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  • Posts

    • The price is too high for a 1" sensor, rather get the used iv for way less.
    • I’m developing a video recorder that can capture both uncompressed and compressed RAW, while also recording a flat H.265 stream with minimal ISP processing. The application can process RAW data and encode the result to H.265. It adjusts the saturation vectors in the linear domain to preserve accurate color relationships and supports color targets for calculating a 3×3 color correction matrix and TRCs. It also includes USM and MTF-based filtering in a mildly nonlinear domain, allowing either sharpening or attenuation of high spatial frequencies. I’m also planning to add film simulations after calibrating the camera using manufacturers’ spectral sensitivity curves. I’m open to suggestions regarding additional features worth implementing. At the moment, my main problem is dropped frames during compressed RAW recording. Below is an example from a Motorola Edge 50 Pro: the brighter image is produced by the phone’s ISP, while the other image is processed from RAW. ISP: RAW (ignore aliasing)
    • I might be wrong, but downscaling from 6K to 4K or HD helps reduce moiré or aliasing. That’s probably why there’s less of it or none with the BMPCC 6K and cameras with more pixels. I’m looking for examples using 4K, 4.6K, or lower-resolution sensors with rawlite filers.
    • what camera is it for?   i cant really make a comparison since i dont have any with the upgrade, but the olpf that BM has started using on the FF models has been very helpful in not getting moire. On the pocket 4k it wasn’t hard to generate it with certain fabrics and high frequency detailed stuff in the background, but on the 6K FF sensor i’ve not seen it yet.
    • Thank you.  I'm still hopeful that someone with a Blackmagic camera and a Rawlite filter will post this online. It wouldn't take long to put together something done properly, and I'm sure it would be helpful to others. In the meantime, that's a lot of money based on promises.
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