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By fuzzynormal · Posted
Nor I, but I do wonder if there's even a slim chance that enough people would search out alternatives as things keep getting worse. -
By Andrew - EOSHD · Posted
As far as mainstream content goes, it's up to the audience to change their habits, and I can't see them all squirrelling off to a dozen internet bookmarks everyday when they can just get served all in one place by an algorithm. Half of them probably don't even own a computer and just use their phone for everything. -
By eatstoomuchjam · Posted
The GFX 100 II and, I assume, Eterna, have a 5.8k 2.35:1 full sensor width recording mode. And the Ursa Cine 17K has a 65mm sensor. And FWIW, any of the Red VV cameras have a 40mm-wide sensor which is exactly in the middle of the 36mm of a FF camera and the 44mm of GFX/Eterna. Since terms don't matter anymore, they should probably just call that "medium format" since, y'know, the GFX sensor is also substantially smaller than what would traditionally be called "medium format." Unless Sony have a big 12K sensor that can read out fast enough for video, how would that happen? There's only one 12K video sensor on the market, as far as I know, and BMD have it custom-made. There isn't huge economy of scale in it so manufacturing costs are high. But also, speaking as a person who owns a 12K-capable camera, there is almost never any reason whatsoever to shoot in 12K - including in IMAX. Mine is an 8K camera nearly all the time, except when shooting plates - and when I forget to toggle back to 8K after switching plates and facepalm. -
I was excited for a microsecond when they said "vista" - but thats just name only. There is so much left to be desired... the full-frame 6K space is over saturated. Nobody is doing Medium Format above 4K. You want to invigorate and/or disturb the cinema space in 2026 and going forward??? Bring affordable IMAX 12K sensors into a small body. -
By fuzzynormal · Posted
Yeah, it does make me wish that an "old-fashioned-internet" niche' might be vitalized, retro-like. Can personal video online ever get boutique, avoid the corporate sadness of '"scale", and yet be worthwhile to those scurrying away to quieter internet corners? Seems like if one reflects on what happened at Vimeo, there would be a "no" to that, but perhaps the publc-corp culture of that entity made their downfall inevitable. A different mindset and private ownership might have kept it simple enough to thrive? Could some sort of modest market like that emerge from the current shit somehow? Is there a group of investors that are enthusiasts for a certain thing, like video hosting, that keep their service humming for austerity not avarice? Beats me. I'm pretty naive. If I had to guess all this is probably starting and failing in numerous places.
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