give you miraculous results. Here's the other rub that had me slapping my forehead, the cinematographer and the director really like the crushed blacks sort of color grade. And they didn't mind the whites being blown, so... That's a style that was typical a few decades ago, right? Well, you're taking a 14 stop Alexa, throwing away a ton of information, and delivering 9 stops for the final project? That's certainly a look. And Michael Mann loves it as well. But then, why the hell spend the $$ on an Alexa in the first place? Now, in this story you're getting a bunch of bias from a guy that spent my entire career as a one-man-band. If my background was from the more collaborative perspective of traditional filmmaking, I suppose a lot of this wouldn't even stick in my craw. Don't discount my naivete'. As for lenses, the cinematographer was using a very clinical variable. Ziess cinema Zoom 28 - 80 mm. And he liked f5.6. Great lens, but neutral character to it with how it was used, so when we went out for more footage I slapped my Olympus 12-40 on my GH5, packed a few ND's, and went with that. At the end of the day, it turned into an effective modest film. Could have been better, wasn't a disaster. imo, it was too verbose and that ends up being a slog, but all that talky stuff appeals to people that vibe on the themes of the film. And while the film doesn't stretch to get beyond that sort of thing, the director is happy with it, so all's well that ends well. -
By eatstoomuchjam · Posted
I'd expect 10-bit H.265/HEVC. ProRes isn't impossible, but I'd still think of it as a long shot. I wouldn't place any bets on any form of raw video. But for this form factor and anything that I'd use it for, 10-bit H.265 would be absolutely fine. For me, the two use cases would be a pocketable 16mm-like camera with C mount and D mount lenses - and a super telephoto camera to pair up with an EF mount adapter. With a 2.7-3x crop factor (smaller than normal 1" sensor), the EF 100-400 turns into a like a 280-1120. Will the center of the image circle be sharp enough to resolve a full 8K? Don't care, if it makes a half decent 4K, that'll be plenty. -
By Clark Nikolai · Posted
Seems impressive. Checking out their press release there's some great stuff. It says raw photo saving but only a mention of high bitrate video, not what codec it uses. Lots to love with this one. https://gopro.com/en/us/news/gopro-announces-three-cameras-mission-1-2026 -
By eatstoomuchjam · Posted
The Verge posted a 95% useless hands on video where they just kind of show the camera hardware and show it powered on (but with none of their own video), but near the end, they finally get to one of the things I was most interested in - there is indeed an HDMI port (micro HDMI (🤮), but it's better than nothing). Assuming that the latency is decent, maybe this really could be the Super 16 pocket camera that I've been waiting for!
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