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@MrSMW yea, once clients trust your taste and the look becomes part of what they’re hiring you for, baking it in just makes sense. It shifts the work from “fixing” to actually shooting with intent. I’ve found it especially useful on doc and news style projects where speed matters and consistency is more important than endless options later. As long as the look is designed thoughtfully up front, it’s hard to want to go back. -
They’ll arrive at my Danish supplier by mid-January (next week for the adventure combo) and the end of the month (for the standard combo). That said, DJI deserves credit for cross-generation battery compatibility when not between distinct models such as the Action series and the new 360. It saves money, reduces clutter, and it’s a real factor in choices like Osmo 360 vs X5 and Action 6 vs Ace Pro 2/1 (all of them are great devices BTW). Let alone the single piece Osmo Pocket series is. I was into RED for a while, but the proprietary stuff eventually made me step back. - EAG -
Ditto and it has been an absolute game changer for me with my workflow, especially as 100% of my clients what a result in ‘my style’, so effectively carte blanche. As long as I don’t do anything radically different… -
Thanks for the info. I have ”Use Mac display color profile for viewers” and ”Viewers match Quicktime player when using Rec.709 Scene” enabled in Resolve settings. If you google ”viewers match quicktime player resolve” you can find a thread from Resolve forums about the issue, where it is explained which combinations work and which do not. -
Trump would be locking his on the 1930s. They’d still get people whining about autofocus and IBIS.
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