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  • Posts

    • Normally, on a 16:9 screen - thin black bars top & bottom, on 16:10 screen - thicker bars top & bottom, on 21:9 screen - bars on left & right sides.
    • I guess eventually you may accumulate several m43 bodies, gh7, chunky yet robust pro body, something like em10 v, small body with interchangeable lens mount, even smaller m43 body with integrated f1.4 prime lens, like Sony rx1. probably each format will have these several layers. 
    • If I'm outdoors standing on a cliff and want to capture the sounds of the forest around me, I definitely wouldn't go the supercardioid route. While not an identical scenario, when I was looking for mics for my pro-wrestling work, I went with stereo ones that could better pick up the spectators and arena atmosphere. My beloved supercardioid mic (the Azden SGM-250CX, a very underrated mic IMO) did a poor job of it, because it mostly picked up what was going on in the ring itself, which for me is actually a negative because it picked up the wrestlers talking to each other during the matches. Scratch mics are generally mics that pick up audio that isn't used in the final edit but only as a reference. It doesn't really apply to your question, I'm not sure why he brought it up. Yes, but you really don't need 32-bit for the uses you've described. Simply plugging a microphone into the GH7 and setting your levels will be more than enough for what you're talking about doing. I use 32-bit float audio because I deal with situations that are unpredictable, where audio will suddenly get way louder out of nowhere so I need to be able to bring it down in post. For what you're doing, you really won't have that problem. A simple stereo mic that you plug into your GH7 is more than enough, and will save you hundreds of dollars in buying an adapter you don't need to achieve what you're talking about.
    • I still can't believe its stacked, even at higher price. We'll see.
    • I had one of those deals in France. It was just too good to pass up in November of 2022. When you wait and buy, you usually don't end up losing that much when you sell it back. However, what happens when you love the look of the camera? With the GH7, it looks as though Panasonic has addressed EVERY problem there was with the GH6 with the exception of a chunky body, but many people like that too. The image is 98% of the image of the S5ii (with the right lens), but you have that screen which is so much better than the flip-out only screen on the S5ii- it's a major usability issue. Also, there's the high frame rates. I currently have the Olympus 17mm f/1.2, a prefect lens for that body... we'll see in November. I will probably dump the idea though if a M43 small camera comes along because I'm still a believer in keeping the format relatively small and that is not the GH7.
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