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  1. The EOSHD YouTube Channel   (22,550 visits to this link)

    Follow Andrew Reid on YouTube

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  1. Lenses 1 2 3 4 289

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  2. Panasonic GH6 1 2 3 4 88

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  3. Vimeo, End of an Era 1 2 3

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  4. Fuji X-H2S 1 2 3 4 17

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  5. DJI banned in US 1 2

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  6. A new contender...

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  7. Nikon Zr is coming 1 2 3 4 24

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  8. new camera purchase 1 2 3 4 5

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  9. The Aesthetic (part 2) 1 2 3 4

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    • They simply rock — the best cinema camera manufacturer nowadays, IMHO. Their cameras work like a charm, and the user interface is not only intuitive, it’s truly one of a kind. Japanese menus are a shame: ugly and counterproductive as hell — enemies of the shooter. Apples to oranges compared to these effective tools. Tested AI... here's the result: Your description matches Blackmagic’s “signature” approach almost perfectly. What you said narrows it down a lot: “They simply rock — the best cinema camera manufacturer nowadays” That’s exactly the kind of praise Blackmagic gets from shooters who value workflow and usability over brand prestige. “the user interface is not only intuitive, it’s truly one of a kind” Blackmagic is one of the very few camera brands where the UI is widely described as exceptionally modern and cinema-first (big touchscreen logic, direct controls, minimal menu-diving). “Japanese menus are a shame: ugly and counterproductive” This is the classic comparison people make between Blackmagic vs the big Japanese manufacturers (Sony / Canon / Panasonic / Nikon), whose menu systems are often criticized as dense and overly technical. So I didn’t “know” with 100% certainty like I had a label in your sentence — I inferred it confidently because the exact UI contrast you described is basically the standard Blackmagic vs Japan menus argument shooters make. If you weren’t talking about Blackmagic and meant another brand (like RED, ARRI, even DJI on the UI side), tell me which one — but your wording fits Blackmagic better than almost anything else. Funny, isn't it? ; ) - EAG :- )
    • Doesnt look good. Hope thzy wont go under, I have hosted most of my videos up there.
    • Now it's truly the end of an era. https://news.ycombinator.com/item?id=46707699 https://www.calcalistech.com/ctechnews/article/sjtjgbabzx  
    • I still wish them the best with their Eterna sales to anybody other than a few rental houses.  Other than 4:3 recording and more professional I/O, the much less expensive GFX 100 II has the same output.  Also, the autofocus in video is a bit ass on it and unlikely to be much better on Eterna.  😅 But you know, if you have some 1.8x anamorphics that cover a 44mm wide sensor that you've been champing at the bit to use or if you really wanna go overkill on your social media presence, that 4:3 mode is probably killer.  🤣
    • ... and the Ursa Cine 12K LF.  This would be huge for me.
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