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    • Does anyone know if the body and the button layout are identical to the Mark II? Have any shilltubers said anything about it?
    • Nope. Approx 20 days of shooting with temps up to mid 30 Celsius and cameras get warm, especially in direct sunlight as all black bodied cameras do, but not a single overheating warning, never mind a shut down. No lock ups either. Well might have been one now I think about it but had more than that on my A7RV I had prior and a none issue. Most of the overheating talk is from; folks unfamiliar with the camera in the first place + use age of non-recommended cards + incorrect heat management settings + tests deliberately designed to cook the thing and so combined, well yes, you probably will make it have a meltdown but real world shooting with proper cards and set up? Err no. Actually, 99% of the overheating talk is people talking about overheating who do not have and have never had or used the cameras and are in reality expelling more hot air than the cameras do!
    • Quite possible, but if Panasonic wants to continue with Lumix and it makes money and takes money from Sony, I don't see really any changes.  I understand this one. Have you had any problems with the S1rii locking up or overheating? I heard someone say that the other day. Maybe they fixed it. I'm not a pro and I'm still fully enjoying the S5ii. These days, I'm more interested in lenses, especially vintage and MF ones. I should be getting the Laowa 28mm f/1.2 in a few days. There's something about the wide and shallow look that attracts me. That lens seems to be the widest, brightest. I was really hesitating between it and the Konica 28mm f/1.8 UC, which is still one of the most unique 28mm on the market. Maybe, I'll pick up both.
    • The R6 Mark III has IBIS, so that point’s off. Canon’s lineup is just segmented now: the C50 is the pro cine body, while the R5 and R6 series are prosumer hybrids. I’ve tried both the ZR and R6 (mk2) back to back. The ZR looks cooler and that big screen is gorgeous, but ergonomically it’s kinda average: very thin, shallow grip, no EVF, cheap buttons and a menu system in dire need of a revamp. Lack of DCI, open gate and meh exposure tools on the ZR is what bugs me most. Overall I still really like it for its streamlined compactness and big display but it's clearly a first gen product. The Canon feels faster, more natural, and better balanced once in hand for hybrid usage.   That said I admit the R series design language has zero mojo compared to the cine oriented C50, FX or ZR, but the R6 III is far from crippled. It’s balanced, feature complete, and a solid proposition in today’s mid tier hybrid market. The real genius move I think is launching it alongside that super affordable 45mm f1.2 where other brands keep pairing slow zooms as their kits. Side note but speaking of sex appeal the camera that really had me drooling at the shop was the Sigma BF. Totally unpractical form over function design but that heavy solid unibody paired with minimal clever UI make it one of the most unique and oddly inspiring designs in recent times.
    • It’s a bit small and lower res in 2025 I think… As someone who will not rig out beyond a cage and a mic and only uses the rear LCD, 3” and 1.6 million dot isn’t great, especially when the ZR has 4” and over 3 million dot screen. OK the Nikon is a bit more cine orientated and the Canon, more hybrid, but I know which I’d choose between the two. Canon just don’t seem to be innovating enough or if they do, still cripple hammering too hard. Looking at you C50. The bodies are also looking more and more old hat unsexy plasticky blobs, even if they are well built. No IBIS is a very hard sell in 2025 to the more mass market. Or maybe they don’t need to sell to the more mass market/prosumer? What do I know… Canon, as it always has been for me, just don’t have that ‘want it’ buzz about them and it was Nikon who used to always seem to play second fiddle to them, but looks like Neekon have jumped them in recent times.
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