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By Steve Haavik · Posted
Hey folks Looking into acquiring a Z50 ,but couldn't find an answer as to whether Z-log applies to the Z50. Wonder if anyone here besides ( or including) Andrew has had a go at creating one? Cheers and thanks for all the very helpful advice provided over the past few years! -
By eatstoomuchjam · Posted
I'm making films with it. I was recently offered enough for an upcoming feature that it would more than pay for the camera, but it would have also been like half their budget. I suggested a percentage instead - which will almost certainly yield less money, but allow that money to be spent to improve the parts of the film which are more important than my camera, which is most of them. 😅 Just footage in general? The most recent couple of shorts on my YouTube channel (https://youtube.com/eatstoomuchjam) were with the UC12K. Otherwise, most of what I've shot is in short films that are still in festival rotation. Between the UC12K and the GFX 100 II, I'm happy enough with both. If I'm on set, I'm most likely to bring the Ursa, Ronin 4D, R5, and Pocket 3. If I'm taking photos or traveling, the GFX or R5, maybe with the Pocket 3. If I need to travel lighter or be more inconspicuous, the Komodo-X and/or Komodo, probably with the Pocket 3. I'm thinking about taking the train to Chicago to do a 48 in a couple of weeks. If I do, I'll most likely bring the Komodo-X and Pocket 3 with my DJI Mini 3 Pro - that's an entire shooting setup that easily can fit in a backpack, more or less - and with EF lenses, I can use the Canon VND adapter when outside and the Canon focal reducer when inside. -
I'm back from Guangzhou China, and starting to evaluate the footage, especially my modified Takumar 50mm F1.4 with the custom "insert" made from post-it notes and sticky tape. I managed to get out and shoot with it on a couple of nights. One in Beijing Road and the other in Yong Qing Fang. Some images from Beijing Road... these are all wide open, and lightly graded with Resolve and Film Look Creator. Overall, I'm really liking the aesthetic, which reminds me of mid-budget Hong Kong cinema, which I have a soft spot for. I mostly exposed to protect the highlights and then adjusted exposure in post under the FLC, and the GH7 has just enough DR for this, despite the scenes being quite challenging. The lens has a shallow enough DOF to be able to direct the viewers attention by choosing what is in focus, and the FOV (equivalent to a 71mm F2.0 on FF) is great for these type of scenes where the scenes would mostly overwhelm a wide lens with pure chaos. Some images from Yong Qing Fang.. same as above but with a touch of sharpening. This was a lot darker and I needed to push the ISO to get more levels in some scenes. It was also a lot higher DR, so some shots will be limited in post for how I grade them and I'll probably reach for NR in places. The lens is actually quite sharp in the middle, but the sides are more distortion than I'd like with quite a bit of bokeh distortion and coma from bright sources. The experiment with this "insert" was how strong a look it would be and I think it's probably too strong because the bokeh shapes are too distracting due to the sharp corners. It's distracting on frames with a clear subject (where you want the background to get out of the way) and on other shots its pure chaos and completely negates the idea of directing where the viewer will look. Getting DOF this shallow on MFT isn't easy, so I'll have to think about it more for future trips.
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