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By Andrew - EOSHD · Posted
What a gem of a find that Japanese ARRI user is. Lots of nice Sigma Fp stuff on his channel as well. -
By fuzzynormal · Posted
Ooooo, now we can talk about color dyes and developing? Anyone for a convo about silver-halide grains and subtractive color formation? Let's chat about how radiant energy is converted into the kinetic energy of electrons and how those electrons are then trapped by AgS contaminants in the AgBr crystal lattice. j/k. But if you want a rabbit hole, chemistry is a good one. -
Apparently they can't even educate their own sales reps about their own products, so their ability to sell a camera that doesn't have the latest specs may be less than required. Emily said one thing in the video that was amusing, she said she had to hand it to Sony, as they have managed to brainwash their customers into thinking that larger sensors are better and that smaller formats aren't useful for anything. This is true, there is all kinds of misinformation out there that people are just constantly repeating to each other. The total amount of money spent on marketing must be absolutely unfathomable, but the thing is that companies will gladly pay for it because sadly, it works. -
By eatstoomuchjam · Posted
Their strategy is similar to the one that I've been taking for a little while now - I used to hard mount more things to the cameras, but now I'm doing more with nato mounts and arri rosettes, but still keeping things compact. I've also been experimenting a little bit with some of the newer locking quick swap stuff - hawklock from Smallrig and the spider crab stuff from ifootage. They're both alright. Their setup is really clean/nice, but if it's shown cabled up at some point, I missed it. That's the biggest problem I've had (and still haven't solved in a way that I find satisfactory) in moving away from hard mounting my rig/parts. That one is gonna need an HDMI going from the camera to the monitor as well as the power cable going from the battery to the monitor. Their short type c cable shouldn't be too intrusive when plugged in, but the rest of the cables can get/feel a bit obnoxious. -
My understanding is that WB is Linear gain, so it makes perfect sense for it to be before debayering. The logic is sound - WB is a mathematical adjustment to the sensor read-out and needs to take place before any creative operations, which for ARRI includes the debayering operation itself. Photographers click the button and expect the file on the card to contain the RAW un-altered readout from the sensor, which they think is somehow pure and have all these rules about what you're meant to do that they all just parrot to each other without anyone actually testing them and actually learning anything. ARRI is light-years beyond this, doing all kinds of processing. As someone who learned photography and then learned video, my impression was that going from photography -> videography was harder and took far more work to understand than learning photography from scratch. I randomly found a thread many years ago where someone posted the five most expensive photos ever sold without revealing where they were from, and the reaction was complete derision, with people saying things like "out of focus" "not sharp" "wrong WB" etc. When the OP revealed these were sold for millions of dollars each the reaction was various combinations of "we are right and people don't know what a good photograph is".
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